One of the best films i have seen

brilliant actors, brilliant editing

If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.

Ok... Let's be honest. It cannot be the best movie but is quite enjoyable. The movie has the potential to develop a great plot for future movies

Compared with the atrocious Love Actually, this is not bad. For a change, the film focuses on the nouveau riche rather than pompous middle-class people who plaque such films as Love Actually and Notting Hill. Jenny Seagrove's character epitomises this nouveau riche world, alongside Charles Dances's pony-tailed dentist. It's the first time I have seen Charles Dance not play a upper-crust toff and it was quite a shock. Anthonhy Edwards plays the requisite American in London and it was fairly obvious what the outcome of the film would be early on. There are a few funny lines of dialogue and some scenes are quite touching. Jenny Seagrove does a good job but isn't stretched by the limitations of the script. Charles Dance is underused but manages to steal some scenes from the rather bland character Anthony Edwards plays. Not bad for a British romcom.

What a dire film this is. Just terrible. Its a typicaly modern British film with terrible photography, lame use of music and zero charm.What was Anthony Edwards and Linford Cjristie thinking. Please don't ever, ever, ever do anything like this again. 2 out of ten tops.

This film is a really nice small film with the great non-American humour. Tom Conti's cameo is excellent and the bonus is that at last there is a good film filmed in London - I know most of the places they visit. Beautifully shot and well put together. You would be stupid to miss it.

This is a slushie, a moving Mills & Boone. You could just as easily call it moving wallpaper. It passes a couple of hours and it doesn't offend anyone. Jenny Seagrove acts woodenly, a Lada of femmes-fatales, while Anthony Edwards strolls through the film in an apologetic decaffeinated sort of a way, looking out-of-synch with his English surroundings and upper middle class hinglish. He delivers such an uncommanding screen presence in this big-screen film that I question his wisdom in giving up his day job on Channel 4's "ER"."Us Begins with You" is the American title. Quite clever, eh? For a moment or so. The British title is better. But it too means nothing, and tells you even less about the film. So what's it all about? Jenny Seagrove is a widow running her husband's gardening business. She's happy with her widowhood, keeps busy with the family gardening business and isn't looking for a replacement hubby. Young son is unhappy, misses dad, is under-achieving at boarding school. Jenny's friends are trying to fix her up with a fella in the shape of Charles Dance, a dentist. He does the dirty by hypnotising her in his dentists chair, aiming to make her receptive to his charms. Coincidence, and film scrptwriters, get in the way of his evil plans. Up turns Anthony Edwards, sports psychologist, who has just lost his job training Linford Christie. Honest! Can it get any worse? You betcha. The film lasts just under two hours. Surprisingly, I wasn't bored by it. There are a few funny moments and some effective one-liners. Linda Bellingham is as delicious as ever and, along with Tom Conti, steals scenes and demonstrates to the others how it can be done. I was all the while bemused that so much effort could go into making a film that has so little impact and one which will leave no ripples in that sea of celluloid that flows our way from the distributors. No Oscars here. The ladies in the audience loved it and giggled at the naughty bits such as when the backdrop to a conversation was a diagram of female reproductive organs. Such subtlety. And these same women obligingly shed a tear in auto-response to the director's synthetic massaging of the audience's emotions. I cried too but for a different reason. Four out of ten.C U James