Encrypt
Encrypt
| 14 June 2003 (USA)
Encrypt Trailers

2068, the ozone layer is gone and the world is a wasteland. A band of mercenaries attempt to break into a Estate that is guarded by a automated defence system called "Encrypt" in order to steal priceless artwork.

Reviews
Orla Zuniga

It is interesting even when nothing much happens, which is for most of its 3-hour running time. Read full review

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Derry Herrera

Not sure how, but this is easily one of the best movies all summer. Multiple levels of funny, never takes itself seriously, super colorful, and creative.

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Mandeep Tyson

The acting in this movie is really good.

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Kayden

This is a dark and sometimes deeply uncomfortable drama

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gridoon2018

"Encrypt" is a medium-budget film that tries to do at least three genres simultaneously: post-apocalyptic sci-fi, commando-type action, and philosophical rumination on what it means to be a human or a machine. It achieves modest success in all three fields. Occasionally the budget constraints show through and it becomes a bit too talky, but in general the effects are pretty good and the relatively unknown actors play their parts solidly (the most familiar name is probably Vivian Wu, who appears exclusively as a hologram). The script is rather ambitious and concludes with a hopeful but not happy ending. If you can find this movie, it's worth a look. **1/2 out of 4.

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unbrokenmetal

"Encrypt" reminded me of "Resident Evil" without the zombies. A team of specialists led by a former major enters a building full of deadly traps, and a computer appears in the shape of a female person to talk to them - preparing death for them all, maybe. Anyhow, the character development is interesting in so far as Vivian Wu (playing the hologram) gets the opportunity to begin a relationship with the major, and being damned to immortality, she has a tragic edge. In a beautiful scene, the mercenaries discover a painting of her and realize how obsessed the hologram creator must have been with her when she was still alive. The whole post-apocalyptic scenery is nothing new, the hundreds of shot-shells used is what you expect for the genre, so in the end it's nothing unusual, but OK for the TV budget.

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mshambli

This isn't a bad movie, as much as it is a bland movie.The plot has much more to do with human "melodrama" than it does with any particular science fiction element. The story could be told in the middle ages as much as in the future.It is watchable, and there are some fairly attractive images. I'd watch it again, but mostly only if something better wasn't on. I gave it a 7 but it's probably only a 5 or so.

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Robinsony

As the "other writer" on this project, let me give a few of you an eduction on the wonderful world of TV production. While the original screenplay Encrypt, written by Richard Taylor, was solid, it was written as a big movie. At a studio level, it would have been budgeted between $60-80 million. On an independent level, it probably would have cost around $10 million. The original movies for the Sci-fi channel are budgeted at $2 million, which after above the line costs (actors, directors, writers, producers), it's actually considerably less. Obviously, for this kind of money, the production quality on every level is going to be less than your standard Fox movie of the week. Secondly, this is a TV MOVIE, which means it has to fit into a formula predetermined by the network by past successes (i.e. commercial breaks every twenty minutes, and a structure that leaves cliff hangers before every break). It has an "episodic feel" because it is episodic TV. And for this genre, that means action beats with a body count. That means adding a team. Now, while the character development for the team members clearly didn't work, some of that was due to casting (Torontonian actors don't seem to "get" the American commando stuff), and a last minute order to "cut one character" riddled the piece with lost lines and lost moments. Lastly, (and we go back to the budget for this one), everything has to take place in one or two locations (moving around is costly), which means you usually end up forcing your set-pieces into whatever rooms are available at your primary location. As a result, things feel less organic than they should. That being said, Encrypt was better received than the few readers here have commented. The director did tremendous things within the limitations given him and both Grant and Vivian grounded the film with strong, emotional performances. Could the movie have been better? Sure. But given the time, budgetary and other constraints, the efforts put forth by many deserves a little more respect, especially given all of their good intentions.

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