One of the worst movies I've ever seen

A Brilliant Conflict

Easily the biggest piece of Right wing non sense propaganda I ever saw.

Just intense enough to provide a much-needed diversion, just lightweight enough to make you forget about it soon after it’s over. It’s not exactly “good,” per se, but it does what it sets out to do in terms of putting us on edge, which makes it … successful?

FIRESTORM starts with some outstanding visual poetry and ends with some clunkingly awful action scenes. The plot sees a rule-abiding cop who is tempted into breaking those rules in order to take down an ultra- violent gang of HK armed robbers wreaking havoc across the city. In truth Andy Lau is so upstanding as to be positively dull. A subplot featuring an ex-con trying and failing to go straight is far more compelling. There are the usual chases and fights but CGI has worked its malign influence, with the film's biggest stunt - involving the hero and a baddie tumbling off a roof - so CGI-addled as to remove any sense of wonder. The climactic gunfight also suffers as the heroes do so much damage that the very structure of the city ruptures (!) and new waves of SWAT turn up to replace the hundreds killed as if in some sort of video-game.

I watched the action film Firestorm on a boiling hot day, hoping a movie about a massive storm on the verge of infringing upon Hong Kong might cool me down. Instead, by the end, I was just as tired, sweaty and unimpressed as I was when I inserted the DVD into my player. Out of all the Chinese movies I have recently had the pleasure of watching, not only is Firestorm the most disappointing, it is almost incredibly unique, in that by the conclusion of the feature, I was bored to death - by the sheer wealth of explosions.Police Inspector Lui (portrayed by the always entertaining Mr. Andy Lau) is a brilliant member of the Hong Kong police, who unfortunately finds himself in the middle of an escalating horrific situation. Not only is he trapped in the middle of a deranged action film, he has to contend with two forces: a storm, that threatens to turn Hong Kong inside out, and a crew of criminals hard pressed to do the same, who are led by the ruthless Cao (Jun Hu).At the same time, Shing (Gordon Lam), a convict recently released from prison, is trying his best to be the man his beautiful girlfriend Yin (Yao Chen) has been waiting patiently for. With a direct connection to Cao's crew, it's no surprise that Lui and he eventually cross paths, as the police inspector comes to realize that usual police tactics will inevitably fail to bring justice.Cao's crew, who at first glance appear to be thieves, are painted as murderous psychopaths. There is little background regarding their motives, and their unrelenting slaughter of civilians feels more like a slasher film with guns rather than an in-depth police drama. This same lacking characterization applies to every individual in the movie, including Lui. Although Mr. Lau has proved time and time again he is a brilliant actor, his character is eventually also pulled into the relentless shoot 'em up, spending more than half the film on the ground after being shot, punched, or blown away by one of many explosions that occupies the plot.Although horrific tragedies do take place, which lead Lui down a questionable path, even in these moments, the audience, despite acknowledging the horror of the event, cannot become emotionally involved, because by the end, the characters remain a collection of total strangers. What's more, Lui's actions, which begin to blur the line between good and rogue have little affect on his character, who doesn't seem to care that the rules he swore to obey might very well be thrown out the window.In the midst of the insanity, there are a couple of beautiful moments that show how family is not just those related by blood, but these are so fleeting, they are barely rememberable. Furthermore, although there are several great fight scenes, alongside a number of explosions that continuously look superb, these blur together overtime, and by the trigger happy conclusion, I was left shaking my head in disbelief, wondering what the point to any of it was. A scene involving white doves is surely a tribute to revered action director John Woo, however the fact there's several dozen of them is outrageously over the top, which clearly reflects the entirety of this production.The strongest moments in the film often involve the arguments between Shing and Yin, where emotions run high and heartbreak and violence is potentially just a moment away. But the film fails to capitalize on the talents of the actors portraying these characters, or this sub-plot, that infrequently appears, and if the creator's had spent less time on the action, and attempted to stretch the back-story of each of the leads, this would have made for a far more effective story. By the end, there's a storm alright - it's just not the one we were promised.

There are 2 ways to be disengaged by this movie: 1) Has to do with reality - as Hong Kong people protest the corruption of the government it makes it seem like the deeds of criminals robbing banks less important, if not infinitely small...2) But societal politics aside, this movie continues a horrendous trend of Hong Kong police action flicks trying so hard to be over the top and out-do better precedents, it misses the mark by being ludicrous beyond belief. Andy Lau is simply too old to be blown off his feet as many times as it happens. Others have noted the ridiculous CGI bullet exchanges with the warped sound effects... A very violent movie with no reason except to be very violent...The longer you hang with this movie the more mind-numbing it becomes and points to the time we live in: while the real world is engulfed in mass inhumanity to man, the fake world of movies, either in Hong Kong or Hollywood, insists on churning out violent stupidity that serves not as escapism nor entertainment...Just twisted dung trying to make a buck...

Hong Kong cinema continues the trend set by Hollywood in glamourising violence, explosions crime and guns... some scenes look straight out of video games like Call of Duty. The action scenes are so violent, they took on an almost incredulous comical turn, Andy Lau's character was seemingly an immortal in disguise who survived more than a credible amount of car crashes, bomb/grenade blasts, direct gun fire and jumping out of high rise (sometimes exploding) buildings. There is a thinly veiled attempt to weave in a morality story about a pragmatic and too-late-to-repent criminal but it was a little simplistic, although the scenes were moderately salvaged by the strong acting of Chen Yao. Most interesting arc of the story was Andy Lau's portrayal of the obsessed cop forced to make ambiguous moral decisions in his search for justice. Unless you are the kind of person who really enjoys violence, guns, explosions and how the HK police force doesn't employ snipers to take down criminals in the open, then this film probably quite for you.