I like the storyline of this show,it attract me so much

the audience applauded

This movie was so-so. It had it's moments, but wasn't the greatest.

Watch something else. There are very few redeeming qualities to this film.

Seems boring for just a while, as the plot builds, then WOW! The ending is twisted just like all Giallos, and you can't figure out who did it. This one has plenty of skulduggery, but it's not the "psycho" style like many Giallos. I don't want to spoil it,but it is well worth the watch. I was delighted. Like almost all Giallos- this would have been banned in the USA in 1971, or at least X rated. This is a WHO DONE IT mystery, and a good one. It satisfied my itch for the classic mystery.

Another gorgeous looking film with plenty of ridiculous scenes, laugh out loud stuff that no one would get away with these days, a few bare bums and a complex plot. Not much in way of violence mind you. And it's long – damn long!We start off with a guy on a train getting his throated slashed by a balaclava wearing killer with blue eyes, then cut to the guy's daughter. Her name is Nicole and she's a stripper in Paris who is not averse to blacking up and donning a tight afro wig for the delectation of her audience (one of many 'huh?' scenes throughout the film). Seems like her father was involved in some diamond heist and the killer seems to think she might have them (he tells her this via one of those electronic voice box things while threatening her with a scalpel. Nicole needs to get away from it all so it's lucky that English businessman Frank Wolff offers to take her away to England (Spain, really).Once in England (Spain) Frank takes her to his love nest on the coast in a town that isn't far removed from Royston Vasey (not a stretch as Mark Gatiss is a fan of the giallo). People keep staring at her, especially Mallory, played by weirdo-for-hire Luciano Rossi, only this time he has a wooden hand for no reason! There's also some guy spying on Nicole and Frank while they are at it (you really should close the curtains) – Frank must really be turned on by women messily eating grilled fish! That fish of course bought from another weirdo who may hold the key to the killings! "I'll have a couple of red herrings today mate."What killings, however? Well, after making everyone involved look like a suspect, someone bursts in on Frank while he's doing eye surgery and shoots him, but then shortly afterward Nicole ends up dead in the sea. Frank turns out okay, but who's shooting him and why does his wife look so much like Nicole that I thought she'd faked her own death and how did Nicole's boyfriend get over to England (Spain)? And what's with the blue contact lenses?Plenty of twists in this one and there's a particularly hilarious scene later in the film involving Luciano Rossi, but the film is almost two hours long! Followed by two other 'Death' films by the same director: Death Walks At Midnight and Death Walks Like An Egyptian.

Somewhat flighty exotic dancer Nicole (Nieves Navarro) finds herself pursued by a masked killer with unnaturally bright blue eyes. Much of this film's running time is devoted to a partially clad Nicole taking her work home with her, first with hot-headed boyfriend Michel Aumont (Simon Andreu), and then with saucy, middle-aged Dr. Robert Matthews (Frank Wolff), into whose arms she runs when she suspects Michel might be her black-clad pursuer. This latest, more mature admirer looks after her far better than Michel did.This giallo has much in common with other films of the genre – a sumptuous musical score (by Stelvio Cipriani), a lovely lady in jeopardy, and (far too) much softcore titillation which, to be honest, bungs up the plot and stifles much in the way of tension – at least in the first half. There are suspects galore – one handed Hallory (Luciano Rossi), the good doctor himself (who seems too good to be true) and silly old spurned Michel (who, if innocent, is right to feel unjustly jilted, despite his volatility). And shocks, too – main characters die when you least expect it. This causes a readjustment on behalf of the audience; when someone we have invested in from the beginning of the film, we are left with more peripheral characters who then take centre stage, and we have to reboot our interest in them. It's good to have these shocks and surprises, but it takes a special skill for the story to continue with the same amount of interest. After some shaky moments, 'Death Walks on High Heels' just about manages it.The locations, mostly set in the coast of England, are lovely. Such scenic backgrounds provide a heavy slate-grey canvas for the increasingly colourful goings-on. Things become so entangled as to threaten to topple into confusion, but a terrific twist and action-infused finale livens things up toward the end. Featuring some meticulously choreographed fight scenes and convincing gore, 'Death Walks on High Heels' is an enjoyable entry into the world of giallo.

A famed jewel thief named Rochard is slashed to death on a train. His daughter Nicole, a famous nightclub performer in Paris, is questioned by the police about some missing diamonds but she claims to know nothing about this. Nicole is then terrorized by a masked man with piercing blue eyes who demands to know where her father has hidden the stolen diamonds.The film is written by no less a figure than Ernesto Gastaldi, who is considered by some to be the father of giallo. The director, Luciano Ercoli, is interestingly perhaps better known as a producer or production designer. He more or less fell into directing as a cost-cutting measure -- one less person to hire. (Tim Lucas compares Ercoli to Brian DePalma... and there is some truth to that.)Who doesn't love composer Stelvio Cipriani, probably among the top composers in Italy (behind perhaps Ennio Morricone and Goblin for genre film). What we get here is rather sparse (many scenes have no music at all) but the man does what he does well. Not surprisingly, his work has been used by Quentin Tarantino, the champion of such films as this.A note on the lead actor, an American. Frank Wolff had bit roles in his first two films, Roger Corman's "I Mobster" and "The Wasp Woman". On Corman's advice, Frank Wolff remained in Europe and became a well-known character actor in over fifty, mostly Italian-made, films of the 1960s, including crime/suspense "gialli" and spaghetti westerns.Director Ercoli obviously does not have the name recognition of Mario Bava or Dario Argento, but he still knows how to make a great giallo (with a dollop of influence from Argento's "Bird With the Crystal Plumage"). A masked and gloved killer, a bit of mirrors, and an unhealthy fascination with eyes -- close-ups of eyes, false eyes, windows that look like eyes. Nobody knows eyes like the Italians!The Arrow Video blu-ray allows the viewer to watch either the Italian or English versions (because sometimes you need a dub, and sometimes you don't). The disc also comes with: Audio commentary by film critic Tim Lucas, by far the most knowledgeable non-Italian scholar of the Italian genre film. Introduction to the film by screenwriter Ernesto Gastaldi. A featurette comprising newly-edited archive footage of director Luciano Ercoli and actress Nieves Navarro. A career-spanning interview with composer Stelvio Cipriani. Italian genre fans (which includes pretty much all horror fans) will love this disc, part of Arrow's "Death Walks Twice" set.