Waste of time

In truth, there is barely enough story here to make a film.

Funny, strange, confrontational and subversive, this is one of the most interesting experiences you'll have at the cinema this year.

At first rather annoying in its heavy emphasis on reenactments, this movie ultimately proves fascinating, simply because the complicated, highly dramatic tale it tells still almost defies belief.

The other commenters have written interesting things, indeed. The start of the movie had a reference to it being set in 1830. That is not "post-Civil War". It is thirty years before it. The setting is even a decade and a half before the Mexican-American War, thus being prior to the U.S. conquering what is now the southwestern United States and seizing it from the Mexicans. Pike was not a "cowboy", but rather a fur trapper, and it was the Indians who stole their pack horses and gear who killed his partner, with an arrow. Pike did not murder his partner. The setting was all wrong. The primary fur sought by the trappers was beaver, used mainly for the fashionable top hats of the eastern United States and Europe. The Europeans had already exterminated the beaver in much of its range in Europe due to over-harvesting. Beavers do not live in a desert, nor do any other furbearing animals that were being sought.

An unusual, revisionist western, well worth watching. Despite a slow start, the film builds – with scarcely any dialogue and no subtitles – an increasingly involving and intense, almost existential portrait of life in the harsh environment of the Western desert. The growth of the lead characters is worth waiting for, and the strong central cast bring a real sense of desperation to the struggle for ownership of the all-important horse. How interesting that this was made by a British director. I hope he's smiling now: I get the impression the film was largely ignored by contemporaries; but time works its usual alchemy, and hidden gold shines out as it inevitably must. One note jarred for me: the revisionism is only carried so far. Sam Waterston as an Indian? - granted he plays his part with real emotion and intensity, but really, couldn't one American Indian actor be found to do the job? But his scenes with Caroline Langrishe have an intimacy which contrasts nicely with the immense landscape around them.Forget big, bankrupt Hollywood versions of the past, men with big chins and swirling music; this one is all about a primeval struggle between protagonists who, stripped of all the trappings of 'ordinary' life, come to understand what is worth fighting for. Impressive.

On first viewing this movie seems to be some kind of fairy tale about a beautiful and significantly white horse once seen never forgotten. However viewed strictly within the context of the story the implication is that to survive in the immediate post-Civil War America, one had to have a horse, and not any old horse but a truly great one. And Eagle's Wing is such a horse. But for a man to be worthy of such a horse is another matter. Who should own it? The Native American or the AWOL soldier? The story throughout pits primitivism against civilisation. As has been said by other commentators it is ironic that it took an English director to perceive this fact, and then develop this simple theme into a western like no other you're ever likely to see again. The film is basically about this beast and the savage harshness of the environment and the people who scrape a living from it. The photography and the soundtrack are exquisite. Martin Sheen's performance is a revelation. This film, released in the same year as Sheen's other great performance as Willard in 'Apocalypse Now', hints at his abilities which somehow were never given such a free rein again. More's the pity. A comparison of the two stories throws up the surprising similarities between them - not least that both films chart a man's journey into his soul in order to find redemption. Whereas Willard is redeemed I will leave it to the viewer to decide if Pike is eventually. The ending is fabulous in the true sense of the word, and very moving; be warned. Altogether this is an extraordinary film.

I just saw "Eagle´s wing". I do not really know why this movie was made. What is the message of this story? Nevertheless I liked it. There are some exciting scenes in it. I appreciate a strong performance by Martin Sheen. Harvey Keitel is less convincing.