Just perfect...

everything you have heard about this movie is true.

Fun premise, good actors, bad writing. This film seemed to have potential at the beginning but it quickly devolves into a trite action film. Ultimately it's very boring.

Excellent characters with emotional depth. My wife, daughter and granddaughter all enjoyed it...and me, too! Very good movie! You won't be disappointed.

"Death In A French Garden" is a film that only the French could have made, and, in this case at least, this is meant as a compliment. It's both low-down and elegant; it's sexually very frank, with characters on the edge of morality, but at the same time the director keeps winking at you, telling you not to take all of this too seriously. This attitude is personified by the lead of the film, Christophe Malavoy, who stays bemused and unshocked for, say, 95% of the time, even though he meets nymphomaniacs, weirdos, assassins, etc. Some of these characters may appear extraneous at first, but they all serve their purpose as the constantly surprising plot unfolds. And classical music buffs will love the eclectic soundtrack. *** out of 4.

There are films where things happen that at first do not make sense.So you think about it all during and maybe after.Maybe you watch it again.Now MEMENTO would be one of those films.Then there would be DEATH IN A FRENCH GARDEN.Almost every aspect of the plot makes no conventional sense.There are some seriously open ended concepts.eg the father allegedly had boyfriends earlier in life,there is mention that the mother only wants the guitar teacher because he looks like her brother.Who really wants who and how are any of them really connected?The alleged hit-man seems to have set the teacher up for the fall all along,but then doesn't have any bullets in his gun on purpose at the time needed.OK,every aspect of his character screams wannabe lover of the teacher,which is maybe why he allows him to know a version of the truth which results in him coming into 300,000 Francs for making every mistake in the book. Why is there no lock on the new place?What is the point of the teasing,perverse neighbour who lies about everything? I ended up thinking that the makers of this film were having a laugh because every aspect of every character could be a lie.Not one thing about any of them holds up to examination or belies true human interaction and behaviour. Even though at the end it is totally frustrating,I still liked the damn thing!Its open to numerous interpretations,but I don't think any would truly hold water.I think really its just a deconstruction of the labyrinthine narrative of the conventional thriller/neo-noir.None of it means anything...because I may not sleep for a week thinking about what it all means really...and no film is that important!

This is one for the 'style-over-content' buffs which is not, of course, in itself a bad thing. Stylish it definitely is; in spades yet, but content. It's one of those entries where even as you are admiring the style you find yourself asking pertinent questions (Warning: Spoilers Ahead). How has the guitar tutor come to the attention of the family, so much so that the father will consider no one else to teach his - as it turns out - precocious daughter? Would the tutor really leave a tuning-fork behind at his initial interview, indeed, would he even have 1) taken it at all and 2) removed it from his pocket if he had? Given that he DID leave it behind without realising, would the wife insist on returning it to him immediately and then seduce him? Would an apparently single woman living alone move into a large, expensive, family-sized home, effect a limp merely because she had a cane with her, invite a stranger into her new home and over light refreshments engage him in a discussion on the relative pros and cons of blonde versus brunette pubic hair? Would this same eccentric neighbor begin immediately to videotape the sex sessions the tutor enjoyed with the mother of his pupil and then send the tapes to the participants for no recognisable (i.e. blackmail) motive? Would a hit-man be passing at the precise moment the tutor is attacked and, having saved the tutor would the hit-man go on to befriend him and ultimately confide that his next 'target' is the father of his pupil? If you answered 'yes' to any or all of these questions do you always park your brain at the popcorn stand on the way to the auditorium? The trick with a movie of this kind is that, Yes, you DO ask yourself these questions even as the improbable sequence of events unfolds before your eyes but you choose to IGNORE them and surrender to the Style and/or performances. With heavy hitters like these you won't go far wrong and the film remains ultimately a triumph of style over content. 8/10

Although the film has some very beautiful & erotically tense scenes, the little & few dialogues, combined with moody glares, make even some of the completely silent scenes very threatening. It's a little like listening to the rumbling of a live volcano, not being able to run and wondering if, and when it will erupt.