The greatest movie ever made..!

I didn’t really have many expectations going into the movie (good or bad), but I actually really enjoyed it. I really liked the characters and the banter between them.

The best films of this genre always show a path and provide a takeaway for being a better person.

Actress is magnificent and exudes a hypnotic screen presence in this affecting drama.

This is a fantastic character study which expertly details someone's transformation after they survive a horrific plane crash.After a man survives a plane crash, he is hailed as a hero because he lead several other survivors to safety. This has a negative effect on his personality though and he then meets another survivor who lost her baby in the disaster.The movie has great character development as we get to know more about Max and Carla. The movie makes us care for them and we get to experience their change throughout the film. This movie has the tendency to catch you off guard and it can surprise you're least expecting it.Probably the most memorable scene is the plane crash scene. It is frighteningly realistic. It shows the force of the wind and Earth ripping apart the aircraft. It is a horrifying scene and a horrifying memory which changed the characters life forever. It is a scene that will stick with you long after viewing it.This movie isn't perfect though. There are a few moments where the movie can be slow and a bit too long but other that, it's an underrated gem which will stick with you for a long time.

After a terrible air disaster, survivor Max Klein emerges a changed person.Unable to connect to his former life or to wife, he feels godlike and immortal.When psychologist Bill Perlman is unable to help, he has Max meet another survivor, Carla Rodrigo, who is racked with grief and guilt since her baby died in the crash....This is one of those movies that had massive plaudits when first released, but vanished without a trace, (you can't even get it on DVD here in the UK).And I ask myself why? It's one of the best films no ones heard of in the nineties, and it may even have a career best performance from Bridges and the rest of the cast.It's a difficult subject matter to deal with, people trying to come to terms with loss, whereas one man, is doing everything in his power to prove everyone that something enigmatic, even sublime, happened to him on the plane.The film would be perfect if it had the same power in the third act, like it did in the first two, but sadly, it runs a little out of steam.The scenes on the plane are very intense and genuinely terrifying, but somewhat peaceful thanks to Bridges calming influence.The film is asking lots of questions throughout, but if you go that little much deeper, rather than look at it at face value, it gets a little lost also (there are some scenes, that are indicating that Bridges is really dead, and in purgatory, which can be confusing at times).But all in all, if you ever come across this movie, you must take some time out to see i, it's an amazing movie with an amazing message, it just loses it's way a little in the last 30 mins.

Peter Weir is unique in his ability to convey the niceties of life with authenticity. Jeff Bridges is the master of the theatrical understatement. A plane crash creates a untenable level of fear in the mind anyone who has stood next to one and pondered that fate.Henryk Gorecki's Symphony No 3 creates an overwhelming sense of sadness. Fearless benefits from all these things, as well as a strong supporting cast.I cannot watch this movie without being buffeted emotionally. I know many film lovers prefer a more concrete plot and less tugging at the heartstrings. They should turn to a different page now.Fearless is a gem for anyone else.I hasten to add America, the Peter Weir was only on loan, and we want him back in Australia.

Fearless is a fascinating movie about the thin line between fear and rationality. Fear is so much more difficult to overpower, or even sometimes be conscious of, than reason that when we do overpower fear, it is not necessarily replaced by reason, but by exhilarating mania. Jeff Bridges, in one of his best performances, covers a lot of ground in his character, a survivor of a plane crash. Many die, including his business partner. The catastrophe metamorphoses his whole life thereafter. He enters an enhanced perceptive condition, believing he is dead, beginning to rethink life, death, God and the afterlife.Bridges becomes addicted to walking a tightrope over death because it makes him feel as alive and enlightened as he possibly can. But this also dwindles his connection to his family and his life. He begins to have difficulty recognizing the limits of mortality, in some way perceiving himself as more than mere flesh and blood. Rosie Perez, however, in a performance equaling Bridges' in personal reconciliation with her role, plays another survivor, whose baby son she failed to protect from death by the crash. In her own aftermath, she is the unmistakable foil to Bridges' expansive superman complex as a mother who loses all will to live.The two find themselves bonding, sharing a connection that transcends the love we tend to understand, or that Isabella Rossellini, as Bridges' wife, and Benicio Del Toro, as Perez's husband, tend to understand. And as Bridges begins to reach the dangerous peak of his high on existence, Perez is forced to make amends with the world, taking control of shaping herself. The film is a boundless interpretation of an all-encompassingly utilitarian philosophy, a kind of precept that amalgamates the black and white duality of unflappable idealism and hopeless despair.There are peripheral nebbishy professionals played in bit parts by a gregarious Tom Hulce and John Turturro who has as a virtually futile psychologist-for-hire a sort of ironic missionary zeal. We hear Gorecki's beautiful major string orchestra sound. But the film would not have the same kind of clarity, or perhaps even the same themes, without the articulately detailed cinematic expression of Rafael Yglesias' material by the director, Peter Weir.