Cult of the Cobra
Cult of the Cobra
| 30 March 1955 (USA)
Cult of the Cobra Trailers

While stationed in Asia, six American G.I.'s witness the secret ritual of Lamians (worshipers of women who can change into serpents). When discovered by the cult, the High Lamian Priest vows that "the Cobra Goddess will avenge herself". Once back in the United States, a mysterious woman enters into their lives and accidents begin to happen. The shadow of a cobra is seen just before each death.

Reviews
BlazeLime

Strong and Moving!

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SpuffyWeb

Sadly Over-hyped

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Stevecorp

Don't listen to the negative reviews

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Huievest

Instead, you get a movie that's enjoyable enough, but leaves you feeling like it could have been much, much more.

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bkoganbing

Six American GIs with liberty in India want something new and different in the way of kicks. For $100.00 given to a snake charmer played by Leonard Strong they get invited to the ceremony of a cobra worshiping cult. They should have waited for advances in photography because when one of them snaps a picture and the flash goes off that sets off a wild mêlée where they have to fight for their lives to get out of there. They leave with the curse of the high priest Edward Platt threatening that all will die, one by one.And that's just about how it happens. Back in the states the five survivors, James Dobson having died in India, start getting eliminated one by one. Only Richard Long suspects what's going on. And it all starts about the time that the mysterious and slinky Faith Domergue enters the life of another of the thrill seekers, Marshall Thompson.For a cobra woman that Faith Domergue is sure a fox. Not hard to tell what Howard Hughes saw in her. But whatever he did see, he was over and done with her because she was doing films like Cult Of The Cobra.As for the film it's an OK horror film with a few camp laughs in it for those who think they're above this sort of thing.

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MARIO GAUCI

On paper, this was arguably the least promising entry among Universal's second exclusive "Sci-Fi Collection" – but it turned out to be quite enjoyable in its unassumingly campy way, lying somewhere between the exotic fancy of Universal's earlier COBRA WOMAN (1944) and the cautionary Gothic of Hammer's THE REPTILE (1966). Director Lyon generally cut his teeth on a variety of Western oaters and, while not exactly inspired by the material at hand, elicits a very good performance from his leading lady Faith Domergue – a former protégée' of the legendary Howard Hughes. The story starts at the tail-end of WWII where six G.I. buddies, looking for some kicks before leaving Asia for home, attend a clandestine ceremony held by the titular sect where no reptiles are actually worshipped – instead we have a woman painted like one who comes out of a large vase and crawls around on the floor! Suspicious Richard Long, embittered (and incredulous) Marshall Thompson and a carefree David Janssen comprise half of the band of infidels who incite the wrath of the cultists by their irreverent presence (foolishly, one of them photo-graphs the ceremony, even if he had been repeatedly warned beforehand not to); needless to say, the proverbial curse is invoked on them by the High Priest which is subsequently enforced when they return to the United States. In quick succession, four of them get offed (including bowling alley owner Janssen who expires in a fairly spectacular car crash) after having a close encounter with a cobra; their demise coincides with Thompson's meeting with his sensuous but enigmatic neighbor Domergue. There are virtually no transformation scenes (or, rather, only in silhouette and via a quick dissolve to boot!) and we only get a good look at the large cobra during its last attack backstage in a theater, where it eventually receives its come-uppance by being pushed out a high window by Thompson (for whom the conflicted Domergue actually almost jeopardized her mission!)...and which is just as well, since there is no creature on earth that I loathe or fear more! Incidentally, I was somewhat bugged by the fact that when the dead snake inevitably regains human form, it is unaccountably dressed in the black gown Domergue wore prior to her demise!

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captnemo

I had alway wanted to see this, having grown up watching all of the 50's SF films. This one had a cast of people I had grown up with in those SF films. I was not disappointed. The plot is slight, but well done. The 50's were not a decade for whodunits. It's pretty obvious who the killer is before the guys even leave Asia. Faith is a beautiful woman, and rarely has she been prettier than here. A little more meat on the script would have made this a better remembered film. The story is straightforward, with little in the way of subtlety. This was the same studio that made Tarantula and The Deadly Mantis. Both of those films were better than this, yet they had the same cookie-cutter feel to them. I put it up to the need to have new films in the drive-ins every week. All the studios suffered from this by the late 50's, with originality going out the window. Overall, I would give it a 6 out of 10. Good, but it could have been better considering the talented cast they had.------------------------------------------------------------------- Since there is no way to add a Goof to this film, I'll put it here. WARNING: Spoiler ahead.In the scene where David Janssen is killed at the bowling alley, he walks by a wall calendar several times. It is the 5th of the month when he walks past it the first time. The next time he goes by it is the 6th of the month. The date changes twice more between the 5th and 6th as David goes about his business.

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Coventry

What's the first behavior rule when you're visiting a faraway continent – particularly Asia, Africa or South America – that culturally speaking differs a lot from your own? Duh, don't interfere with local religious movements and/or voodoo cults, because they WILL come after you and they WILL find you, even when you consider yourself to be safe back home again. "Cult of the Cobra" is a charming and fairly entertaining 50's occult thriller, but it's certainly nothing special or unique. In fact, the plot is quite derivative of the Jacques Tourneur/Val Lewton classic "Cat People" (undeniably one of the greatest horror milestones ever made), since both stories revolve gorgeous women living with the ability – or is it curse? – to transform into a deadly animal. Six American members of the same Air Force unit spend a few touristy days in an Asian country (my best guess would be either India or Malaysia) and bluntly pay a snake charmer big money to secretly attend a gathering of the infamous Lamian cult, of which the members supposedly change themselves in snakes and back. Naturally they get caught, when the dumbest boy of them all takes a photograph, and only narrowly escape. Unaware they've been placed under a curse, the six friends start being killed off one by one when back in the United State. Moreover, the mysterious accidents began simultaneously with Tom acquaintance with an introvert exotic beauty living across the hall. "Cult of the Cobra" benefits the most from Faith Domergue's performance as the oddly seductive Lisa (she's a lot better here than she was in "This Island Earth" or "It Came from beneath the Sea") and a couple of imaginative camera gimmicks, like for example snake POV shots and nice use of shadow effects. Unfortunately, there are also several overlong and tedious scenes and not a single one of the male protagonists deserves any of your sympathy. Especially Tom is a pretty loathsome guy, since his behavior is obtrusive and aggressive towards women and jealous towards his own friends.

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