Absolutely brilliant

Very good movie overall, highly recommended. Most of the negative reviews don't have any merit and are all pollitically based. Give this movie a chance at least, and it might give you a different perspective.

One of the most extraordinary films you will see this year. Take that as you want.

The best films of this genre always show a path and provide a takeaway for being a better person.

Last evening, I saw the neighborhood kids playing soccer with a German shepherd who kept on following the ball until managing to hit it with the head, provoking the cheers in the whole street. This moment enough made me take "Didier" more seriously."Didier" is a modest French comedy with a little sparkle that reminds of some of the greatest American classics. The story is based on a simple, ridiculous yet full of potential premise: since a man reincarnating as a dog has always been done, how about the opposite: a dog trapped in a man's body, like a reverse version of the "Shaggy Dog"? This is, in a nutshell, the story of Didier, a Labrador played by Alain Chabat, also the director of the film.Alain Chabat was the unofficial leader of a comedic group named "Les Nuls" (The Nobodies) whose sketches made of slapstick, absurd and parodies played like a French mixture of Monty Python and Saturday Night Live. The 'Chabat' touch would reach its pinnacle with the adaptation of Asterix's adventures "Mission Cleopatra", the second-highest grossing film in France in 2002, but through the simple but so endearing story of Didier, Chabat already proved some remarkable capabilities. Indeed, the film works for two reasons: it isn't overplayed, not acting-wise and not story-wise.Acting-wise: it's pleasantly surprising how restrained Chabat is in the film, and how he takes the role quite seriously, earning two César nominations for Best Lead Actor, winning the second for Best First Directed Feature.My choice of the word "restrained" shouldn't mislead the viewers, "Didier" is still a screwball comedy, but when put in the comical map of the 90's, in the same period than the sugarcoated, "Asterix and Obelix against Cesar", and the noisy and CGI-related "Visitors 2" when even the sleeper hit of the year "Taxi" was relying its popularity on an excessive use of actions and car chases, "Didier", on the other hand, is just about the growing complicity between Jean Pierre and Didier.Played by Jean-Pierre Bacri, the namesake character is a laconic no-nonsense guy who discovers one morning that the Labrador her friend asked to keep disappeared, and finds instead a naked man lying on the ground and 'acting' strangely. There's no need to know more, why did Tom Hanks become a child in "Big" or why the same day kept repeating in "Groundhog Day"? As long as the reactions are believable, we're ready to buy any original premise, and we do.We do because for a while, we enjoy the sight of a man acting like a dog and it works even more because it doesn't look like acting, Chabat not only becomes a dog embodying the film's tag-line (the best in a man is his dog) but also brings him a personality, when we see him panting, smiling, woofing, we know it's not just any dog, but Didier the dog, and not any dog, a Labrador, the most intelligent breed.The film involves the series of situations where we see him interacting with other persons, with cats and even having a date with a woman who naturally, takes him seriously. The screenplay respects the unspoken rule giving that the comic of a character only depends on his entourage's reactions, which supposes that everyone should act naturally. In the classic "The Visitors": if the two medieval men were considered as lunatics, their reaction to the New World was realistic, the same goes for Didier. But beyond the performance, it's less the premise that counts than the way it can provide new twists for the film, which leads me to the second strength of the film.The masterstroke lies on the combination between Didier's providential metamorphosis and Jean-Pierre's job as a sports agent. When Didier takes the ball, he reveals some great skills, not surprising since we know that dogs love playing with ball. Didier grabs the attention of all the managers and is hired as a new Eastern-European prodigy named Didje Hazanivicius. Jean-Pierre becomes Dider's manager and uses some gibberish to pretend he's translating French to Didier. Chabat's mannerisms and facial expressions are the highlights all through the film, such as when Jean-Pierre looks at him, smiling, he says "Didier", to which the dog, who probably didn't understand, reacts with a comprehensive smile, with a kind of 'woof' sounding like "yeah" in French."Didier" is a great screwball fantasy and comedy of errors, that works thanks to Chabat's ability to turn the kind of story that would suit a sketch format into a hour-and-half film, without reusing the same jokes. What we got at the end is a good comedy, nice heart- warming fantasy, but also a great Sports film, with an unforgettable climactic match in the iconic "Parc des Princes" where Didier would demonstrate his skills to the whole world. Some scenes are absolutely priceless, proving that anyone with talent can afford to look ridiculous by acting like a dog. Players would even imitate his little dance after he scored a goal (one of the film's best images)And as puzzling as it is, the ending fits the mood of the film, which doesn't need much explanation, we know that a story must end when a character's arc is closed and when Bacri understood a few things or two from his experience with Didier, we understand that this magic, driven by a superior force has no reason to exist anymore, and it's time to conclude the film, not with a nice little twist at the end to make us bark with laughter, literally.One famous comic said against a renowned right wing leader, that there was more humanity in the eye of a dog when he was wagging his tail, than in his own tail when he was wagging his eye, needless to say that after Didier, you'll never doubt that there can be indeed humanity in a dog's eye.

...as silly as it may sound (for those who know/have seen this film of course) it is true.Around the time this film came out, I was living in France. It was on TV one night, and decided to record it for some inexplicable reason.I cannot remember the way I felt the first time I saw it, but I know that it became my favourite film at the time(yes, I was very young back then...),and watched it over and over. In fact, I watched it so many times that I knew the order of the scenes, the dialogues word by word and the facial expressions as well. I remember I used to recite the whole film in my bed at night, when I couldn't sleep. I loved the soundtrack, the characters (especially Didier, played by Alain Chabat, who is by the way a very famous actor in France) and everything about it. The funny thing is that at my age at the time, I didn't find the whole thing silly, since a kid wouldn't find 'Tom & Jerry' silly either, why would he find silly a story of a dog who one night changes into a man who behaves like a dog? In fact, I kind of considered it as a comedy, with serious dramatic elements.Many people will probably find it stupid, but even today I find a certain charm about this film, and I do think that it's a very entertaining, funny little comedy. If you like the plot, you won't be disappointed, because as silly as it is, it's well executed, with very good jokes. Check it out if you can, and enjoy!

Jean-Pierre Costa (Jean-Pierre Bacri) is a confused agent of soccer players. He is in charge of taking care of Didier, Annabelle's Labrador dog, for ten days. By mysterious reason, Didier is hit by a ray (or light) and becomes a man. The situations for this non-sense and crazy movie are so ridiculous that become funny in the end. Brazilian (like French) love soccer, and the situations in the soccer field are also funny. My vote is six.

This movie comes after a succession of french comedies in which you don't laugh at the characters, rather with the characters. Such comedies as Les Trois Frères were a bit irritating in that sense. Alain Chabat, a former "kind of" French Saturday Night Live host, has to have intended to butt in that wave. The result is a genuine show of force. His on-screen duo with France's best screenwriter Jean-Pierre Bacri (On Connaît La Chanson, Un Air De Famille) is a real treat. Alain Chabat really is a dog, and has always been. Bacri really is a master, and always will be. The rendering is amazing, the cinematography is a pleasant surprise. Chabat himself still doesn't undertand today that he directed a masterpiece, as proof his TV appearance with Fabrice Lucchini, where the latter paid tribute to the movie as one of the best comedies of all time, while Chabat was thinking he was being mocked.