Wonderfully offbeat film!

This is ultimately a movie about the very bad things that can happen when we don't address our unease, when we just try to brush it off, whether that's to fit in or to preserve our self-image.

I think this is a new genre that they're all sort of working their way through it and haven't got all the kinks worked out yet but it's a genre that works for me.

The tone of this movie is interesting -- the stakes are both dramatic and high, but it's balanced with a lot of fun, tongue and cheek dialogue.

Django hunts down a gang of evil bandits who have abducted his girlfriend.I have recently ploughed through a lot of routine bog-standard spaghetti westerns and have increasingly discovered that the genre sure had a lot of unremarkable and tedious features on offer. This one is another of dozens that went out under the Django name and it is unfortunately yet another example of the plethora of forgettable Italian westerns. The story-line is deeply uninteresting and the action is, at best, routine. There is not a whole lot memorable about this one at all. Its director is Luigi Batzella, going under the moniker Paolo Solvay, who was best known to me as the director of the later notorious nazisploitation The Beast in Heat (1977) which made the UK video nasty list. As uneven as that grim sleaze-fest was, I would certainly recommend watching it over this thoroughly uninspired western.

DJANGO'S CUT PRICE CORPSES has the advantage of being a genuine DJANGO sequel but that doesn't make it much good. Instead this is one of the cheapest spaghetti westerns that I can remember seeing; it doesn't have that over-bright, sun-scorched feel to it, instead simply filmed in the lush green Italian countryside with various farm buildings visible in the background.The plot is some hackneyed piece of writing about Django's girlfriend being taken by a gang of bandits which leads him on a rescue mission. He's aided in his progress by two characters who are far more interesting than he is: Fulton, a cadaverous card shark played with sinister relish by Gengher Gatti, and Pickwick, a brawling, larger-than-life character played by the bear-like John Desmont. By comparison, Jeff Cameron is wooden as the protagonist, and his character has no depth at all.There are some routine shoot-outs that take place in this picture, and a stagecoach chase that feels very slow and stately. Some of the actresses give better performances than their male counterparts. In the end, the general humdrum feel comes down to director Luigi Batzella, whose heart simply doesn't seem to be in it.

Django hunts four bandito brothers who robbed a bank and kidnapped a woman, encountering various low-lives and oddball characters, including a gambler on the bank's payroll, an androgynous woman/teenage boy bandit, and a loud-mouth brute battling the gang over a saddle!This is one of the loudest, dumbest, lowest-budgeted, and least interesting fake Django pictures I've ever seen, with a plot so slim it would have been better served as an episode of The Cisco Kid rather than an eighty-minute feature. Obnoxious dubbing and a cast of people you'll never see again do their best to keep things uninteresting and viewers groaning.Action scenes feature lots of gun-smoke and people flying across the screen. At this point though, who cares?Not recommended.

A very bad Spaghetti Western from Luigi Batzella. The story is boring and the production is terrible. The actors, even Jeff Cameron, are harrowing. The clothes and the dialogues of the characters are cheap and bad also the buildings are very cheap.