If you don't like this, we can't be friends.

good back-story, and good acting

Absolutely Brilliant!

Blistering performances.

Divided into Zero is as far away from Hollywood as cinema can get. It's a bleak and surreal tale of a man cut at birth during his Caesarian delivery and who then becomes obsessed with razorblades, bodily fluids, and for some reason, kids. I got the movie, like most, as a bonus film on the Subconscious Cruelty DVD (I actually got the limited edition bluray but the quality isn't any better than the DVD so don't bother with it) and it's certainly in the same vein as the main feature. Both films seem almost experimental in their running and the content would probably shock most movie goers if they stumbled across them by mistake, so if you're not up golden showers, seeing a child nailed to a wall with a razorblade in it's mouth, or various cutting of the flesh scenes then stay away. I can't really say I enjoyed the movie, I think it's more about experiencing it, but it's something you sit and watch pondering....wtf?

Following the life of a murderer and paedophile,"Divided Into Zero" juxtaposes three important stages of a diseased mind:aged 10,as a disturbed boy who suffered the loss of his parents;a dangerous 30-year-old leaving behind hellish tableaux,attempting to wash away his sins among the company of whores;and a twisted old hermit of a man who–at the age of 70–kidnaps a girl whom he nails to a wall."Divided Into Zero" is a cold and deeply disturbing horror short which features plenty of unsettling violence with lashings of paedophilia on display.The killer–or Wanderer–defines his tortured feelings in remarkable and passionless detail.Despite knowing the extent of his problems,he performs them with religious conviction.Like "Subconscious Cruelty","Divided Into Zero" is a bleak and transgressive film.Recommeded only for more open-minded viewers.9 out of 10.

Director Mitch Davis has created a truly wonderful breakthrough in contemporary horror with "Divided Into Zero". The film is unlike anything I have ever seen. Although very graphic depictions are illuminated (especially in comparison to today's screen culture), the film does NOT leave you with a nausea. Rather, the film leaves you with a haunted, yet highly inspired state of mind, as the viewer is engulfed in a true work of art. The direction takes the viewer on a journey through avant-garde, art, horror and and the honesty of a one of a kind maverick filmmaker. This film is truly unlike any others in the genre. The cinematography is brilliantly conducted as is the sound design and performances. What I really loved about this film is the all out disregard for belonging to any psarticular genre. Fans of contemporary horror cinema will not be able to catagorize this film very easily and experimental filmmakers and enthusiasts will definately not be able to box the film up into a particular "movement" in today's art and film circles. Lets all hope that more great art-horror films that push cinema into the extreme and present an honesty of humanity, continue through the maverick kind that is Mitch Davis.

`Divided Into Zero' is one of my favourite horror films. This haunting reflection of an aged Madman digs deeper into the aberrant psyche than any film I have ever seen. Imagine that same assault you felt when first viewing `Texas Chainsaw', coupled with a heady dose of Dostoevski. `Divided Into Zero' is that good. The disembodied narration of John Alton Jr. exposes the tortured soul of a man who is fascinated by `bleeding fine cuts' and feels relief in the searing urine of prostitutes. Other film portraits of psychosis and serial killers have been more brutal, but none more honest, controlled, and cerebral than what you'll find here. Gritty photography by Karim Hussain; Sound Design by David Kristian; and Score by Teruhiko Suzuki contribute greatly to the film's power. Writer\Director\Editor Mitch Davis strikes dark genius with this one.