Truly Dreadful Film

People are voting emotionally.

I don't have all the words right now but this film is a work of art.

How sad is this?

Dear Philip Leacock, you made a good film alright. Here, have a beer. Or how about an orange soda? Or a grape soda? You deserve it.Dying Room Only starts off with beautiful shots of a deserted road in Arizona. It preceded Long Weekend, the Australian film by five years. Like the Long Weekend, the TV film has a squabbling and seemingly miserable middle class couple driving across the desert in a car as protagonists. Clois Leachman does the irritating and nagging wife really well. She nails the role and the mood of the couple in the first few minutes itself.The couple stops for drinks and food at a roadside café and after this the film wears its genre credentials on its sleeve. The roadside café with the bright red sign reading "Beer" is a nice set piece. The happenings inside the café with the hostile locals are very tense and entertaining. The proceedings do have a play like quality. Ned Beatty is great as one of the hostile locals. This man played so many diverse roles in the 70s.The ending and the plot resolutions were a bit of a disappointment. The revelations at the end does call into question the behavior of the locals at the beginning of the film.There were quite a few films with the rural folk vs urban values in the 70s. While it is not as good as Deliverance or Wake in Fright, Dying Room Only is pretty tense and intriguing for the most part.The background score reminded me of Morricone's noisy and jarring music for Ecce Homo (1968).The final scene was very interesting. Duel, which came out a couple of years before Dying Room Only had a similar scene at the beginning of the film.I hope to check out more films by you, Philip Leacock.Best Regards, Pimpin.

Dying Room Only is another one of those great 70's made-for-TV movies. This one is about a couple (Jean and Bob) travelling on a desert road who stop at a roadside diner/motel. The two people they meet in the diner are your typical angry, rude, city hating hicks. When Jean returns from the restroom, her husband is missing. The two men do not help her out at all with her search, in fact make things even more difficult for her. She calls the sheriff, but he ends up being no help. Did the two men do something to Bob, or did he simply take off leaving his wife deserted in the desert?This is such a great little gem. Cloris Leachman is great as the heroine, you feel how helpless she feels when trying to get one of the men to help her find Bob. She is a very rootable character. There are some pretty tense moments throughout as well near the middle to end of it, pretty good for a TV movie. I was pleased to find out this was released on DVD, if you can find it for an affordable price; pick it up.8/10

Sadly I can't share the enthusiasm of my fellow reviewers around here. "Dying Room Only" is a solid and tense little thriller, but I honestly can't label it a masterpiece and there are many better early 70's made- for-TV Lorimar Productions out there. Particularly the first half hour of this thriller is stupendous, with an extremely unsettling atmosphere and a few moments of unequaled suspense, but the film loses a lot of its power when the script inevitably has to come up with explanations and plot twists. The basic concept is close to genius and yet another imaginative idea of master writer Richard Matheson ("Duel", "The Omega Man", "The Devil Rides Out" and so many other genre classics…). The bickering middle-aged couple Bob and Jean Mitchell are on the homeward journey after their vacation and stop for lunch in an extremely remote and dowdy roadside diner/motel. The proprietor is very inhospitable and Bob nearly gets in conflict with him, much against the will of Jean. When she returns from the lady's room, Bob has inexplicably vanished and the proprietor as well as another client pretend to be unaware of his leaving. Those are the sequences in "Dying Room Only" are genuinely nightmarish! When we, as viewers, feel equally powerless as Jean and wonder what possibly could have happened during those few lousy minutes when she was in the bathroom. The interactions with the unfriendly and very unhelpful locals, the disbelief of the Sheriff, Jean's personal doubts … That's really terrific thriller cinema. It shouldn't come as too much of a surprise that the exact same concept got copied in the late 90's, by director Jonathan Mostow, in the thriller "Breakdown" starring Kurt Russell and J.T. Walsh. Unfortunately the unfolding of the mystery can't live up to the atmosphere of despair and fear of that initial half hour and the film gradually lost my interest. The denouement isn't bad or anything, it just could have been grislier and more horrific (even in spite of this being a TV-movie). The performances of Cloris Leachman and Ned Beatty (as the sleazy diner regular) are splendid and the isolated San Diego filming locations add a great deal to the suspense as well.

A favorite t.v. movie from the 70's. Again, Richard Matheson creates atmosphere and suspense out of almost nothing as a couple stops at a remote diner/motel and the husband never returns from the bathroom. From the bathroom? Who writes a suspense movie where the husband apparently falls in the toilet? The man who brought you the vindictive 16 wheeler of "Duel." Unlike that clever but overpraised feature, "D.R.O." (What's up with that title? It can't be a play on "S.R.O." can it? You don't buy tickets for the toilet?) stays close to realistic scale, and the less than apocalyptic climax is a face-off by two determined middle-aged women. Complain all you want - it worked for me then, it works for me now.