Absolutely Brilliant!

If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.

Unshakable, witty and deeply felt, the film will be paying emotional dividends for a long, long time.

It is a whirlwind of delight --- attractive actors, stunning couture, spectacular sets and outrageous parties.

The great music score, cinematography and acting makes it good, if not great. Great is tough to reach, and much like the balloon in the story it goes too high and slips out of our grasp. Ian Mcewan has written excellent novels, Atonement being a highlight, but this one just tries to achieve too much and doesn't have the meat in the characters to back it up. However, it does make you think, and sometimes squirm with its observations and insights. I saw this as more an existentialist drama than a thriller, though the Hollywood crazy stalker plot point was probably enlarged to keep it entertaining, but it was the quieter and more introspective moments that caught my interest. Daniel Craig does a terrific job of playing a man obsessed with looking for a seemingly impossible to find answer to the mysteries of the randomness of life and death. Rhys Ifans plays the truly unique character and his creepy viewpoint makes you shift in your seat. It's consistently engaging but never a masterpiece, it's takes the loud and angry showdown rather than the quiet thinking that made it work to start. Will still make you never look at a hot air balloon the same way again.

The opening scene of this film alone makes it worth watching - a stunningly photographed piece that sets the tone of domestic horror that will give the film its dramatic impetus. Like the serenely drifting balloon that belies the tragedy to come, the cinematography drives the film calmly yet compellingly towards its brutal climax.This is a film that has the courage of its conviction in terms of narrative pacing - there are some stiflingly slow scenes that never feel the need to speed up, instead taking pleasure in winding our nerves ever tighter round the characters' distressing situations.Daniel Craig arguably has more presence in this film with only a pair of spectacles than he would ever come to have whilst hidden behind bulging muscles and snappy cars as James Bond. Rhys Ifans works best in roles where he has the opportunity to have more of a tongue-in-cheek attitude to the character he is playing. Watching him in this film without any sense of his cutting irony, therefore, is unfortunately a slightly bland experience. At some moments, however, he does manage to display the kind of pitiable yet violent behaviour required for the role.This film's star turn is down to the people behind the character. Unfortunately, the best moments of the film are in the first five minutes - the film always struggles to live up to these chillingly enchanting opening moments.James Gill (Twitter @jg8608)

Joe and Claire are about to share a romantic picnic when a stricken hot air balloon drifts into the field. With a young boy on board and petrified, and the pilot desperately trying to anchor the balloon, Joe and three other men rush to help. But it will end in disaster and bring into Joe's life, Jed Parry. It's the start of something that threatens to spiral out of control.Enduring Love is an adaptation {screenwriter Joe Penhall} of Ian McEwan's novel. It's directed by Roger Michell and stars Daniel Craig {Joe}, Rhys Ifans {Jed} and Samantha Morton {Claire}. I think the first thing that should be noted is that the film differs greatly from McEwan's excellent page turner. Tho the essence of the source, such as obsessions, loneliness and to endure love, exist in the film, it does have a number of significant changes. If they be for better or worse,? well that's for others to decide should they enter both mediums.Enduring Love is a fascinating, if at times uneasy, viewing. One that is actually hard to sell to potential first time viewers. It struggled to find an audience at the box office on account of its complex themes and unwillingness to pander to the norm. And! it's cold, very cold {something that is brilliantly enhanced by Haris Zambarloukos' photography}. So ultimately it's a film that has no specific target audience, this in spite of some lazy observationists trying to lump it in with the formulaic stalker genre. Personally it took me three viewings and a deep delve into the DVD goodies to finally understand and get the movie. So with that I'd urge those who watched once and hated it to maybe try again. For film's of this type don't come around that often, and when they do it feels like a breath of fresh air. Even if that breath is tainted with a chill brought about by the human condition and all its intricate possibilities. 8/10

Ian McEwan's novel 'Enduring Love' tells a complex story that touches on the nature of human relationships. But on reading it, I was also struck by how much like a thriller it seemed, with its plot centred on a character who undergoes an experience both frightening and unusual; in fact, so unusual that it isolates him from others and forces him to handle it alone, with an ever-increasing sense of paranoia. So it's not so surprising to see it now adapted as a movie. In fact, the central thriller is downplayed compared to the book and this is not necessarily a bad thing, as that part of the story is relatively one-dimensional (in the way that thrillers often are), whereas it's the hinterland of this tale that is more ambiguous and interesting. And the mood and themes of the novel, with its rationalist narrator, are ably reflected in the movie, with Daniel Craig excellent as a very un-Bondish protagonist.Director Roger Michell shows a generally sure touch, though in places the score is a little intrusive. While the compressed plot is a mixed blessing: the book, I thought, went on too long in the same vein; but equally, made a little more sense than the shortened version here. An element of playfulness present in the text has also failed to transfer to the screen. But it's still an intelligent rendition of a story that could easily have been butchered; and a modest success.