Forever Lulu
Forever Lulu
| 07 July 2000 (USA)
Forever Lulu Trailers

A schizophrenic romantic tracks down her college sweetheart to help her find their son she gave up for adoption sixteen years ago to the dismay of his new wife.

Reviews
Scanialara

You won't be disappointed!

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ThiefHott

Too much of everything

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Frances Chung

Through painfully honest and emotional moments, the movie becomes irresistibly relatable

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Zandra

The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

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kkcharis

it is such a pretty story, just like a refreshing lemon sprite! i had worked with mentally ill people, it also touching me in the way lulu struck for her identity and life. sometime, under a megalopolis, who is insane who is not, it is difficult to judge! we all need someone to give us a hug and love! the power of love! thanks lulu to help Ben and his wife to release their innermost feelings, "can heal but couldn't self-heal", lulu became their angel between two professionals! open up yourself to face each other, there is no other better way than this to deal with relationship! don't forget your dream, the rainbow is there! the psychiatric institute, the professional tone in questioning, the hallucination, something between realistic or false! who can ever say it absolutely correct! the last part of the film is so moving, my eyes wet and nearly tear come!

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reblit

I have no idea why this film was listed as a comedy. It definitely is a romance and depicts several different loves - infatuation (in flash backs and memories), parents' love a child, a wife's love for a husband, a husband's love of a wife, and a love above other loves.Patrick Swayze is brilliant portraying a man torn between the burning memory of an earlier passionate love with Lulu (Melanie Griffith) and a love he feels for his wife. Swayze's character takes off across country with Lulu in search of his son with Lulu that he just found out about. Swayze is a handsome, moving leading man.It is an excellent film that portrays a beautiful woman (Griffith) who has struggled with mental illness for years. Melanie Griffith's seems to always be able to portray sweet vulnerability even when her characters should not be sweet and vulnerable - she is able to dig down and find the soul of her characters.Penelope Miller does a wonderful job as the wife of Swayze's character. Definitely worth watching - have tissues nearby!

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ColeSear

Along for the Ride (or "Forever Lulu") is not a special film by any means. It's quite average like most films it has its moments. The only really surprising thing about it is how powerful the source music is at the end. Other than that the plot is pretty much predictable. Melanie Griffith does an absolutely amazing job in this film yet again and if you're a fan of hers its the only reason to see this film. Penelope Ann Miller is also quite good in a supporting part. If you have some time to kill this ain't bad.

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rarematters

What was Patrick Swayze thinking here, he may have very well hit his head one too many times in one of those rumored drunken plane episodes. This movie sounded WOW! on paper, had a promising cast, but was put together and written unbelievably lame. Scene-by-scene, decent even good acting, but put into context nothing seemed to jive. The characters were compelled to be together by nothing more than the script, real life could have never fueled so much awkward interaction and endeavor. Any hope the storyline had was completely lost in execution and directing. There were times I heard cameramen groaning. It was great by high school play standards, but less fun. The cross country trip felt like one. Michael J. Pollard (C.W. Moss from 1967's Bonnie and Clyde) was a potential completely misused in this film. My mailman could have played his part. As A hitchhiker with merely a couple of great lines like "can I get in the front seat" and "you're really one crazy lady" his character makes it one mile down the interstate before Griffith kicks him out. I should have gotten out where he did.

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