Redundant and unnecessary.

The joyful confection is coated in a sparkly gloss, bright enough to gleam from the darkest, most cynical corners.

A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

It's simply great fun, a winsome film and an occasionally over-the-top luxury fantasy that never flags.

A North London cab driver, Tom Manning (Richard Attenborough), agrees to help a little girl find her doll on a bombsite, but it turns out she is playing an April Fools on him and she runs away. He chases after her with the intention of "giving her a talking to" but she outruns him and he goes off to work thinking nothing more of it. However, the following day he is arrested as the child has been found murdered on the bombsite and there are witnesses who saw him with her and chasing angrily after her. In addition, the police have found his handkerchief that he gave to the child beside the body. Tom's loyal and devoted wife, Jill (Cathy O' Donnell), wins the sympathy and services of Junior Counsel Peter Tanner (Derek Farr) who agrees to defend her husband when the attorney scheduled to do it falls ill. He proves to be a first rate lawyer, but the prosecution's case seems rock solid and he will need a real lucky break to save him from the gallows...Minor courtroom thriller with a plot that may well have been cutting edge at the time, but now seems unremarkable since it has been done several times and a lot better since. Nevertheless, director Lance Comfort keeps it well afloat with a good emphasis on character and, at times, the anxiety, anguish and tension seem really genuine and the performances of Attenborough and O' Donnell are superb as the newly married couple whose lives are put through sheer hell as they fight to clear his name. There is a really powerful scene where Attenborough sees the prison doctor who points to a flying accident he once had and implies that he may have had a blackout and committed the crime but had no recollection of doing so. "They try to make excuses for you; try to find reasonings for things you never thought of at the time and you begin to wonder if you really did do it", he tells O' Donnell as she visits him in jail. His thoughts and feelings seem realistic to us, the viewers, and we can sympathise with his plight since it seems that the police in the film do not really care if Manning is innocent or not and are solely interested in getting a conviction and that's it even if it means the real killer may remain at large and the wrong man goes to the gallows for it. The film does, however, get static in the courtroom scenes and they carry very little in the way of suspense. In addition, I was disappointed in the battle between the prosecution Counsel, Ian Hunter, and the defence attorney, Derek Farr, since in the story they are playing father and son and are opposing each other at the bar and that was not as well developed nor as effective as I thought it should be.

Eight O'Clock Walk is a solid piece of film making. Well directed (Lance Comfort), well acted (Richard Attenborough/Cathy O'Donnell/Derek Farr/Maurice Denham/Ian Hunter) and neatly photographed (Brendan J. Stafford). Unfortunately the writing, whilst not awful at all, asks some big leaps of faith of the audience. Plot finds Attenborough as a good guy sort who, through a series of circumstances, is accused of murdering a little girl. As the strain begins to tell on he and his loved ones, it's looking increasingly likely he could well be found guilty. Pic trundles along to the big courtroom finale with Attenborough superbly getting more stressed with each frame. For fans of court room dramas then this delivers good viewing, the law can often be mad and it's always good to see legal eagles going at each other and to see how they deal with those called to the dock - including a child here. If you can accept the outcome, which if truth be told is never in doubt, then this adds up to being better than a time waster. 6.5/10

Highly watchable courtroom drama set in London during Coronation year. In fact the trial that takes up the bulk of the film's running time begins on 8 June 1953 (shown in a close-up of the Court listings), a week after the Queen was crowned. Occasional glimpses of ornamental arches celebrating the event can be seen in the background of the film's many location shots. The film also gives an insight into post-war Britain - a land where young married couples (Attenborough and O'Donnell) live in cramped lodgings whilst waiting to qualify for their own house; where children play truant on derelict bombsites; and where the legal system looks down on - or at best, patronises - the lower orders. The plot veers to the melodramatic in the closing minutes, but entertainingly so. However, the detailed portrayal of court procedure is fascinating to watch. It probably hasn't changed that much, either....

I have awarded this film 7/10 and was surprised as a 67 year old regular viewer of films that I had not seen this long neglected title on TV before.I was given this Christmas from my wife about 12 movies of my choosing after visiting my favourite contact of rare dvds in North London.I was attracted to this title by the inclusion in the cast of actress Cathy O'Donnell who won acclaim as a newcomer acting in "The Best Years of Our Lives" (1946), playing the young fiancé then wife of a U.S.seaman (Harold Russell) who actually lost both his wrists in WW11.There is no point giving the plot again but my wife & I both thought the mother was totally naive and not a little stupid allowing her very young daughter to roam over bomb sites rather than being escorted to school.However since I was 8 in 1954 I can state there was a much more casual approach by parents to child safety then like climbing trees, playing on bomb & building sites, walking by canals and walking home from school alone.Perhaps it was the effect of living through the war.Of course the 1954 British Board of Film censors would never have allowed a certificate for a film portraying murderous, psychotic paedophilia on cinema screens.Also in my DVD collection is Graham Greene's "Brighton Rock"(1949) which shows the depth of roles Dickie Attenborough could play.Here he plays an innocent cabbie in the wrong place & time who gets accused of the little girl's murder.To solve why Cathy O'Donnell has an American accent she plays Dickie's Canadian wife in this movie.She believes in her husband and fights to get him the best legal counsel for his defence.The real killer was spotted by my wife.