Driverless
Driverless
| 02 July 2010 (USA)
Driverless Trailers

Driverless is about three love stories that are intertwined by a car accident. It deals with several relationship issues, including the infamous seven year itch, reuniting with a first love, one night stands, an old husband with a young wife, and extramarital affairs.

Reviews
SpecialsTarget

Disturbing yet enthralling

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SeeQuant

Blending excellent reporting and strong storytelling, this is a disturbing film truly stranger than fiction

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Brendon Jones

It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

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Joanna Mccarty

Amazing worth wacthing. So good. Biased but well made with many good points.

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monto

A domestic drama surrounding the relationships of modern-day Chinese urbanites, with the various participants intersecting at a vehicle collision. Akin to the works of Iñárritu and Arriagga, e.g. 'Amores Perros', the film portrays a series of relationships via non-sequential narratives that draw together to a climax.Filmmaker Zhang Yang, known for his realistic and popular dramedies 'Shower' and 'Getting Home', steps away from narrow-focus narratives to explore a series of modern-day relationships and plots, at the expense of humor and in-depth characterization. These relationships/plots include a young street-racer's happenstance meeting with a deaf-mute photographer, a wealthy ex's attempt to woo (buy?) back his ex's heart, a business relationship that prompts the kindling of romance, and a husband's attempt to raise medical treatment funds for his ailing wife. In effect, the film seeks to portray the foibles (materialism, infidelity, divorce, one-night stands, etc) of modern-day Chinese urban life, with some portrayals more cliché, and perhaps cynical, than others. As is the case with all non-sequential narratives, especially those with a large collection of characters (with the potential for diluted/glossed over characterizations), the filmmakers endanger losing audience interest and/or empathy, but that's up to the audience to decide. All in all an enjoyable domestic drama.

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