Too many fans seem to be blown away

Clever and entertaining enough to recommend even to members of the 1%

A clunky actioner with a handful of cool moments.

There's no way I can possibly love it entirely but I just think its ridiculously bad, but enjoyable at the same time.

This hideous "heart-warmer" opens with William Holden in blackface and singing songs (he's dubbed) to sell snake oil to the rubes in turn-of-the-century Kentucky. While his partner (Charles Winninger) is arrested, he escapes to Mudville, where he runs across five orphans living in a shack.Of course he moves in and pretends to be their Uncle Johnny. When a do-gooder (Coleen Gray) comes by, she demands they be sent to school. Slowly, Holden gets sucked into their lives more and more and eventually gets a job as a singing waiter (he's still dubbed) in a beer garden. He's nearly coerced into marrying a local spinster, but you can already guess the ending.Holden had an odd contract deal with Paramount by which Columbia bought half his contract. This is one of the last clunkers he made for Columbia, and it was released a few months before the release of the film that made him a superstar: SUNSET BOULEVARD.Holden is incredibly miscast in this pap. Others in the film include Stu Erwin, Sig Ruman, Clinton Sundberg, Lillian Bronson, Peggy Converse, Willie Best, and Billy Gray with his harmonica.

If you watched this film and knew nothing about William Holden, you'd likely be shocked to learn that he become a mega-star only a few years after making "Father is a Bachelor". Now I am not saying this because the film is bad...but it is very slight and the sort of film that seems to have nothing to do with Holden's later, grittier films (such as "The Bridge on the River Kwai" and "Stalag 17") seem so incredibly different and earthier. Instead, this film is almost like a Disney family film of the 1960s.The movie begins with Johnny (Holden) singing. However, it's obviously not him singing...and he's in black face!! He's apparently part of a traveling medicine show and they are shysters. But when they run out of town with the law behind them, the law doesn't recognize Johnny without his makeup and he gets away and takes up refuge with some orphan kids. Their parents recently were killed and they have been able to scrape by...but how much longer will it be until the law also looks at them? And, what will happen when Johnny finds he's actually falling for the kids and wants to do right by them? This is just a nice and cute film....nothing more and nothing less. Light, easy viewing and a movie that's hard to hate.

"Father is a Bachelor" is one of those facilely sentimental films that deserves a swift kick in the butt. It's reminiscent of "Pennies from Heaven" a pretty bad Bing Crosby film. But it has some merit, despite being "wholesome".William Holden was Captain Cynic, a confirmed misanthrope; even his voice sounded world-weary and cynical, regardless of the role. This served him well in "Father Is a Bachelor", keeping the film from veering too far into sentimentality. (Had Bing Crosby starred (another reviewer notes the obvious possibility), it would have gone right over the cliff, bursting into flames before it crashed.)The story is set in the American South, though whether antebellum or postbellum isn't clear. (I assume the latter.) Five orphaned (and not-icky) children adopt him, and he has to go through the transformation from "I don't care about anyone but me" to "I'm willing to sacrifice for someone else's happiness". The change is played mostly seriously, and is almost believable.The story's strongest point is that Colleen Gray doesn't fall for Holden because he's good looking, but because she's convinced of his high character. (A similar transformation occurs with the town's plutocrat.) In other words, the story (sort-of) approximates a character-driven drama, rather than a plot-driven melodrama.The man driving the rich guy's carriage is Hank Worden, probably best-remembered as Mose Harper in "The Searchers".

As a fan of William Holden, I can't say this is one of his better films, but it is entertaining enough if you can get past the dubbing of his singing voice. "Born Yesterday" and "Sunset Boulevard" would be released in the same year (1950).Holden plays Johnny Rutledge, a self-described loafer who says, "The prettiest girl in the world couldn't get me--I'm woman-proof!" But he manages to get hitched to five orphaned siblings and finds himself settling into respectability and facing responsibility.He does his best to provide for the kids. He even tries to sew a dress for the little girl May (Mary Jane Saunders) with comic results. Eventually, he realizes that a mother figure might be useful in bringing up children.I think Mary Jane Saunders is one of the highlights of this film. She reminds me of Shirley Temple--cute and bright.This is very light fare. There's even a scene where a life-altering decision is decided on the flip of a coin.