Absolutely the worst movie.

A film with more than the usual spoiler issues. Talking about it in any detail feels akin to handing you a gift-wrapped present and saying, "I hope you like it -- It's a thriller about a diabolical secret experiment."

Very good movie overall, highly recommended. Most of the negative reviews don't have any merit and are all pollitically based. Give this movie a chance at least, and it might give you a different perspective.

The movie really just wants to entertain people.

This story contains two principle actors and most of the film is them in conversation. if you like action films you will not like this, if you like films with emotional content, as the focus then this is your type of film. the actors are very good, the script is very good and film works, i believed it and i found it enjoyable to watch. the film has no gratuitous sex and is about relationships, life and the scrapes we get into...i would give it a watch. Ray Winston and Jan Graveson are cast well. Some people will hate the film for being slow especially at the start (and i have seen that on some of the reviews) but as i said it is a relationship based film..and relationships are slow at the start!

An overweight man with a Don Johnson beard is our main character, he's unfortunate to look at. He looks up a hooker who is worn out looking and must be pushing 40 if not already hurdled past. They sit together in a crappy run down apartment, and he asks her creepy questions but won't have sex with her. Since this is pretty psychotic it creeps her out- OK.. we get that in the first 5 minutes.. where is the rest of the idea? It promptly falls flat on its' face after delivering the idea and the only tool it has left is boredom and lack of action as a clumsy attempt at building suspense. After 7 minutes you go.. OK does anything ever happen in this piece of crap? Well.. you will be waiting for half an hour before any skin presents itself and be promptly let down directly after. And so we plod through this trash. The hooker has a very interesting body- it is quite athletic, almost to the point of androgyny, but she has a butter face. Her body is hot but her face...So you would expect either sex or violence in large quantities to present themselves but it just kind of bumbles along in a mind numbing lack of action and lack of any sort of plot development.This video will be a great joke to play on someone- tell them it is the sexiest most mind blowing heart pounding movie. They will hate you forever because this is anything but!!!!!!!!!!As Rick James said- I wish I had me 4 hands so I could give it four thumbs down!

For those of us who continue to wave the flag for British cinema, perennially undermined by poor scripts or craven overtures to the States, maintaining such respect is very often like trying to love a puppy that keeps crapping on the duvet. So it's a joy when you stumble across a no-budget homegrown sporting great writing, even better performances – and which doesn't compromise to anyone. Winstone is the mystery john who visits Naomi the prostitute (a terrific debut from Graveson) over 9 consecutive days (the film was shot in 9 days too), without once soliciting sex. He just wants to talk; to find out why she does what she does. On the penultimate day, he even brings a Monopoly set round. If the climax doesn't come as a surprise exactly, the emotional impact remains intact, aided by heartfelt, beautifully understated performances from the cast, including Winstone's real-life daughter. See it.

I'm just home from seeing this film at Sydney's Film Festival (2005) and have to say I was very impressed. It was especially rewarding to have the director (Richard Hawkins) in attendance for Q&A after the film.The performances were captivating, the suspense was just right (you never lost interest but weren't overly stressed either) and the setting utterly believable. (NB: the locations were real, not sets).The two main characters, although unusual, were validated by excellent dialogue and acting (Winstone and Graveson). And the story was interesting and very moving.I always think the measure of a good film is when I'm not aware of the audience or the chair I'm sitting in. I'm happy to say I was oblivious to both.On the downside, various jerky zooms reminded me that there was actually a camera involved and prevented complete immersion in the story outside of the storytelling. But it is nevertheless astonishingly impressive to see what a small budget ($47,500) and an enthusiastic writer/director can achieve in a 9 day shoot!