You won't be disappointed!

Sorry, this movie sucks

Simply A Masterpiece

Although it has its amusing moments, in eneral the plot does not convince.

Not known as much now as it was when it was released, this feature written by Marty Feldman from Herbert Kretzmer (yes, the one who wrote lyrics for the hit musical Les Miserables) has its very thin premise a breakfast cereal that will seriously spice up your sex life; porridge, in fact.Cue some cringe-inducing commercials for said product and a number of fantasies in which Marty Feldman's character places himself - from being in romantic clinches with eligible ladies to a superhero fight with the local vicar, a pious type who ogles the ladies just as much as everyone else. And the real fight between the ad man and the vicar towards the end is a lot of laugh-out-loud fun.Marty Feldman does dominate this film, such was his personality and rather weird looks. However, there is sterling support from Judy Cornwell (Marty's girlfriend), Dinsdale Landen (the vicar), Frances de La Tour (a secretary), and Penelope Keith (a Swedish lesbian), amongst others.Director Jim Clark went on to the equally dubious but not quite as funny 'Rentadick' before returning to acting; in 'Every Home Should Have One' he shows some flair in setting up the quirky and unusual, while sending up a range of genres. Of its type, this film is a real find, and a guilty pleasure - if you like this kind of thing!

It's one of the best comedies I ever saw, made with much intelligence and much courage in a time when censorship was pretty terrible. Particularly brilliant and unforgettable: the dream scene on the beach with naked Marty and naked Swedish goddess, which is a tasty parody of the Ingmar Bergmann's movies. The German title is "Haferbrei mac-ht sexy" ("Porridge makes sexy"). Marty Fieldman, wild-haired and pop-eyed as always, is to see in many cult favorites. He became notably famous for his role as Igor, Gene Wilder's bemused hunchbacked assistant (whose hump switched shoulders from scene to scene), in director Mel Brooks' Young Frankenstein (1973).

I remember seeing this for the first time when I was about 7. Children In Need was on BBC 1 (or maybe Comic Relief) and I was allowed to sleep downstairs to watch the whole event. Anyway, I found this on the other channel at about 2.30am, and I was totally blown away by it. Not least the funky theme tune, the cartoons, those eyes, Julie Ege etc. Anyway, a couple of years later I got it on VHS...surprise surprise, the cut I'd seen on ITV had been trimmed significantly. The bit with the hot dog vendor, the fantasy sequence where Teddy imagines a fight sequence with the vicar had both been cut, with maybe some other bits. I've seen this film more than any other film, and have collected as much stuff to do with it as I can; 4 posters, lobby cards, and approximately 60 black and white stills. If anyone has anything else related to this film, please get in touch. A few things bother me though; how did Shelley Berman get involved?Why is Alan Bennett uncredited? Shelley Berman turned up in Friends a few years back, and his character's name was Kaplan, as in this film. Was Kaplan his own persona, or was this a nod to the film? Does the US cut differ any from the UK?

Let's be honest, what's the funniest thing about a Marty Feldman film? Those eyes! And in this particular film, they are used to great comedic effect. But that being said, if your only interest is Marty Feldman's eyes and the absolutely fantastic wardrobe designed by the very trendy Mr Fish, then this film could be a bit of a bore. Marty Feldman plays an advertising executive who believes one thing: Sex Sells! His main account is a brand of Scottish Porridge and his main thought is how to make it sexy. Marty in this film constantly drifts into dream sequences which touch on every aspect of film and commercial making and sex. This does not help when his very liberal wife is responsible for the 'sex on TV' committee which includes the likes of a very prudent couple, a priest and a colonel. Penelope Keith appears in the film as the Gestapo Nanny. For those interested in very trendy London fashions, then you'll probably enjoy this film. Or if you're interested in a very different comedy that is very cartoon-like you might enjoy this film. If not, then you'll have your finger on the fast forward button a lot.