Crisis
Crisis
| 07 July 1950 (USA)
Crisis Trailers

An American doctor gets caught in the middle of a revolution when he's forced to operate on a South American dictator.

Reviews
KnotStronger

This is a must-see and one of the best documentaries - and films - of this year.

... View More
Gurlyndrobb

While it doesn't offer any answers, it both thrills and makes you think.

... View More
Micah Lloyd

Excellent characters with emotional depth. My wife, daughter and granddaughter all enjoyed it...and me, too! Very good movie! You won't be disappointed.

... View More
Bessie Smyth

Great story, amazing characters, superb action, enthralling cinematography. Yes, this is something I am glad I spent money on.

... View More
wes-connors

While vacationing in South America, brain surgeon Cary Grant (as Eugene Ferguson) is railroaded into operating on his host country's despotic dictator, Jose Ferrer (as Raoul Farrago). El Presidente Ferrer has a brain tumor, and won't let Dr. Grant leave the country unless he agrees to operate. As a show of good faith, Ferrer grants pretty Mrs. Paula Raymond (as Helen), Grant's wife, permission to leave the country early, so she can go shopping. Things get complicated when Ms. Raymond is kidnapped en route, by revolution-minded Gilbert Roland (as Gonzales).This is most notable as the first film for director Richard Brooks, who went on to have a very impressive career. "Crisis" is a well-intentioned and thoughtful, but labored, political drama. Ferrer does well in his role; but, Grant's persona doesn't quite fit the scrub cap, surgical gown, and latex gloves. TCM's Bob Osborne reported that Mr. Brooks' original script gave Grant a 12-year-old daughter, but, MGM wanted Grant to have a romantic partner. Watch for former silent film stars, like Ramon Novarro (Col. Adragon) and Antonio Moreno (Dr. Nierra).***** Crisis (7/3/50) Richard Brooks ~ Cary Grant, Jose Ferrer, Paula Raymond, Ramon Novarro

... View More
jlgraves-1

If any film demonstrates that an actor can make or break a movie, this is it. The scriptwriters deliver Cary Grant a poor hand - a plodding, ham-fisted drama which rushes from climax to climax, before abruptly ending without any real resolution or conclusion. However, Mr Grant single-handedly salvages the entire enterprise, aided by a delightful set design - his blockbuster performance successfully draws the viewer away from the plot, to focus on his character alone.Virtually all the tension delivered in this film is produced by Cary Grant - a cold stare, a few harsh words, a powerful stride. He is a joy to watch, and the manufactured and phony attempts at drama the script shoehorns in only highlight how poor they are in comparison. With a better script, this film could have been a marvel - as it stands, it is an excellent showpiece for Mr Grant's talents, and an object lesson to aspiring actors (and scriptwriters, for that matter) everywhere.

... View More
theowinthrop

Sometimes timing of movies ruins a possible award - witness how two splendid films, ALL ABOUT EVE (about the underbelly of the theatre)and SUNSET BOULEVARD (about the underbelly of the movies) came out in 1950, and managed to keep each other from sweeping the Oscars that year (although both did share in the Oscars). Each had great actresses in performances of stature (Bette Davis and Anne Baxter as Margo and Eve, and Gloria Swanson as Norma Desmond) up for best actress - but it was the year for Judy Holiday for Billie Dawn in BORN YESTERDAY. That same year, this nice little political thriller came out. It told the story of political intrigue in Latin America, complicated by the failing health of a dictator, and how an American doctor is torn between the threats of the dictator's regime and of the local revolutionaries. Cary Grant actually had a non-suave role here - he had serious things confronting him, like his dislike of his prospective patient (Jose Ferrer) and fears for his wife. Richard Brooks in his screenplay looked at such figures as the Argentine Perons (Signe Hasso plays the dictator's wife, like a clone of Evita), and notes the huge statues and pictures of the dictators - an early observation of what we call "the cult of personality". Ferrer is properly despicable, as a man capable of any act of violence for advantage, but also sickly due to his brain tumor. He also occasionally brings out points that pure democracy fans do not like to discuss: as he tells Grant Americans are perfectly willing to patiently stand in line for purchasing items or seeing movies, but in his country after a few minutes people standing in line start fighting and rioting. The opposition to Ferrer is little better than he is. Witness Gilbert Roland, who okays the kidnapping of Grant's wife, and once the dictator is dead starts telling Grant "These people are children who need a leader to tell them what to do." Someone disagrees with Roland, for he is shot by a sniper shortly after. The film ends with Grant sarcastically taking care of a panicking Roland and sneering at his political beliefs at the same time.It was ahead of its time in dissecting Latin American political reality. So why is CRISIS so little recalled, while other Grant thrillers (like NORTH BY NORTHWEST or NOTORIOUS - both by Hitchcock) are remembered. Not due to production or script or acting. Rather timing. In 1950 Douglas Fairbanks and Glynis Johns and Jack Hawkins appeared in the movie STATE SECRET. Set in a fictional Balkan country (supposedly Yugoslavia, but fictitious) a British surgeon is forced to take care of an ailing dictator, who undergoes a secret operation. But the dictator dies, and Fairbanks tries to flee the country aided by Johns. Almost the same type of plot (although a different part of the world). Both films deserve revival. And like ALL ABOUT EVE and SUNSET BOULEVARD, both checkmated each other's full effectiveness in that year of coincidences 1950.

... View More
craigybaby

having only seen a couple of cary grant films after seeing this i certainly will attempt to watch some more! mr grant helped by a strong script which brings out his best attributes seems simply to glide through this movie, thats not to say this is a bad thing as he is a joy to watch, his small mannerisms and the tone of his voice really develop the role in which some actors would have crashed and burned. without mr grant i dont feel the movie would have held together so convincingly, although i was impressed with the use of foreign language and the ending which while quite simple did surprise me. one thing though the soundtrack was very grating and takes a little gloss off a good movie, so perhaps subtitles is the way ahead!!

... View More