Strictly average movie

Good concept, poorly executed.

It is neither dumb nor smart enough to be fun, and spends way too much time with its boring human characters.

Mostly, the movie is committed to the value of a good time.

I'm probably being generous by giving this a 3 but it is in color and the people do speak on camera so that rates it higher than my all time low 1 of 10 standard, Beast of Yucca Flats. Oh man is this a really bad flick. No it's not as bad as the Attack of The Eye Creatures (also in color and having the "actors" speak on camera) but man for a spy flick from this glorious era, this one is close or is rock bottom. I mean this is worse than the Operation Double 007 and that one was really bad! I'm typing this out as the movie plays it's just going nowhere, and I'm not missing anything. Thank god for Italian film-making though, as bad as this turd is they put out out some other great stuff. At least if it had some hot Italian babes it would be worth watching but there ain't no Sophia or Gina wanna be's around here, just mid 30's producer/director wives (which aren't dogs but are not the kind of eye candy one would want in a bad flick like this to make it worth something rewarding). You'd think that a crappy flick like this would make a great Mystery Science Theater 3,000 episode but even that commentary only makes this a 5 in my book. So in summary, to each his/her own, worse than even Operation Double 007, no hot babes under 30 here, toy sub's and cars and helicopters, really boring, the guy doesn't get any action, the Death Ray is lamer than Battle Beneath The Earth, the MST3K commentary barely makes it tolerable. Avoid at nearly all costs, you have been warned! 3 out of 10, 5 out of 10 with MST3K commentary.

And here we have yet another cheesy Italian knock-off of the spy film genre, trying to capitalize on the 60's popularity of the Bond films. Our super agent, one Bart Fargo by name, is a bland layabout loser, who'd rather be sleeping than out saving the world from bumbling super villains. Smart man, actually, but it doesn't make for very good cinema to watch Bart lounge around his various hotel rooms for at least half of the movie.Bart's boss is a morose, whiny guy with a thoroughly festive racist attitude and an extreme dislike for Bart(not surprising, really). He summons Bart from his perpetual snoozing and has him dragged to the office by two pretty girls(who rough him up a bit, but what female wouldn't want to?). There, he tells Bart his next assignment is to retrieve a scientist who's built a 'peaceful death ray'. Huh? The scientist was kidnapped at the opening of the film by several accountants in a huge car, set to a bouncy tune that gets on your nerves after about the first five minutes of endless repetition. The accountants haul the good doctor off to a toy helicopter stolen from a Godzilla set, then transfer him to a model submarine swiped from the Godzilla vs. the Sea Monster set. They then blow up the toy helicopter, like a five year old gleefully setting off a bottle rocket.So Bart's mission seems to be accomplished by his flying off to yet another vaguely European city and lounging in a different hotel room. the bad guy's thugs conveniently come to him, so there's a set of lame fight scenes in the hideous 60's hotel room. At one time Abe Lincoln uses a time machine to hunt down Bart and try to kill him, maybe because Bart resembles John Wilkes Boothe. There's an amazingly slow car chase, in which Bart shows what a useless super spy he is. I mean, did he really think that the thugs wouldn't notice the candy red sports car practically kissing their bumper? And then Bart demonstrates how incompetent he is, letting the thugs drive the car over the cliff. In an unforeseen tragedy, Bart was not in the car at the time.Bart saves one of the thug's lives, so the guy helps him find the lair of the super(or not so super, really)villain. It looks like a badly decorated bordello, with wall mounted machine guns. Wow, this madame REALLY likes to discourage bad customers. Like Bart, I'm sure. Anyhoo, the bad guy buddy gets fragged, and Bart rushes in to save the girl and the idiot scientist(I mean, a peaceful death ray?! come on, man!) and kills the tepid villain. The 'death ray' causes a lot of wallboard and plaster to fall on their heads, and then there's a scene in yet ANOTHER hotel room of Bart and the red-haired artist chick he saved from 'certain death'. There's a final scene where our hero chucks a talking watch out the window to avoid talking to yet another one of his girlfriends, his bosses' secretary. Was it a Timex? And did it signal the wasted hour and a half that we spent watching this dud? We'll never know.

Considering how many spy movies there are, "Danger! Death Ray"is the lousiest of them all! Gordon Scott plays Bart Fargo (FartBargo?), a machine gun-toting spy who has to save a scientistand his daughter who are being held hostage. Appearently, thebad guys had kidnapped the scientist because he invented somekind of laser ray gun, and the villians are hoping they can getone of their own if their captive would develop one for them.Since the plot is cliched (if you don't know what a mean, checkout "The Pink Panther Strikes Again!"), that alone would destroythe viewer's hopes of enjoying the movie. How could it? Theperformances are bland and unenthusiastic, the dubbing horrible,and lousy production values. And also, what the hell kind of asecret agent named is Bart Fargo?!! A suave spy needs a slick,dignified name like James Bond or even Austin Powers, not somedumb hickish name like Bart Fargo!! That kind of name wouldbetter suit somebody like a fat, smalltown r

AH, the exotic thrill and glitz of the big time world of international espionage, where steely eyed men in immaculate suits regularly face off against impossible odds and charm the ladies with polish and flair!Then there's Bart Fargo.Bart Fargo, whose pithy comments and sidelong glances have redefined the Spy Game for so many of us who have been unfortunate enough to actually see DANGER! DEATH RAY. Make no mistake about it -- in the dog-eat-dog world of spies and intrigue, Bart's that big, mangy puppy that follows you home, tripping all the time over its oversized paws, in hopes that you'll share some day old bacon with it.Actually, DEATH RAY is a fun little Italian spy film...once you throw up your mental arms and accept what are clearly a very cheap model submarine and an equally threadbare toy helicopter (no boxtop went unsubmitted in the interests of your viewing pleasure) as being manifestations of a rich, ruthless and powerful man who is out to use every last penny of his personal fortune in his relentless bid to rule the world.Bart is played rather blandly by former movie Tarzan Gordon Scott. Bart is in some distinctly European city when we first meet him, sprawled languidly beneath the sheets. Yep, sleeping solo, which probably should warn us that this won't be your average spy flick.Two lovelies from the office ambush Bart, meaning to drag him into work (or possibly simply work him over with tire irons while he sleeps -- you get the feeling that Bart is the type who would really annoy most women).Bart's no fool. He evidently always sleeps with a gun under his pillow (evidently he's had run-ins with irate girls before). Distracting them with his nearly massive pecs, he niftily gets the drop on them. After flashing his big gun, Bart sullenly dons bunny slippers and sallies forth.You see, as we're about to hear endlessly, Bart is on vacation and just doesn't have his heart in saving the world and the rest of us working schlubs out here. Thanks, Bart. From the bottom of my heart.Off to HQ and our first (failed) little attempt at a witty confrontation. His chief is in a peevish mood. Bart had done something particularly well (possibly picked up the Chief's best suit from the cleaners without catching it in the car door), and had been given this vacation week. However, something dire has come up. Pausing only to good naturedly slander the entire Arab race, the boss gives Bart his briefing:A dedicated scientist has invented a death ray -- for entirely peaceful purposes. No wholesale killing and mayhem for this genius! No sir. This is a better, kinder, gentler...er...well, death ray.Let's take inventory. Just to make sure I'm not missing anything.A bland spy, uninspired car chases, and this kind of logic. I think we can all see where this is all heading.Demonstrating this perky little device for a bunch of bald guys (Pro Spy Tip # 1 -- Bald = Brains!), the researcher is promptly kidnapped and taken by unconvincing toy helicopter to the above mentioned toy sub. Clearly he's being carted away by the wicked people of the land of Wee!Or maybe it's just cheap sets. Everyone aboard the sub seems to be big. Ah, heck. "Portly" comes darned close to covering it.And now for a nice, almost bracing shot of plot to spice things up a bit! It seems that a wealthy man wishes to use the peaceful death ray to bring the world to its knees. Peacefully, we presume, but you never KNOW with these rich megalomaniacs...Bart is instantly off to the rescue, and it is from this moment on that our learning process truly begins. In rapid succession we learn each and every one of his many, many shortcomings.Bart has only a vague clue as to where he's going. He finds a tavern, his first real clue, more or less by accident. Following a rather leisurely fight, Bart boldly turns tail, winding up pretty literally hiding behind a woman's skirts. Except that the woman in question's working in the nude. Sort of.Back at his hotel, Bart is again attacked by one of the thugs. Bart, in no mood to play, mauls him mercilessly with a 'phone, then allows him to escape.Fortunately for Bart, his attacker is even more of a stumble bum than he is. Realizing that he's made a total fool of himself, Bart lets the man go without filing him full of holes. This works out nicely, as it later prompts the thug to come over to Bart's side and help him sneak into the Bad Guy's evil estate.Back to the "romance". Much vaguely arch dialog, ensues. At the same time, Bart flirts with a blonde who he had met on the flight out, and who is obviously one of the Bad Guys.En route to the final showdown, Bart tries to do some Spy Stuff, again wretchedly. He puts on his nifty sunglasses, climbs into his red sports car, and attempts a car chase.Tedious. Just tedious, and mostly shot in close focus with both cars very obviously careening around hairpin curves in speeds occasionally in excess of 5 mph. A few random shots are tossed vaguely back at Bart, and his car lazily rolls off of a convenient cliff.The whole sequence has the same non threatening feel of a dream featuring the Care Bears.It's non-stop tedium, and thrills a-snore! After some more derring-do, Bart's off to the villain's palacial-yet-cheezily decorated manor house.He bribes that conveniently reformed thug (remember him?) into being his friend. His pal. His sacrificial target for the local snipers. He's dead within a few seconds of their crashing the gate.After daring the corridor of hidden cameras and remote controlled machine guns, Bart takes on the baddie and his death ray, rescues the brainwashed scientist and the redhead of his dreams, and conveniently "forgets" about his planned vacation with the boss's secretary.All in a bad day's work for our boy Bart!DEATH RAY has its moments (chiefly in the buoyant but endlessly reprised main theme). In the end analysis, though, it's extremely minor stuff.