Wonderful character development!

Captivating movie !

I like movies that are aware of what they are selling... without [any] greater aspirations than to make people laugh and that's it.

The film never slows down or bores, plunging from one harrowing sequence to the next.

A wonderful sensual film with a most outstanding soundtrack. Sylvia Kristel brings to life another episode of the insatiable Emmanuel. Ms. Kristel not only brings decorum to the role, but also class and a beautiful sensuality that only this beautiful woman can exude. The artistry, cinematography and detail for art direction makes this film a beautiful cinematic crescent of colors to watch. The erotic scenes were so beautifully stages, shot and endured, that you cannot help but to want to be with the actors playing the scenes out with them as well. I recommend this film cause it will not only transport you back to a time where erotic films had a definite story structure and cinematic beauty, but they were also artful and decadent. The nostalgia is palpitable. I cannot comment enough on the soundtrack of this film. The orchestration are guttwrenching and emotional and adds light to every scenes where it is placed. France should be most proud to have had in existence, back then, such a beautiful, talent, classing and sexually charged actress as Sylvia Kristel.

The second Emmanuelle movie is set in Hong Kong instead of Thailand, it is less provocative than the first and looks rather like a travel company's advertising clip. The story seems to be a random collection of impressions, it doesn't really have a beginning or a conclusive end. This may sound a bit negative so far, but despite the lack of dramatic action, it still is a movie I love to watch again and again. It's the only movie Francis Giacobetti ever directed, so maybe he didn't have much experience with actors, but he sure knew how to make pictures look great. Part 2 may well have the best musical score (by Francis Lai). One of the three masseuses in the steaming hot bath scene is the stunning Laura Gemser who'd become "Black Emanuelle" for a whole bunch of pictures. I voted 7/8/6/4/6/7 for the six cinema films of the series.

I was first introduced to this and other 'Emmanuelle' films in the early days of Cinemax (or 'Skin-emax', as we used to call it) and other pay-cable channels that started featuring soft-core porn after midnight on the weekends. In the early 80s--when the government was cracking down on pornography and the market for direct-to-video softcore porn had yet to be plumbed--cable outlets like Cinemax had few options for 'dirty movies' that didn't cross the hardcore threshold other than the small brace of adult films passing themselves off as 'European art-house' cinema to American audiences during the mid-to-late 70s. Other examples include Lady Chatterley's Lover (also starring Kristel, in an adaptation that would surely have humiliated poor D. H. Lawrence), Felicity, and Melody in Love, but the Emmannuelle franchise opened the proverbial floodgates (the title character in 'Felicity'--another story about a young woman on an adventure of sexual self-discovery in the far east--is seen reading the novel on which 'Emmannuelle' is based while traveling by plane to Bangcok).As has been amply examined, the 'Emmannuelle' films are burdened with ponderous, annoying pretentiousness, and the audience must sit through way too much boring down-time between sex scenes that tend to tease more than satisfy. In this sense, 'Emmanuelle 2' and its ilk aren't bad for 'getting in the mood,' but compared to even the soft-core porn of today, these films are quaint. But they are fascinating as period pieces, and they are very sensual and erotic when compared to the rather mechanical and listless banging together of surgically enhanced bodies that dominates the adult film market today. Sylvia Kristel is no actress (apparently, she was so bad that her dialogue was overdubbed by another actress in the first 'Emmannuelle' film), and she is not the most beautiful woman ever to get naked in front of a camera, but this is part of her appeal: she has the face and body of a real woman, and she seems genuinely turned on (in that vaguely-detached, dreamy European way) by what she's doing.But what a nostalgia trip! Sylvia Kristel introduced so many horny young boys with pay cable to the joys of sex in foreign locales and strange places. The concept of two women making love to each other was completely unknown to me before I met Emmanuelle! I can't help but laugh thinking back to how much of my sexual education I owe to the Emmanuelle films and the other naughty Euro-trash skin-flicks Cinemax kept in heavy rotation throughout the 80s. Mom and Dad were way too uptight and repressed to fill me in--thank goodness cable television was there to explain everything.

A must for Sylvia Kristel fans although not as hot as the original one she starred in. Also a chance to see Laura Gemser as the masseuse bearing a striking resemblance to Barbara Carrera, before Laura went on to do the Emmanuelle series herself.