This movie feels like it was made purely to piss off people who want good shows

A great movie, one of the best of this year. There was a bit of confusion at one point in the plot, but nothing serious.

Great story, amazing characters, superb action, enthralling cinematography. Yes, this is something I am glad I spent money on.

All of these films share one commonality, that being a kind of emotional center that humanizes a cast of monsters.

Quick and easy to get through, this hour long silent adventure starring John Gilbert has to be seen to be believed. It's a story of the foreign manager of a diamond mine in Africa who finds himself conned and kidnapped by two jewel thieves. Ernest Torrance and his daughter (Mary Nolan) get their hands on recovered jewels and take Gilbert along with them as an insurance package. Keeping him out in the hot desert sun they believe might drain him of the desire to rebel, but he's clever and uses earlier flirtations with Nolan to break her down. It's a fun jaunt to watch him get the better of the two, particularly the nasty Torrance. There's not much to the story, corny and overloaded with clichés, a suave performance by Gilbert, and a few surprises along the way. What's fun is watching how Torrance comes to depend on Gilbert for his survival, having earlier tried to get Nolan to prevent Gilbert from getting water. Later on when they find a sudden desert oasis filled with clear water and waterfalls, the joy on Torrance's face explodes as he splashes around after seemingly days without water or a bath of any kind, and this increases the romantic entanglement between Gilbert and Nolan. Torrance goes from an extremely nasty villain to a childlike joy literally within seconds, and that makes his performance a standout. Nolan has several moments where she's romantic, then ruthless, and all of a sudden, like a star struck young girl finding love where she didn't expect it. Gilbert is more of a reactor, but several scenes show a glint in his eyes as his plans for his own survival come together. Technically, it's excellent, but overly silly and unbelievable, although the ending is one of those that gives you a sudden gasp of shock and humongous laughter to follow.

Desert Nights (1929) *** (out of 4)John Gilbert's final silent picture is a pretty interesting one even if its reputation isn't that high. In the film he plays Hugh Rand, a diamond mine owner in South Africa. One day a father (Ernest Torrence) and daughter (Mary Nolan) show up on invitation for some good hunting but it turns out they're a pair of thieves who take Hugh hostage as well as steal $500,000 in diamonds. The three head off into the desert for their escape but soon they're out of water and not sure which way to go so the thieves must depend on Hugh to save their lives. Watching this film there's no doubt that it was rushed together just to save time before MGM had to put Gilbert into a sound feature. I'm really not sure why they selected this one to remain silent as the material could have made for an interesting early talkie but I must say it's a good thing that they kept it silent. The movie runs an extremely quick 62-minutes and for the most part is very entertaining. The reason I say it works best as a silent is because of the hot sexuality throughout the film between Gilbert and Nolan. The two of them certainly heat up the screen and this is apparent early on in a simple dinner sequence where the two begin to get to know one another. Just the way they look at one another just tells you all the sexual undertones you'll need to know. Once the film moves out to the desert it picks up the entertainment as it's clear Gilbert's character is just having fun tormenting the two thieves by constantly reminding them that death is near. I really loved the way Gilbert played the role in a sort of madness that his character finally breaks through and decides to have some fun with the people who kidnapped him. The way he torments the "Father" by coming onto the girl was a lot of fun and just added to the sexual tension running through the film. Gilbert is a lot of fun in the role as he gets to play that tough guy everyone loved him as and I'm sure the women really ate up seeing him burning in that hot sun. Torrence is a real blast as the bad guy as he eats up every scene he's in and you can't help but love to hate him. He's such a arrogant jerk at the start of the film so it's fun seeing him tortured by Gilbert. Nolan is incredibly beautiful in her role and this includes a great sequence with her bathing naked. We don't actually see anything but the implications of the scene are easy to see. Her and Gilbert really burn up the screen and make it worth sitting through. In many ways this film reminds me of a silly serial that has just about everything happening. This film offers up some nice tension but there's also plenty of sexuality, comedy and even camp value especially the scene with the machine gun tied on the side of a car. Fans of silent cinema will really eat this thing up but even those who aren't fans will probably find themselves having fun.

This film is a little bit different from Gilbert's other silent films. Usually Gilbert was cast in films in which there was a tremendous amount of action and/or romance. This time, much of the film is just Gilbert in a somewhat psychological battle against two thieves and the elements.Gilbert plays Hugh Rand, manager of a South African diamond mine. He gets news that two visitors are due - Lord Stonehill and his daughter Diana. They arrive ahead of schedule, and against Rand's own predictions Lady Diana turns out to be a beautiful woman. However, it soon turns out that the two are imposters, but are found out by Rand before he can notify anyone else. The pair of thieves take off into the desert with their stolen diamond and their company of co-conspirators with Rand as hostage.Things begin to go wrong for the thieves, and pretty soon it is just Rand and the two imposters on foot, in search of water before the sun of the desert does them in. Throughout their journey Rand is laughing off the situation as well as laughing at the two thieves, now suddenly penitent and afraid of death. Rand has a right to laugh - he has control of the last canteen of water.Gilbert often reminds me - in this and his other silent films - of Errol Flynn, showing temper and passion when it is called for, but usually laughing in the face of danger, having a genuinely good time in whatever situation he is put, and inviting us to join in the adventure with him. I've often wondered what would have become of his career had he been ten years younger and started out in talking pictures instead of silent film. Would he have been MGM's answer to Flynn in the age of the swashbuckling picture? This film is highly recommended for the silent film enthusiast.

John Gilbert plays Hugh Rand, manager at the Crown Diamond Mines in Africa, he hasn't been near a woman in three years. When a Lord and his daughter, Lady Diana (played by Mary Nolan), are to visit the Mines as a first stop before a hunting trip, Rand expects a bow-legged, cross-eyed "old maid". But surprise! - Diana is a beauty and soon sparks are flying between the two as they can't stop gazing at each other across the dinner table and share a lovely waltz together as daddy accompanies them on piano. Soon another surprise though - Lord and Lady are actually impostors and crooks. They steal a sack of diamonds and set off across the blazing hot desert with Rand as their hostage. When their African escorts leave them in the lurch, the thieves must turn to their hostage to help them out of the desert and soon they find out there is something of more value to them than diamonds - water!With glistening sun and black shadows, this film is expertly photographed. John Gilbert comes across as a handsome charmer, and his co-star, beautiful Mary Nolan, handles her role nicely. The film includes a pleasing orchestral score that really suits this story well. I found this film to be quite a good one.