Let's be realistic.

it is finally so absorbing because it plays like a lyrical road odyssey that’s also a detective story.

As somebody who had not heard any of this before, it became a curious phenomenon to sit and watch a film and slowly have the realities begin to click into place.

It's an amazing and heartbreaking story.

Spectacular battle scenes. memories about Lawrence of Arabia. care for details. inspired mix of romance and heroism. and the feeling to see, among so many war films, a special show. impressive for the choreography and for story, for exploration of characters traits and, in same measure, for the seductive science to use familiar details from different perspective. a sort of poetry of image and story. short, an admirable film.

"keeper275 from United States". Pommy is what Australians call the English. It isn't really a term of endearment, rather a bit of an insult. Where is comes from is open to argument. Some say it's an Acronym for "Prisoners Of Mother England" while other say it's because the poms are so lily white that when exposed to sun they turn the colour of a Pomeranian (red)! Either way, you don't ever want to be confused with a Pom!Not enough lines so here goes "I love a sunburnt country, A land of sweeping plains. Of rugged mountain ranges, of drought and flooding rains. I love her far horizons, I love her jewel sea. Her beauty and her terror, the wide brown land for me". My Country by Dorothea Mackellar

This colossal 1987 production - believe it or not - from RKO PICTURES is an Australian film closely resembling LAWRENCE OF ARABIA in its intent and rightly compared to ZULU. With a huge cast of Oz actors and directed by PHAR LAP (look it up) warhorse Simon Wincer it is basically about the last massive charge in the Middle East desert during World War One....an event still on the yearly Australian military forces roster of "Anzac" celebrations. Many other comments on this site will give you details of the history of the event and rightly applaud this lavish spectacular film. RKO Pictures had reformed with some co financing in the 80s and this is one of their few productions. BEST LITTLE WHOREHOUSE and THE BORDER are two others that spring to mind produced with Universal Pictures. With a $7 million budget and all of it on screen THE LIGHTHORSE became the last of the truly international films from Australia in the 80s. Others of this time are GALLIPOLI and CAREFUL HE MIGHT HEAR YOU and THE MAN FROM SNOWY RIVER and WE OF THE NEVER NEVER...each are films made with a lavish widescreen cinema release in mind and each huge Oz successes. THE LIGHTHORSEMEN is well worth the 140 minutes or so of carefully paced storytelling, all laced with Aussie humor and superb design and photography. The charge in the last two reels is truly breathtaking and on a cinema screen was particularly overwhelming, rivaling the battle charge in LAWRENCE OF ARABIA for sheer thrilling visuals. No CGI in this film... it is all real and scary and played and filmed for keeps. One thrill for cinema owners of the day was to have the film commence with the original cinema scope RKO logo...beeping away from the tower on top of the world. Wonderful!

This is an excellent film with surely the finest cavalry charge ever filmed. In this movie the horse is King and the care taken to illustrate the vital interaction between these magnificent animals and their riders is great to behold. The acting and direction are good without the need for big names. It has had a number of releases, the best being a 2.35 wide screen laser disc version in the USA. Australia has released a DVD version but it is dreadfully truncated being cut to 1.78 from the vastly more meaningful aspect ratio of the laser disc. On the big screen this film makes a fantastic impact and every effort should be made to see the original wide screen version in this way. Highly recommended.