Too much of everything

The plot isn't so bad, but the pace of storytelling is too slow which makes people bored. Certain moments are so obvious and unnecessary for the main plot. I would've fast-forwarded those moments if it was an online streaming. The ending looks like implying a sequel, not sure if this movie will get one

The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.

is it fair to criticize a film for lacking a plot?probably not. (1) dependence on plot, the idea that every experience is part of some greater story which has a clear moral content, is a misnomer...and probably the underlying disease which is americanization of art. everything cannot be succinctly categorized. there is not just one perspective. (2) i might have missed the plot anyhow. after all, i was combating a poor knowledge of german, austrian accents, inaccurate subtitles, a less than stellar video copy, and, of course, my own limited sensibilities. but i can say, that i do like a plot. and there did not seem to be one here. that said, i was completely impressed by this film. the low-budget aesthetic was wonderful. from the chunky city-scape models, to the hermes-like metallic scrunchies, to the exploding possums, the futuristic car in a sheet, the red vinyl body suit, the fold-up character, and the alligator stir-fry. all very intriguing. add in poetic monologues and cryptic conversations. i was very happy, because it was so pretty.