A Brilliant Conflict

It's a mild crowd pleaser for people who are exhausted by blockbusters.

Amazing worth wacthing. So good. Biased but well made with many good points.

This is a small, humorous movie in some ways, but it has a huge heart. What a nice experience.

Every Day is every family's scenario. An ordinary midlife crisis, a slightly rebellious child, a difficult parent... it could be anyone, and it serves as a mirror telling people who look upon it: "Yes, it happens to others too. It's not easy, but you can make it."The good. The acting is well dosed, just right to make us feel at home. The script keeps event popping in, but does not become overly complex. The story is dynamic, yet quiet. The dialogs, characters, and background are realistic, without dragging us into the mundane or the boring.The actors. Liev Schreiber is the steadfast husband and father who's running into a wall. Good performance. Helen Hunt is the daughter, wife, and mother who is lost. For once, I did not find her annoying, and I must give her credit for keeping her performance on par with the flick. Carla Gugino as the sexy fun seeking coworker, Eddie Izzard as the flamboyant boss, and Brian Dennehy as crotchety old father are what gives the film its piquant. Well done.The bad. I think all this production needs to really have more punch is a bit more polish in almost all departments while avoiding becoming slick which would loose the "anyone" feel. The ugly. Nothing.The result. A bit of entertainment for everyone, but don't expect any action or big gestures. This is about "every day".

Richard Levine's 'Every Day' takes a slice of life look at Ned and Jeannie's family life. Their monotonous life is further disrupted when Jeannie's grumpy father, after the death of his wife. Levine tells the story with sincerity but it feels very familiar. It bares some resemblance to movies like 'The Savages' and 'Little Children'. I liked the angle with the teen son who gets lured into sneaking out at night to meet a guy at a disco and yet he's strong-minded enough to refuse drugs. The dynamic between him and his father, especially concerning his homosexuality is portrayed effectively. The struggle between Jeannie and her father is well-depicted. The characters are well-written. The lines are witty and funny but the plot is contrived and very predictable. The Eddie Izzard track felt like an attempt to be quirky and it hardly contributes much to the main story other than providing some comic relief. It's good to see Helen Hunt back. She performs naturally. Brian Dennehy is brilliant and the two child actors are good too. Carla Gugino is spot on. Liev Schreiber and Eddie Izzard are passable.Overall, it may be a typical slice of life family drama but still worth the watch mostly because of the way it portrays certain themes, sharp dialogue and good performances

If you can look past Liev Schreiber's beard and stop wondering when Sabretooth is going to kill everyone, this is an amusing and affecting little family drama. It's true that about an hour in when you realize the movie's message is nothing more than "Life sucks. Keep going", you'll get a brief sense that your time has been wasted. Get over that disappointment and stick it out to the end. Every Day doesn't have some sort of spectacular finish. That would be very out of step with its low key manner. The ending does give you a sense of completion that validates a viewer's investment. You have to savor these subdued performances and quietly clever story all the way through to fully appreciate them.Ned (Liev Schreiber) is a writer on an awesomely trashy TV medical drama. He's got a teenage gay son, Jonah (Ezra Miller), that he frets over and a sensitive pre-teen son, Ethan (Skyler Fortgang), that he tries to be patient with. Ned's also got a beautiful wife, Jeannie (Helen Hunt), who's just returned home with her elderly, ill and emotionally toxic father in tow. Ernie (Brian Dennehy) is the sort of stubborn, disconnected parent who can only seem to engage his children through criticism. As Ned worries about Jonah starting to date and has to deal with a wife perpetually angry from dealing with her father, he's also confronted by trouble at work and the temptation of a hot co-worker who has an unencumbered life that looks pretty good to Ned right now.This is an enjoyable and well made motion picture that employs and unfocused narrative to great benefit. Though Ned is the center of things, he doesn't dominate the story in any way. Not only are Jeannie's struggles with her father largely independent of Ned, but Jonah, Ernie, Ned's hot co-worker and even his demanding boss (Eddie Izzard) are all given their own little battles to deal with in the story. Those secondary story lines, however, reflect back onto what happens with Ned in a way that gives the film an unforced unity of emotion. Jonah's difficulty in dating validates Ned's concerns. Ernie grappling with his mortality seeps into Ned's brain and heightens his sense of being trapped. The things that attract Ned to his co-worker eventually blow up and make him appreciate his own life. His boss is not just a threat but the boss' uneasiness in dealing with his lover's teen son mirrors Ned's worries about Jonah, creating a potential link between the two that the audiences longs to see Ned connect.A lot of attempts at this kind of family drama get overpowered by one central character and one central theme, with all else reduced to window dressing. Every Day achieves an organic relatability without ever losing its way in meandering digressions. The film never gets caught up in trying to make this out to be the worst moment for Ned and his family or strains a muscle trying to elevate this family's story into some transcendent realm of meaning.Which is the only real problem with this movie. It's not edgy or intense or provocative of compelling. It's a pleasant hour and a half that maybe gives you a chance to take a breath and realize the problems in your life aren't quite as overwhelming as you make them out to be. Every Day lacks that "hook" to grab onto the viewer and pull itself of the crowded entertainment field. I can't imagine too many people hating this film and I can't imagine too many people loving it, but this sort of middle ground entertainment has a hard time find a foothold in today's cultural deluge.I'm glad I saw this film and how often can you really say that? Maybe instead of always going for the home run and usually striking out, we'd all be better off if more filmmakers did what Richard Levine does here and try to hit for average.

"Every Day" tells the tale of a couple going through a midlife crisis. Ned (Liev Schreiber), is a man on the brink of a mental breakdown. You see life isn't easy for Ned as he is dealing with a boat load of problems. He is bored with his screen writing job, he is dealing with trying to accept that his son Jonah (Ezra Miller) is gay, and on top of all this his marriage is falling apart. His wife Jeannie (Helen Hunt) has her own issues as she is responsible for taking care of her father Ernie (Brian Dennehy) who is dying and trying to save her marriage with her husband Ned who doesn't seem to give her the time of day. Life isn't easy for Ned and Jeannie but what happens in "Every Day" is an interesting look on the subject of marriage and life in general.I saw "Every Day" at the "World Premiere" screening at the Tribeca Film Festival on Saturday April 24, 2010. I basically went into this film knowing nothing about it other than the fact that it starred Helen Hunt, Carla Gugino, and Liev Schreiber all of which are solid actors. What I got out of the film was an interesting look at life and marriage written by a man named Richard Levine, who is a first time screen writer and director.One of my favorite things about the film was the whole workplace scenario that Ned was placed in. This subplot to me proved to be realistic. This was one of those films where I felt it did a good job capturing how too much work can destroy your life outside of work. It also shows that life as an adult isn't easy and is a balancing act with everything that gets thrown your way. The subjects of marriage, having children, having a sick parent, cheating, working too much, and a few other subjects all get looked at in the film.My problem however with the film was that I wasn't sure what was going on in the end of the film. It felt like the movie had a conclusion but it really didn't. I guess the film had one of those "life happens" endings. The subject matter of cheating was never really talked about, which bothered me because it seemed to be one of the key focuses of the film. While the film itself felt real like these characters exist in the real world something about how everything ended did not. I can't really explain it but its just something that blurred the line of fiction and reality. I like that aspect of it and I didn't at the same time.The characters were all good as well as the development of them. Liev Schreiber did a great job in the lead role. I really felt his struggles as a parent and as a married man to devote his time to the right people. Helen Hunt does a good job as well dealing with her marriage and with her father's obsession with wanting to die. Brian Dennehy performance is solid but that's no surprise because he has been a solid actor for many years now. You really did however feel for what he was going through. Carla Gugino makes a nice supporting role appearance here, playing the sexy "screen writer" with her eye on Ned. Carla's role really isn't as deep as I would have liked it to be but Carla has a knack for playing the sexy coworker role. She was perfectly cast to play the role she played. The kids Ezra Miller and Skyler Fortgang both do a terrific job on screen and I am sure they will have a lot more roles coming their way in the near future.In the end...I liked the film for what it was. It had some issues here and there but coming from a first time writer and director that was bound to happen. It was a valid effort and the film itself is interesting and realistic for the most part. The acting was good and the roles were well written. As I mentioned above, some things about the film blurred the lines between reality and fiction. The film's ending is its weakness in my humble opinion. Not saying that it was bad but just didn't impress me and left me rather indifferent about what I just watched. All in all, I would recommend it because it was a solid film about life and the famous midlife crisis. Check it out when it hits theaters! MovieManMenzel's final rating for "Every Day" is a 7 out of 10.