I love this movie so much

Too much of everything

This movie feels like it was made purely to piss off people who want good shows

This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.

This spaghetti western has a great story-line that grabs you from the get-go, and keeps you interested til the end.The performances from the actors are about average for the genre. The most recognizable euro-western actor in the film, Fernando Sancho, is OK in this movie, but not as good as he usually is. Of course, one always has to keep in mind that the portrayal is not his alone, since the voice in English is done by someone else.The movie has a very good spaghetti-style music score, nice camera work, some riveting scenes, and a great revenge plot with some unique elements and a couple of twists. The end was a real kick. I was going to give it a 7 out of 10, but then the ending made me want to push it up a notch.If you are a fan of spaghetti westerns, and not just the well-known ones, you will most likely really enjoy this one.

At the beginning of the film, "Django" (Glenn Saxson) meets up with a bounty hunter called Ringo (Jose Luis Martin) who happens to be taking the body of Django's dead father to town for a $5000 bounty . Django murders Ringo and then decides to bury the bounty hunter instead of his father , as he then takes his dad's body into town for the money. Django inherits his fathers part of the business and a score to settle with Cluster (Gazzolo). A local character named Gordon (Fernando Sancho) tells Django that he actually owns half the town since his daddy was colleague with Cluster . A bar room brawl ensues with Django getting help from a mysterious doctor (Albert Lupo) who is staying in town . Django , the Doctor and Gordon join forces and reckoning to banker Cluster and his wife (Evelyn Stewart or Ida Galli as Femme Fatal) .This above-average Ravioli Western packs thrills , action , brawls in Terence Hill-Spencer style , crossfire and drags at times , balancing in ups and downs ; resulting to be pretty entertaining . The movie has the typical Spaghetti characters , as the violent facing , greedy antiheroes, bloody and spectacular showdowns, quick zooms , extreme baddies and being well directed . This fun story also has touches of humor as when the starring speaks with his deceased daddy and at the ending when appears a gunfighter played by George Eastman reclaiming his inherited rights . The picture is a tale of justice and revenge , as a gunfighter looks for a man in a little town and seeks vendetta against the father's killer . The basic plot is typical spaghetti western fare , but what makes this movie stand out is its style . The starring called Django , though some countries was called Trinity or Glenn Garvin , is stunningly played by the Dutch Glenn Saxson . Glenn is very fine , he ravages the screen , he jumps , bounds and leaps , hit and run . Glenn as a brave and two-fisted gunslinger is terrific , subsequently the would play similar roles in other Spaghettis ; as also starred "Il Magnifico Texano" and ¨Vete con Dios , Gringo¨ . Music original by Bruno Nicolai composes a nice Spaghetti soundtrack and well conducted and splendid leitmotif ; it's full of enjoyable sounds and emotive score , including attractive songs at the beginning and the end . There are many fine technicians and nice assistant direction , excellent production design , and atmospheric cinematography by Riccardo Pallottini , he creates a colorful scenario on the interior ranch and barren outdoors , dirty landscapes under a glimmer sun , and being shot in Elios studios (Rome) and Spain : Manzanares Del Real , La Pedriza and of course , Almeria .The flick was professionally directed by Alberto De Martino or Herbert Martin . This Italian writer / filmmaker so consistently mixed the good with the mediocre that it became quite impossible to know what to expect from him next . He wrote/directed several Western , action and intriguing films . He is an expert director/writer of Giallo , Western , wartime , horror and all kind of genres . As he directed horror : ¨The tempter¨ . ¨Blood link¨, ¨Miami Golem¨ , ¨Holocaust 2000¨ ; Warlike : "Dirty Heroes" , Peplum : ¨Invincible gladiator , La Rivolta Dei Sette , Il Triunfo di Ercole , ¨Los Invencibles¨ and Spaghetti : ¨Sangre Sobre Texas¨, ¨Sheriff terrible¨ "Here We Go Again, Eh Providence?" . Rating : 7. Good Western that will appeal to Spaghetti fans because being filled with action , thrills , intrigue and shootouts .This funny film belongs to ¨Django¨series , after successful original ¨Django¨ by Sergio Corbucci with Franco Nero , it was followed by several imitations , rip offs and cheesy copies , such as : ¨Pochi dollar per Django¨ or ¨Alambradas De Violencia¨ (1966) by Leon Klimowsky starred by Anthony Steffen , Gloria Osuna , Frank Wolff ; ¨El Mio Nome e Django¨ (1969) by Ferdinando Baldi with Terence Hill , Horst Frank , George Eastman ; ¨Django Le Bastard¨(1969) by Sergio Garrone with Anthony Steffen , Paolo Gozlino ; ¨¨Django defies Sartana¨(1969) by Pasquale Squitieri with George Ardisson and Tony Kendall ; ¨Ein Pressen Fur Django¨ or ¨Barro en Ojos¨(1971) by Edoardo Mulargia with Anthony Steffen ; and the official sequel titled ¨Il Grande Ritorno¨(1987) by Nello Rossati with Franco Nero , Christopher Connolly and Donald Pleasence .

After the Franco Nero film "Django" appeared, a lot of unscrupulous movie folks began releasing movie after movie with the name Django in the title--but they had little to do with this original film. "He Who Shoots First" (also known as "Django Shoots First") is one of these faux Django films. Now I am not sure if the film was meant to be a knockoff or if, perhaps, the folks doing the dubbing just decided on their own to make it a Django film. But, at least the leading man, Dutchman Glenn Saxson looks a bit like Nero.The film starts with Django going to see his father and finding him dead--having just been shot down by a bounty hunter. Not wanting to pass up a good opportunity, Django shoots the bounty hunter and brings his dad's corpse to town to claim the reward!! Only later does he learn that perhaps his father was NOT a criminal but was up on trumped up charges by folks intend on stealing his half interest in a local gambling hall. So, for most of the rest of the film, Django needs to fight the local scum who are trying to kill him and then claim what is rightfully his. Aside from the film having the audacity of having Django claim the bounty on his own dad(!!), I also really liked the ending as well as the music. The soundtrack was a good bit better than the average Italian western. But, apart from these things, the film had little to offer other than folks getting punched and shot. Not especially remarkable but a decent time-passer.FYI--At one point, one of the folks says "A man can't testify against his wife" but in American law this isn't exactly true. A man cannot be FORCED to testify against his wife. But, if he wants to help the prosecution by testifying against her he is surely welcome to do so.

Although no authority in the field, I've seen enough Italian westerns to know that they're ALWAYS worth peeping if only for A) the music, B) the women and C) the violence which is more gritty and relentless than in westerns produced in any other country. The legendary work of Sergio Leone and Sergio Corbucci naturally state this theory the most, but even all the obscure and low-budget genre efforts coming from this country are worth tracking down. Particularly the numberless "Django" rip-offs/unofficial sequels are immensely entertaining, like for example this exciting & surprisingly humorous adventure directed by Alberto De Martino. Glenn Saxson (a Dutch guy) takes over the title role of cult icon Franco Nero and, although not half as charismatic as Nero, he does a fairly adequate job as the indefeasible gunslinger hero who – like the title implies – always shoots first and never ever misses his target. The screenplay of this film is compelling and actually rather clever, and there isn't a single dull moment throughout the entire playtime. We meet Django as he recovers his father's dead body from a bounty hunter. Since there was the huge reward of $5.000 on his head, Django decides to collect the money himself instead of respectfully burying his father in a last resting place. Shortly after his arrival in town, however, he learns that his father wasn't a criminal at all, but a businessman framed by his former partner & bank owner Kluster. With the help of a few friends he met in the saloon, Django stays to avenge his father and claim his rightful inheritance which is about 50% of the entire town. You may anticipate all the regular ingredients of Spaghetti Westerns, like outrageous bar fights, grisly vendettas and violent ambushes, but there's also room for original sub plots in this film! One of Django's accomplices, for example, hides a mysterious secret that only gets revealed late in the film and then neatly fits in with the main storyline. Also, the film's whole climax (and particularly the comical epilogue) is very spectacular and creative. Bruno Nicolai's musical score is phenomenal as usual and both Ida Galli & Erica Blanc provide the required female beauty. "Django Shoots First" is a minor must-see for die-hard fans of this sadly extinct Italian genre.