Just perfect...

Better Late Then Never

The tone of this movie is interesting -- the stakes are both dramatic and high, but it's balanced with a lot of fun, tongue and cheek dialogue.

The best films of this genre always show a path and provide a takeaway for being a better person.

Copyright 6 November 1943 by Warner Brothers Pictures, Inc. No recorded New York opening. U.S. release: 6 November 1943. Australian release: 18 July 1946 (sic). 5,026 feet. 55 minutes. SYNOPSIS: An upcoming politician is blackmailed by a talking crow.COMMENT: Obviously designed as a spoof, this dreadful little movie does not succeed on any level, thanks to leaden direction, incompetent scripting, abysmal acting and impoverished production values. Admittedly, I did chuckle once or twice. I don't want to give the impression that every movie produced in Hollywood's golden age rates as a potential crowd-pleaser. (Even the studio didn't number this one too highly. No New York send-off and, after sitting on the shelf for some years, released in Australia in the dead of winter). I also want to set the record straight about Gene Lockhart. Gene is a fine actor. But he seems to have limitations. He gave a brilliant performance in Algiers because he followed the director's instructions to the letter. Here, he is cast on his own devices, yet he does nothing. He finds himself in a rare starring part, but makes not the slightest attempt to entertain the audience. Does he put on a funny voice? No! Does he try a peculiar walk? No! Does he run through a series of odd facial expressions? Not a one! Gestures? No. Talk out the side of his mouth? No. Whistle? No. He does absolutely nothing. Nothing! It's incredible, but true. He just stands there (or sits there) stiff as a board and says his lines. At least Jerome Cowan puts a bit of extra verve into his portrayal. It's still not successful, but at least he tries. Even Lou Lubin, struggling against poorly conceived camera angles, is obviously aware the movie is supposed to be funny. True, Cowan, Lubin, Harmon and Emerson are constantly stymied by Lederman's weak, flaccid and almost totally inept direction (or rather lack of direction), but at least they bend themselves into knots in futile efforts to make their lines amusing! On the other hand, maybe Gene honestly thought the movie simply wasn't worth the effort. And there he was right!

Find the crow, and you find the blackmailer. That's basically what portly mayor Gene Lockhart tells private investigator Jerome Cowan. Poor Cowan only got the job because he's the least known private detective in the city, and that joke sets them theme for the style of this tongue-in-cheek murder mystery where all sorts of shady characters come in and out, all looking for the mysterious black bird that holds the secret, not the stuff that dreams are made of. Cowan and secretary Faye Emerson, down to no cases, are thrilled for just one chance, especially since solving this crime could open all sorts of doors. It's an entertaining, extremely fast moving Warner Brothers second feature with witty lines, a few red herrings and just an all round fun atmosphere that proved in movies, sometimes less was more.Lockhart made a career out of playing pompous asses, and obviously knowing that his look archetyped this character, played them to the hilt. Here, he's not quite as pompous, although his initial speech on the radio makes him appear that way. He knows he's in over his head, and if he has any chance of winning re-election, that darn crow must be found. The presence of Bradley Page (one of the screen's most darkest of shady villains) gives an obvious suspect to the dirty goings on, but in only 55 minutes, a ton of other characters are introduced as possibilities. The whereabouts of the actual crow (who ironically sounds like a parrot) is amusing as well. Fun, quick and done, you may not find the revelation of the blackmailer a big surprise, but you'll have a fun time getting there.

Like the Maltese Falcon, Warner Brothers "B" detective thriller Find The Blackmailer involves a search for a black bird. Here the resemblance ends. In this case the black bird, rather than a jewel-encrusted statuette, is absurdly a talking crow, which can put the finger on the detective's client for a murder. Honestly! Not as bad as it sounds, but not Golden Era Hollywood at its best either.The principle attractions of this picture are the unusual and charming casting of Jerome Cowan in the lead role as the tough if somewhat bumbling detective and some stylish noir cinematography by James Van Trees. Cowan is ably supported by the ever reliable Gene Lockhart as his blackmailed politician client, Margorie Hoshelle as his breezy, underpaid secretary, and second-billed Faye Emerson as a nasty femme fa-tale. The script is muddled, ridiculous, and padded out with a lot of meandering, unnecessary action. It looks as if director D. Ross Lederman was struggling to squeeze out the required 55-minute running time. If his picture had been tightly edited, it could have easily run only 40 minutes without losing anything. Dialog is cliché-ridden, but fun. Just about every wise-crack and every colorful slang term from every detective, mystery, cops-and-robbers picture from the previous decade as been gathered for recycling in Find The Blackmailer. Surly this picture was meant to be a spoof. Big hint -- the detective's name is Trees, same as the cinematographer. Or does that just mean they were making up the script as they went along? This suspicion will creep in from time to time as you watch the strange proceedings. Never mind, just relax and enjoy. You can't be expected to figure it out if it doesn't make sense. And it most assuredly does not. Cowan's character is more humorous that tough. Cowan didn't have a muscle in his body, but he still manages to get tough when needed by keeping his hand on the .32 automatic in his coat pocket. But mostly he just cracks wise and grins through his trademark pencil-line mustache.But not so bad for all that. As yours truly has stated elsewhere about other, better second features, the big studios of Old Hollywood could turn out good-looking, entertaining pictures while only half-way trying. In Find The Blackmailer it looks as if they didn't try much at all, yet it still turned out a watchable, even enjoyable picture -- if you're in the right mood.

A detective is hired to find the blackmailer of a candidate for mayor. The blackmailer knows that the mayors fiancé is an ex-con. When the blackmailer turns up dead things become a desperate hunt for a crow that can talk.Okay, desperate is too strong a term, pastorally paced jaunt. This is stock characters going through the paces of a not particularly tense mystery (and I use the term mystery very loosely). This is little more than the characters thrashing around for an hour or so while time runs out. I'm sure this played better in the original short story because I can't imagine this nonsense being intentionally used as the basis of a film.The fact its a non-mystery doesn't prevent it from being entertaining. We watch the film because the actors make their characters engaging enough that we want to spend time with them. Honestly had their actually been a real mystery this would have been a great film simply because the cast is so good.Worth a look, especially since its part of a Warner Archive release with 6 films.