Such a frustrating disappointment

I wanted to like it more than I actually did... But much of the humor totally escaped me and I walked out only mildly impressed.

The storyline feels a little thin and moth-eaten in parts but this sequel is plenty of fun.

Through painfully honest and emotional moments, the movie becomes irresistibly relatable

***Spoilers Had Obama been a Republican, he'd have been swallowed in the primary process and spit out for eternity. His blatant lies about non-association with radical communists and/or criminals Davis, Ayers, Dohrn, Rev Wright, and Rezko would have been screamed from the highest mountains and echoed forever. The proof of these lies are so apparent for anyone who cares to look, but this film makes it easy for anyone who cares to know the truth.Also, anyone who has remotely studied Alinsky or just read Cliff's Notes for Rules for Radicals can see that Obama has check-boxed every aspect of attempting to turn our capitalist, democratic republic into a socialist cesspool; also well highlighted in this film. The damage to our country's businesses, citizens, and courts have been in many ways irreparably damaged by this conman who successfully sold lie after lie to the American people in a gross attempt to destroy our civil society through wealth redistribution, class warfare, race warfare, mass gov't regulation, and non-stop chaos. It's a shame this film has to show people in hindsight what could've easily been averted if our society hadn't been so ripe to seek easy answers from a socialist demagogue.

The sociologists owe us a good, useful, short, simple word for "collective insanity." I agree with the makers of this fake tabloid garbage that there is indeed something wrong with America. This is a symptom.It's hard to know how this movement towards conspiracies got started. Of course it's an expression of our overall move to the right. Two political scientists, Rosenthal and Poole (easily Googled) did a respectable study of voting patterns in the congress and found that the drift to the extreme right began around 1970.Note that it was before Obama so racism can't account for all of it.In any case, the rough beast has slouched towards Bethlehem and given birth to this.

It starts with: "Director's Note: This film is based on actual events, interviews, and archives, as well as recreations of probable events, using reasoned logic, and approximated conversations to provide a cohesive understanding of Obama's history. Is this the story Barack Obama should have told, revealing his true political foundations and his agenda for fundamentally transforming America? (signed) Joel Gilbert" The terms "...probable events, using reasoned logic, and approximated conversations..." are the real meat of this piece of junk. Communism has proved to be a failed experiment. It's hard to believe that Gilbert truly thinks Obama would model his administration on those ideals. He's like a little gossiping drama queen, who wanted to do as much damage as he could to Obama. Hell, it isn't even well done. And...to be fair, maybe Michael Moore should take a cue from those director notes.

It is unclear whether this amateurish effort is meant to offend the political left or right. The left will find it generally offensive, and "Birthers" on the right will be frustrated by the undermining of their narrative.A curious Director's Note precedes the film, acknowledging that the contents are "based on actual events," of "probable events," and "approximated conversations." http://imageshack.us/photo/my-images/805/dreamsfrommyrealfatherx.jpg/The whole of the film is presented in "Mockumentary" style (as are Director Joel Gilbert's other efforts, "Elvis Found Alive" and, "Paul McCartney Really is Dead-") with the first-person narrative meant to be the "true" voice of President Obama. The voice-over makes no real effort to sound similar to Barak Obama's tone or speech patterns, but continually presents fabricated emotional observations and descriptions as autobiographical.The film is entertaining. Although the narrative is pedantic, predictable, and clumsy in it's stereotypes; Jazz music, nude photography, college education, foreigners and minorities are presented as communist threats to America; The Federal Government of the United States is (curiously at odds with modern Conservative thinking) a font of righteous American morals, including McCarthyism, the CIA, Hoover's FBI and anything vaguely military.The writer is unable to reconcile his (again, Joel Gilbert) attempt at presenting Barak Obama's inner-voice with his own political agenda. The snide asides about Affirmative Action and habitual labeling of "Commies" are packed in with open attempts to paint President Obama as a race hater and devious subversive.It can be hoped that reactionary personalities on both sides of the contemporary American political divide will view this film as either a baseless Mockumentary, sarcastically intended to show the ridiculous ease of exaggeration and misdirection, or as an inept and markedly vicious effort at inflaming an already discordant political environment.For myself; I've seen plenty of this kind of garbage from both the liberal and conservative spectrum. If you find this kind of flailing and dishonest manipulation entertaining (as I do), I recommend Michael Moore's films, Glen Beck's books, and any commercial effort that purports to share a shocking and hidden truth. Think for yourself!