Perfectly adorable

Perfect cast and a good story

I cannot think of one single thing that I would change about this film. The acting is incomparable, the directing deft, and the writing poignantly brilliant.

The film makes a home in your brain and the only cure is to see it again.

The involvement of lead actress Kristy McNicohl, director Alan J. Pakula and cinematographer Sven Nykvist (best known for his regular work with Ingmar Bergman), as well as a fascinating premise, were four good reasons to see 'Dream Lover'.Really hate to see one of the dissenting voices here but 'Dream Lover' didn't do it for me. Can see why it was panned by critics because to me there were some big problems, while not finding it anywhere as dreadful as reputed (certainly do not agree that 'Dream Lover' didn't have redeeming values). 'Dream Lover' was just a film that could have executed a good idea much better. It had all the makings of a thought-provoking and creepy film, but both of these only came in spurts rather than an overall whole.'Dream Lover's' best asset is Nykvist's cinematography, frighteningly surreal and beautifully dreamy 'Dream Lover' looks striking in this regard. The sets and lighting are similarly atmospheric. Some sequences actually are pretty unsettling and have suspense and creepiness.The cast are also a strength and do their best with the wanting material with professional. McNichol is in an atypically darker role to usual and gives plenty of intensity and vulnerability, it's a great lead performance in a challenging and different role for her. Plus she looks sensational. Paul Shenar, who if he made better career choices and hadn't died so young just three years later would have made it bigger, plays one of the creepiest domineering father figures personally seen in any film recently. His chemistry with McNichol has moments of pathos and chills.Ben Masters is charming and Justin Deas makes the most of a role that isn't developed enough. There are a few thought-provoking moments.On the other hand, the story and pacing spoil 'Dream Lover'. Some of the pace is leaden and like riding on the back of a lethargic snail. In terms of atmosphere, there is a lack of tension and suspense in general and too often is too sterile. The story is dull with parts that feel like overlong and irrelevant padding and not always easy to follow (downright confusing even in some places), while the ending is anti-climactic and preposterous.Pakula's direction is uninspired at best and somnambulist at worst, don't think he was that interested in the film or knew what to do with it. While the production values are generally good some of the editing is amateurish, especially the shocking gaffes in day/night scenes.Rest of the cast struggle to do anything with sketchily written plot device characters (true of the characters here in general) and weak dialogue. The script has thoughtful moments but generally is flabby and gets bogged down by too much confused and rambling psychobabble and overkill histrionics. The music score is forgettable and doesn't really gel with the atmosphere of the film.On the whole, not that bad but to me it was far from a dream. 4/10 Bethany Cox

Well, all-in-all this is a rather lame & pretty disappointing movie. It's not badly made or hasn't any noticeable technical flaws for that matter. It's just that the pacing was too slow and on several occasions the suspense was really lacking. A lady gets attacked in her apartment by an unwelcome visitor (well not really her apartment, since she's still a little daddy's girl, but an apartment she sub-rents from some musician who is out of town). She manages to overcome him. However, she remains traumatized and starts developing some serious mental issues (like in: ripe for the loony-bin). I won't tell much more for those of you who still want to check out this movie, because, well, it is directed by Alan J. Pakula after all, so I'm sure you could do worse picking up a random movie (not that I'm a fan of this director or anything). It has maybe one or two tense scenes and some enjoyable dream-sequences. But that's all, basically. The final scenes in the building in London had something promising going on there, but in the end the conclusion is just disappointing. They really should at least have thrown maybe some incest and a lot of killings in there to spice things up (not that these are things that make a movie good, but hey, if you're out to terrify your audience, then why not make the extra effort?). But no, just pretty lame stuff and secretive dream-research in some basement room is all you will find in this one. So why didn't I flunk this movie? I dunno... maybe I'm just a nice guy. Or maybe it's a better movie than I first thought it was? If I'll ever re-watch it, I'll let you know.

Fans of Kristy McNichol (and her character 'Buddy' from TV's "Family") probably won't like this movie much as it dispels the actress's jovial tomboy persona and showcases a darker side. As a young flautist who is both enamored of and terrified of her widower papa, McNichol's extraordinary acting range gets a real work-out; director Alan J. Pakula keeps her low-keyed and appealing, but also intensely focused. The domineering daddy (Paul Shenar, a Ray Wise look-alike who'd be right at home in a David Lynch story) is a puzzlement, and the other supporting characters are sketchily-drawn, but Kristy is surprisingly right at home in these spooky, melodramatic settings. Attacked by a stranger, and then wracked by nightmares, McNichol seeks help in an unorthodox dream-research lab--which only makes things worse. "Dream Lover" is an intricate, deliberately-paced psychological thriller with some stunning set-pieces: the green lamp (and its evil implications), the refrigerator hawking on (signaling the terror ahead), the mix of two dreams (wherein Kristy's Kathy takes flight) and the entire last reel, where one sequence is seen differently through two pairs of eyes. Take note that this is a slow movie. It wants to build a character study by moving each chess piece smoothly and efficiently across the board. When I saw this in the theater, the few people there were yawning. Give this a chance. It successfully maneuvers itself into hazy crawlspaces that few films manage to do. ***1/2 from ****

This is a creepy little film... Kristy McNichol plays Kathy, a flautist and daddy's girl from the suburbs who is invited to join a professional jazz combo with a gig in a downtown restaurant in a big city. No sooner has she rented an apartment in town than she is attacked by a stalker, whom she kills in self-defense. Afterwards she attempts to suppress the memory of the attack and subsequently is plagued by a recurring nightmare where she relives the night of the attack. The rest of the movie deals with her relationship with a sleep researcher who uses her as a guinea pig in his experiments into the dream-life of animals. The scenes with McNichol playing flute and scatting are a little embarrassing (the movie employed technical advisors for scenes involving clinical psychology, and they could have used similar advice in the scenes with the jazz combo). Also, there's not much dramatic tension in a movie where Science is the protagonist and the only real antagonist is McNichol's lingering nightmares (in contrast with, say, "Altered States", where sound scientific theories complemented perfectly the fact that all the scientists were raving nutters). But the atmosphere is certainly unnerving and claustrophobic. The movie shifts from dream-frame to reality-frame often enough so that at the most crucial moments, you're kept guessing whether what you're seeing is real or not. Director Pakula coaxes his usual understated, naturalistic performances from all concerned. McNichol is perfectly cast as the slightly lost, sexually vulnerable young artist out on her own for the first time, and gives a great performance I've never seen her match. Her scenes with her father are affecting and pathetic. Paul Shenar is great, too, as Kathy's Dad; "Twin Peaks" fans will no doubt spend most of the film watching and waiting for the man who played Laura Palmer's possessed father to look in a mirror and see the face of Bob. To sum up: this is not one of Pakula's best movies, but definitely worth seeing--if only for the scene where McNichol meets her psychotic, and armed, self in a dream.