Yo, there's no way for me to review this film without saying, take your *insert ethnicity + "ass" here* to see this film,like now. You have to see it in order to know what you're really messing with.

The film creates a perfect balance between action and depth of basic needs, in the midst of an infertile atmosphere.

Very good movie overall, highly recommended. Most of the negative reviews don't have any merit and are all pollitically based. Give this movie a chance at least, and it might give you a different perspective.

One of the most extraordinary films you will see this year. Take that as you want.

"The 4 Musketeers" is a terrible movie. Three painful hours of utter crap. Milady is a ninja and made a pact with the Devil, who gave her magic powers. These powers consist of Sci-Fi level special effects, and zooming in on her eyes a lot. Oh, and D'Artagnan has a magic white hawk, who follows him around and saves the day. I think that's what gave him the power to row across the English channel within the space of only a few hours. And have I mentioned the really bad dubbing from the original French? (There was no option to watch it in French with English subtitles). Anyway, what I really wanted to say was, Stay away from this movie... it's three hours of your life that you'll never get back.

they turn milady into a ninja sorceress, for no apparent reason. the ensuing special effects are lame. lackluster wirework, sword fights few and far between. some of the actors are pretty (boys and girls, with character) but there is no real chemistry nor, alas--and this is the real kicker--any 'panache'. a long, humorless, horribly misguided waste. there really isn't anything more to say of any importance. they retain much of the outline of dumas' story, but it is perfunctory, and disposed of as quickly as possible in order to move on to pointless development of the devil sorceress "plot". also, us DVD release of this movie is dubbed, badly, with no option to view with original soundtrack.

Much better than Hollywood versions. Excellent timing. No time wasted on accessory adventures or hiper-detailed beginnings and clumsy and too keep with budget. This film spends viewer time on what's important. Sign of the times, perhaps, lots of «kung fu» and «buffy the vampire slayer».. Some people like to re-invent the wheel.. but the book is all adventure anyway and we can't blame Dumas for not having thought of everything, can we?! The taste of the 21st century spectator is as much reflected in this film as that of the 19th reader is satisfied in the book. To the dread of the purist, this movie may in fact remain true to the original; certainly not in «form», but in «logic». All in all a good movie and among best of the several (though not all) of «Les Trois Mousquetaires» that I have seen so far. The «garde robe» is exquisite and it's historic accuracy (or at least the look of it) marks the different to Hollywood amateurism in these more serious aspects of show-business. If they colored the story, these people at least new what they were filming about. Last, but not least, the cast: Awesome babes! I mean.. I'd buy that soul if I could afford it. :-)Rui Duarte

When reading the novels by Alexandre Dumas as a twelve year old kid, the impression I got from The Three Musketeers was completely different from what I had seen on the movies. Where the books had been quite dark, the white screen presented comedies and "jolly old chap" sentiments, the only exception being the Richard Lester excellent versions of 1973/74 (although made with love and humor, it was not even close to being reduced to a "d'Artagnan and the Merry Olde Musketeers" level...). With this new French movies (two parts, just like Lester's) I can really recognize the Dumas spirit. I can not say that this version is superior in terms of corresponding better with the books from a word-by-word perspective, but the over all impression certainly is. Some people might disapprove with Emanuelle Béart's interpretation of Milady, but I think this is where the Dumas' feeling really shines through... Béart makes Milady not only evil, but diabolic.