Doomsday
Doomsday
R | 14 March 2008 (USA)
Doomsday Trailers

The lethal Reaper virus spreads throughout Britain—infecting millions and killing hundreds of thousands. Authorities brutally and successfully quarantine the country but, three decades later, the virus resurfaces in a major city. An elite group of specialists is urgently dispatched into the still-quarantined country to retrieve a cure by any means necessary. Shut off from the rest of the world, the unit must battle through a landscape that has become a waking nightmare.

Reviews
Steineded

How sad is this?

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BelSports

This is a coming of age storyline that you've seen in one form or another for decades. It takes a truly unique voice to make yet another one worth watching.

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Kaelan Mccaffrey

Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.

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Raymond Sierra

The film may be flawed, but its message is not.

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RomeoKnight

Lets start with the good parts. I liked the overall visuals and sets and seemingly this was quite a big budget film minus the actual star actors which were missing. Especially the Mad Max style gang scenes were believable and quite intense. The main baddie could also act (unlike the main heroine). Some of the scenes were pretty cool like the first attack scene from the raiders and there was a sense of danger in it. Overall the acting was hit and miss. Needless to say that the main character was a huge miscast. I haven't seen this wooden and uncharismatic acting since, forever. Malcolm McDowell, a great actor, was mentioned in the initial credits, I waited him, and he had like 5 minutes of screen time. Figures. Mostly it was cringe-worthy performances and cliched dialogue from b-grade actors. The story and screenplay was crazy jumping from futuristic "Aliens" style of military stuff towards a zombie flick, and then to Mad Max, and eventually to some medieval castle with knights and all. A lot of it made no sense. I guess they just wanted to show cool scenery and costumes to audience.Action scenes went on and quickly it was made clear that the main lady could take any kind of damage and pretty much kill anybody and everybody. That, and the fact that she was annoying and arrogant bitch made this film lose most of the stars from my eyes. It is very typical in these times to set a woman to be the "bring best man you can find" as it was said in the film. Forget the physics and realities, this skinny woman can take down any man twice at her size, even unarmed against steel armor-plated warrior. No problem. Can take full force punches to stomach without any injury. Also she can just run away from motorbike raiders coming right at her. Surely, if this is a superhero film, I'd have no problem with that or anything else happened in the movie. But if you lose believability, you lose everything. Mostly that was because of lazy scripting and when all the suspense and danger disappears, you get numb and bored.As said, there were some cool scenes in this film but they were quickly forgotten by crazy out of place bits. Most definitely, the most ridiculous scene was at the end when the Bentley pierced straight through a bus without even a dent in its bumpers. I guess the bus was made out of paper or something. Just like all the bad guys.Final verdict: 2/10 with the lead actress, 6/10 with Jason Statham.

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mk57

Yet ANOTHER lazy, cliched, absolutely pathetic view of the future. As soon as I saw the first punk hairstyle, the whole film was destroyed and all credibility lost. Don't waste your time seeing this as the make up and costume departments, writer, producers and Director all bailed out and couldn't be bothered to use ANY imagination whatsoever. It incenses me beyond belief that nobody involved in this said "NO!...NO MORE PUNK HAIRSTYLES!" Throughout the 1950's, nigh on ALL Sci-Fi movies had spacemen in SILVER outfits. How many astronauts in REALITY who went to the Moon wore silver? EVERYONE in the MAD MAX series of films had bloody silly hairstyles with no explanation whatsoever HOW they cut, blow dried, coloured/dyed, and maintained those cuts in a future without electricity and or dyes or shampoos. It is SO lazy to not even consider (and thereby be unique) how men and women without even hot water could achieve such fashion. It is so stupid! Just look how much the budget was and how much the film made! If only somebody could've used a different way of showing a dystopian world and the people/survivors who inhabit it! I need to lie down and I suggest you all do the same and AVOID this steaming pile of poo from affecting and infecting your brain.

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Anonymous Andy (Minus_The_Beer)

It's "Escape From New York" meets "The Road Warrior" by way of "28 Days Later" in "Doomsday". Director Neil Marshall's ("The Descent") post-apocalyptic homage to the above mentioned (and more) plays it pretty fast and loose with plot and logic, never once slowing down for character-building as it jumps from one wild set piece to another. It's a film that seemingly has no attention span, never feels terribly cohesive, and yet never fails to entertain.It's the year 2035 and a virus has all but decimated Scotland. In an attempt to contain and control the virus, the government builds a wall separating the ravaged country from the rest of Britain. Presumably, they made Scotland's ravaged population pay for the wall themselves. Enter hardened officer Eden Sinclair, as played by Rhona Mitra. Part Sarah Connor, part Snake Plissken, Sinclair (and her faceless team) is tasked with re-entering the ravaged region to hunt down a possible cure for the virus. Along the way, she matches wits with the locals who include but are not limited to a group of "Mad Max" rejects and a game Malcolm McDowell (who also provides the film's lengthy expository narration). Butts are kicked and blood is shed, to say the least.Marshall knows what kind of film he is making and he also knows you've seen this film a hundred times before. Appropriately, he takes glee in his film's excess, going full Paul Verhoeven at times in embracing over-the-top gore and laugh-out-loud ultra-violence. This is a film made for the genre fan whose bread is buttered by '80s action, sci- fi and horror. It's pure homage of the highest order; a grindhouse- esque onslaught of tackiness and titillating tension. "Doomsday" never quite rises above its source material, and that's OK. As far as mindless, late-night entertainment goes, few modern films get the formula down as well as this glorious cheesefest does.

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Fella_shibby

I saw this with my dad in a theatre in 2008. As a fan of Neil Marshal, I enjoyed it. His Dog soldiers n The Descent r very good horror films. I found this flick to be a very entertaining n action packed. It was like Mad max on steroids. This movie is a pure adrenaline rush with lots of action and suspense, violence and gore. Its an over-the-top grindhouse epic. A homage to Mad max, Escape from New York, Death race, 28 days later. Awesome visual effects. The pacing is very good. Action n horror fans will not b disappointed. The gore was excellent n top notch. The action is superb, the car chase is excellent with lots of body count n superb camera work n loud music. Mitra is gorgeous, the cinematography is excellent. Pure action n entertainment at its best. Bought a DVD of it recently. Need to revisit. Need to check the hot babe Lee-Anne Liebenberg.

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