n my opinion it was a great movie with some interesting elements, even though having some plot holes and the ending probably was just too messy and crammed together, but still fun to watch and not your casual movie that is similar to all other ones.

Your blood may run cold, but you now find yourself pinioned to the story.

This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.

The movie turns out to be a little better than the average. Starting from a romantic formula often seen in the cinema, it ends in the most predictable (and somewhat bland) way.

I would be lying if I said I loved this film. However, writer-director-actor Elia Suleiman created a pretty unique, bizarre allegory of tolerance in Palestine that deserves at least one viewing."Divine Intervention" is composed of a circle of vignettes that vary from "Father Feels Sick" to "I Am Crazy Because I Love You". Using minimalist settings, economic dialogue and bizarre, surreal situations that involve a dying Santa Claus and a female ninja, Elia creates a mosaic of apparently disconnected types and caricatures. His "message" is illustrated in a not so subtle metaphor by the last scene. Even though "Divine Intervention" doesn't always succeed, Suleiman deserves special mention for daring to experiment in a way that most filmmakers are afraid to. Not a bad thing to do. 7/10.

This was one of the most dishonest, meaningless, and non-peaceful of the films I have ever seen. The representation of the other, of the Israelis, was racist, backward, and unfair. For one, the song played on E.S' car radio when pulled up alongside a very right-wing Israeli driver was "I put a spell on you" by Natacha Atlas. The song's style is quite Arabic, but it was released on an Israeli compilation CD, and I have even heard it on the radio in Israel. Many Israeli songs (as well as architecture, foods, and slang) are influenced by Arabic culture, and there is no reason an Israeli Jew would be offended or angered by a nearby car playing that song. The way E.S. appears so calm and collected with his sunglasses and cool glare, via a long, still shot, is meant to force the viewer into seeing the Jew as haggard and racist, and E.S. as noble and temperate.I have traveled all over Israel, and I have never seen an IDF recruitment poster, since service is mandatory. But in the film, not only is there a recruitment poster, but it depicts a stereotypical image of an Arab terrorist and the words "want to shoot?" This is an extremely inaccurate depiction of the mentality of the majority of Israelis as well as Israeli soldiers, and such an "advertisement" wouldn't even exist on a random Israeli highway. In including it, the director aims to convince the audience that Israel is a society of anti-Arab racists hell-bent on murder.The ninja scene was gratuitous and needlessly violent. A Hollywood-style action scene involving Israeli soldiers shooting Palestinians would be just as unwelcome in an Israeli-directed film as the ninja scene should have been. But for some reason, images of an unrealistic, non-comic, and violent scenario manage to elicit applause from the audience since the director has smeared the Israeli side so much beforehand, that any shot of Israeli soldiers being killed would be welcome. The director shows absolutely no attempt at building bridges, portraying the "other" as human, or working towards peace; violence is made to be the only solution. This is furthered by scenes of exploding tanks, falling guard towers, and other random acts of destruction. One of my best friends serves in the Israeli military, and the targets in firing ranges are never Arab women dressed in black, or any other quasi-civilian on canvas. Soldiers at checkpoints are instructed not to fire at the head of an approaching Palestinian unless it is clear that their own lives are in danger; the method, according to my friend, is to provide a warning shout, fire into the air or around the area, and then if all else fails, shoot in the leg and then interrogate and hospitalize. Arbitrarily targeting a woman in the head, as shown in the film, is not the proper procedure.Besides these inaccuracies, the directing style was also poor. Repetition became repetitious, and no longer captivating. Symbols, such as the balloon with Arafat drawn on it, are forced outside any plot structure or effective integration in the setting; the balloon is Palestine penetrating and regaining Jerusalem, and it is created for no reason by E.S. The ambulance being checked for permits by Israeli soldiers followed by subsequent Israeli ambulances flying past the checkpoint is an overly-overt claim of an Israeli double standard by the director. The attempt by the director to show life in Nazareth as dreary and pointless is done with overkill; showing the routines of random people over and over again, even with a slight change each time, and emphasizing that not one member of the cast ever smiles and is minimalist in dialogue almost screams out the purpose of such scenes, the dreariness of life, without allowing much room for personal interpretation. By contrasting one "section" of the movie, daily life in Nazareth, with the second section, the checkpoint between Ramallah and Israel, the director subtly blames this dreariness on Israel, but never provides any direct evidence as to why such blame can be properly argued.I spent hours trying to figure out why music ended abruptly and began abruptly, and why many modern fashion-show-like and metal-action tracks were included in the score. I still cannot come up with an answer. I felt that the music was out of place in this film; the contrast between more silent scenes and intense scenes was actually annoying and not affecting or thought-provoking. I can understand if the director intended for the music to provide some comic aspect to certain scenes, but I found that there was nothing comic to be found in Israeli soldiers shooting at targets or fighting a ninja, or a woman having to suffer another walk through a checkpoint, albeit defiantly. In fact, I was tempted to close my ears during intense scenes, and annoyed by the lack of a score during quiet scenes. Whatever the director's intent, it provided only an audial displeasure throughout the film.This film has no legitimate political message because it provides an inaccurate and extreme representation of the other, and neglects to actually address any issues. It is a propaganda film, because the director intends various symbols, styles, and scenes to draw sympathy for the Palestinian side, while displaying the Israeli side as cruel and inhuman without exception; the vibrant atmosphere of an action-packed Hollywood scene or of intense music is displayed in every act of violence by Palestinians against Israelis, such that the almost inevitably positive and thrilled feelings the music and cinematography elicit from the audience are directed to one side. There is no thought, reflection, or deepening of the understanding of the conflict by the audience; emotions are simply pulled to one side, and kept there, in a "good vs bad" cliché scenario. I believe this film lacked the depth, quality, and power of other Palestinian films, such as "Paradise Now" and "Wedding in the Galilee."

It's not plot driven, OK; it's not a character study, fine; there's no action, alright; there's no point, hmmm...Maybe it's supposed to represent the boredom and absurdity of living in Palistine and parts of Israel these days in a state of violence, petty disagreements, deep rooted hostility, etc. But mostly it's long, long scenes of nothing happening - or things which look like they're dripping with meaning (a checkpoint tower crashing to the ground, an Arafat balloon floating into Jerusalem, a crouching tiger women deflecting bullets into a halo) but when you try to derive some meaning, there's no there there.Bonus: you can watch this film in fast forward and it will make absolutely no difference except that it might be slightly less boring.

i swear the god that what i'm saying now is not because i'm from the arabic egyptian audience. first of all when i read every arabic review about this movie i thought (of course they are over rating)and so i had great expectations when i was goin to see it and i was sure that i will hate the movie because of my expectations of course it will be less than that, but after i saw the movie i just said the best picture i've ever seen and all my friends said the same thing because we were amazeb by the beautiful takes every scene is a masterpiece i'm not over rating i swear , and the director (who is the actor) barely used dialogs and you will never be bored because the scenes are very artistic and has this sence of humore. forget about politics and this race stuff and see the movie from the eye of the beholder you will see a very artistic movie maybe the best ever. the sound track is 10/10 and the acting also and the directing is 20/10 i'm so happy that i saw that movie .