Lack of good storyline.

Awesome Movie

Instead, you get a movie that's enjoyable enough, but leaves you feeling like it could have been much, much more.

One of the worst ways to make a cult movie is to set out to make a cult movie.

Finally a close to perfect work. This film got it all. The conflict, thank god, can be read through more than one dimension, it's how to be rich as a drama, and a thought-provoking film too. One can read it as a brilliant chapter in the cold war's time; the original Soviet communist vs. the Lithuanian enemy of the proletarian revolution. As if it's the eastern block vs. the western world. Then it's a battle of minds between the old generation who believed in something and fought for it, and the young one who rebelled against the first, fighting for the opposite. So it is, as well, the wise old vs. the riotous young. The differences between the 2 main characters are catchy and well-made. One is mystic who loves to unite with nature (great scene, with only music, for him enjoying sailing as if it's a spiritual fun). And the other is more materialistic, with hot pace and temper (enough to remember his leather jacket and motorcycle). I loved the pace, it's meditative and exciting in the same time; which is very hard to achieve by the way. Still the scene of seeking help by external factors to affect the players is smartly comic to the max (that Indian guru, who controls minds, is pure comedy). The 2 lead actors played their roles in iconic way if you will. However nothing is better than the end of it. Simply this film wins immortality by not relaying only on the cold war situation back then, yet it dives into deeper layer to make it essentially a conflict between just humans, who wants to assure themselves in the thing they love. Notice well how it doesn't eventually choose a winner or a loser too, because the game is on and the conflict is forever between the older and the younger. It's how the film – so intelligently – will live for more and more; being suitable to watch anytime or anyplace (it outlived the cold war itself already). So it is satisfying whether as politically, philosophically, or – and that's the most important – as a good effective drama in the first place; where you can watch it only as a thrilling movie about a crucial game of chess between the smartest 2 guys on earth! Naturally, this is one of the best films I have ever seen. Or in another word, this is how films must be made.

Or not?"La diagonale du fou " was extremely well received at the time of issue -it won the prestigious "prix Louis Delluc" and AA- . With hindsight,it's now difficult to understand what the enthusiasm was all about.Heavily symbolic,the movie had high pretensions :the cold war on a chessboard.I must admit that for someone like me who cannot play chess at all,it's pretty tedious.But the biggest bomb is the female parts:what's the point of casting two legendary actresses (Leslie Caron,star of Minelli's musicals " an American in Paris" and "Gigi"and Walters' "Lili",and Bergmanian Liv Ullmann) and giving the first one barely five or six lines ,and the Swedish thespian a fifteen-minute walk -on part?

Geneva welcomes the 23rd world chess championship, which sees the confrontation of the Soviet citizen Michel Piccoli, unconquered for 12 years, with his young fellow countryman, now a refugee in the West, Alexandre Arbatt, winner (conqueror) of the " tournament of the candidates "... The chess is only an excuse for a political tussle, the real game taking place gently in the wings in an East-West confrontation. The whole thing is perhaps a little dated.

Disputing the world title of chess, sit down in chairs opposite two soviets. However, none of the two is Russian: one of them, the champion, is Jewish. The other, the challenger, is a Lithuanian, political exile that is refugee in another country. This game will be a mirror of the Cold War: each movement is dangerous, each play is strategically important. Who is the best? The communist Jew, obedient to the Soviet state, or the Lithuanian traitor, enemy of the proletarian revolution? A beautiful end, where the game in itself has, for both, a larger importance than the world title and they consequences. A good film, with reasonable tension, great representative of the rare Swiss movies.