Simply Perfect

I wanted to like it more than I actually did... But much of the humor totally escaped me and I walked out only mildly impressed.

Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.

The story, direction, characters, and writing/dialogue is akin to taking a tranquilizer shot to the neck, but everything else was so well done.

Silly antics, with some song and dance numbers tossed in. Nifty (Ray Bolger, just after doing the Wizard of Oz) does a fun, impressive number right at the start, "I'm in Good Shape". He and his co-horts are musicians in a restaurant, and they share an apartment too. Nifty meets up right off with Nina (Ann Shirley), who doesn't have a place to stay, so of course she moves in with them. As we are in the middle of WW II, and there was a major housing shortage, this would be OK, in spite of the film code being in full force by now. They keep bumping into Noodles, the crime boss, played by Jack Durant. The producers didn't spend much on the script here... its all pretty silly, but it kind of works as long as you don't take it too seriously. Nina thinks she can speak with foreign accents, so that comes in handy. Even Desi Arnaz gets caught up in the plot. According to wikipedia, this was only the third role for Desi, and he was on the musical soundtracks for all three of these roles. This about ten years before I Love Lucy. Its OK, but as we can see, it didn't win any awards. This film was just like watching one of Lucy's schemes gone wrong; maybe that's where Arnaz got the idea. Directed by Jack Hively, who also directed a bunch of "The Saint" movies.

Sometimes, studios recycle old scripts with ease and some success. But in most cases, they are pointless, and in a few of them, the result of the second or even third version is a rancid mistake. That is the case with this 1942 "B" musical, first done in 1930 as "Street Girl" and in 1937 as "That Girl From Paris". Here, a talented cast is put together for this version where the plot creaks and the jokes land with a thud.The first scene of Bolger quickly moves into a charming number, "I'm in Great Shape For the Shape I'm In" which is staged cleverly (Bolger aping practically everybody he passes on the street in his rubber legged dance) but all of a sudden harshly interrupted by the arrival of Anne Shirley whom he prevents from being hit by a car. The way it is done is so awkward that it reminds me of bad edits of movies in the old days on television. Unfortunately, the film never lifts itself back up. This type of plot (A member of European royalty and his look-alike causing confusion for a dance band and its new singer) went out of style in operetta more than a decade before. Even with some fine moments by "Dainty" June Havoc (as a really tough band singer) and Desi Arnaz (in a dual role that seems more suited for real-life wife Lucille Ball), the efforts are too late.

Okay, first of all this is the second remake of RKO's wonderful STREET GIRL. The first remake was THAT GIRL FROM Paris with Lily Pons. Anne Shirley is the faux continental who sings. It sounds like Vera Van doing the actual vocals (Vera sang in DARK VICTORY and DUST BE MY DESTINY). The cutting of this picture is a disaster, which is pretty ironic seeing as the director is a former editor. It is very obvious that scenes were trimmed and transitions shortened. There are holes all over the place. The songs are so-so. One of them, "Boogie Woogie Conga" is almost a carbon copy of "Congo Beso" from HELLZAPOPPIN. For my money, the two best reasons to watch FOUR JACKS are June Havoc and Jack Durant. Durant, late of the team of Mitchell (Frank) and Durant, is quite hilarious as a slightly psychotic gangster. Russian tough mug Constantin Romanoff actually has a few lines in this one. If you're into cinema archeology, watch this one to compare and wonder.

This is almost a shot-for-shot remake of the 1929 "Street Girl," which was equally cheerless but at least had better musical performances... Betty Compson played the violin and Jack Oakie shimmied in that one. But in the hurry to make movies during the war, they made the nimble Ray Bolger boring and whiny. Anne Shirley has great clothes for a homeless girl, and Desi Arnaz is both handsome and comprehensible in English, so you do wonder what happened to him by his "Lucy" days. This was on very late one night, so it was worth watching under those circumstances -- but otherwise, don't bother. This is a dead man's hand, indeed.