Garage Days
Garage Days
| 03 October 2002 (USA)
Garage Days Trailers

The story of a young Sydney band trying to get a foothold in the competitive world of rock n' roll. After the band's first gig is a colossal failure, the lead singer takes it upon himself to go out and pursue the most successful rock manager in the country. Meanwhile, the other members of the band continue to deal with the kind of everyday life issues that can ultimately tear a band apart. It may be the dawn of a new millennium, but it's still a long way to the top if you want to rock n' roll.

Reviews
Lawbolisted

Powerful

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Sexyloutak

Absolutely the worst movie.

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Donald Seymour

This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

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Bob

This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

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Rich La Bonte (flatrich)

Except for the sappy, everybody wins ending (and that is the only spoiler here), this wonderfully funny and often mildly psychotic film by Alex Proyas made my day. Anyone who has ever started a little band somewhere with dreams of glory, or even roadied, groupied or otherwise participated in such an effort, should see Garage Days because this one is for us, about us and sometimes so right on the mark that it is downright scary.As a former professional musician who started in garages just like the heroes of Mr. Proyas' film, I can testify that the insanity pictured here does indeed happen - always has and always will - in the rock 'n' roll universe. Garage Days is a gem and though it is basically a comedy, even fans of Proyas' Dark City will not be disappointed.The production, actors and effects are excellent - Maya Strange stole the film for me as Kate, but the rest of the cast were terrific too.Garage Days is currently playing on cable channels in the US, so catch it if you can!

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simtel

Not as bad as I've been led to believe, but it left me wanting more. The jokes were there (and great at times), the script wasn't bad, the plot has some twists you don't see coming, and the music's excellent. But I found it really hard to get into the characters. I'm not sure whether it was that the characters were poorly developed, or if it was just the actors (whose performance seemed under par at a number of points throughout the film). Lucy in particular seemed to need a lot more work. Worth watching to make up you're own mind, but if you're ever in the position where you have to choose between watching the movie and listening to the soundtrack; I say go for the soundtrack.Or just watch Looking for Alibrandi. Same kind of feel, but a better movie in my opinion (and again with a pretty good soundtrack).

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April Angel

I caught this movie on HBO. I was intrigued because I kept thinking the movie would find it's footing and somehow entertain me other than with it's "clever dialogue ". It was completely awful with a predictable ending , pointless hots, horrible directing, sub-par acting, and hideous sets. I can't believe they were given money to make this movie. The movie centers around a group of friends trying to make it. It dabbles in trying to show the same stereotypes of bands trying to make it and the struggle of it as well as the friendships that are made and change throughout the experience. The movie tries to evolve beyond the one trick pony of "are they going to make it?" and it fails...terribly.

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Mel Pullen

I've watched the DVD twice this weekend and I think it is an excellent, light comedy. There's a dark subplot to act as counterpoint, and most actors have dark as well as light. Bruno, the manager and Luce, the drummer produce brilliant characterisations; high energy. Garage days shows nicely how, for most people, life doesn't turn out the way they hoped. It also shows, equally nicely, that most people learn to accept the way their life turns out. The director was brave to portray drugs in the way he does. He is also fleetingly and subtly negative about gambling. The commentary on the DVD is tantalising about the possible treatments. It also indicates the lengths the director has gone to for emotional appeal relating to the various actors. The plot is simple, but that's not the point of the film. It doesn't have overt gimmicks or special effects. There's no heart stopping shocks or car chases. It's a subtle, nicely portrayed love story. I'm sure this film will be enjoyed by many of the baby boomers, the people who (vaguely) remember the sixties.

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