Cops and Robbers
Cops and Robbers
PG | 15 August 1973 (USA)
Cops and Robbers Trailers

Two disillusioned New York policemen plan a $10 million robbery to fuel their low pensions, only to run into one debacle after another in the process.

Reviews
Cebalord

Very best movie i ever watch

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FuzzyTagz

If the ambition is to provide two hours of instantly forgettable, popcorn-munching escapism, it succeeds.

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TaryBiggBall

It was OK. I don't see why everyone loves it so much. It wasn't very smart or deep or well-directed.

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Fatma Suarez

The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

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merklekranz

The story is a simple one, two of New York's finest decide to get rich by robbing ten million in bearer bonds, and then fencing them through the mafia. I didn't laugh once during this supposed caper comedy. I did however enjoy the film, and especially liked the supporting cast. The late Dolph Sweet and J.P. Ryan are standouts. The photography is another plus, with long engaging shots of New York City. The robbery itself is well done, but the exchange of the goods with Ryan's men in Central Park stretches believability to the limit. The ending seems quite abrupt, and while happiness reigns, it is doubtful, they could get away with it so easily. - MERK

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U.N. Owen

I'm Born, raised - and still live in NYC.Seeing this movie made me (like a lot of my fellow NYC'ers) pine for those days.It was a great place to grow up - made you 'get with it' really fast.I'd never heard of this film (and I know Mr. Gorman!), so, when it appeared last night on TCM, I recorded it.What a find!The sights and sounds bring back a lot of memories, as does even the film's stock, and the look. All pitch-perfect.The acting's superb. Instead of the (misguided) idea of using 'star' names, the producers and the director went for ACTORS - New York actors. ANd that makes all the difference.The leads, Cliff Gorman and Joseph Bologna are 2 schlubs - cops, who know they're stuck ion a treadmill.They want SOME way to get out - to 'go sit on a beach,' and enjoy their lives.So, through a meeting by happenstance, with a well-known Mafioso figure 'Pasquale Aniello' aka Patsy O'Neill, they think they've found a way to meet their goal.Everyone in the cast is so New York, the director - Aram Avakian - is a born New Yorker, and it really does help give this film that true feel.You can see it in such things like the ways the cops slouch.The little touches - such as the annoying Muzak that plays in a couple of scenes - gives the humor (this IS a comedy) a real NYC feel. It's dry, it's got a 'been there,' jaded quality that is so typical.I join the chorus in praising this little gem.If it shows up - WATCH IT.

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angelsunchained

Cops and Robbers is an enjoyable, entertaining, and well-acted film. Directed by Aram Avakian, and starring Cliff Gorman and Joseph Bologna as two cops who decided to pull-off the "perfect crime". Filmed in 1973, it's a trip down memory lane, capturing the grit and grime of New York City before it's "make-over" some twenty years later. Gorman and Bologna give their career best performances. Their interactions and conversations seem as real as can be. At no time what-so-ever, do you feel like these fine actors are acting.The movie however is stolen by character actor John P. Ryan as mob-fence "Pastsy O'Neill". Ryan gives an academy award winning performance(he was never nominated), and you truly have sympathy for his character in the end.A really fine work of film-making.

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ndrejaj1969

A gem of a caper movie, based on Donald (HOT ROCK)Westlake's novel. I discovered this film in the bargain bin of some video outlet near Ft. Bragg, NC. I was a little homesick at the time, not having had leave for nearly a year, and I thought I could alleviate some of the pain by kicking back with a few beers and watching a NY-set Seventies flick. Boy, what a find. This is a real sleeper, with easy-going charm provided by the two leads (Gorman and Bologna), suspense, droll wit, and a fine performance by J.P. Ryan as the treacherous mob fence. The film perfectly captures the mood of NYC in the early Seventies, seen through the eyes of its ethnic, blue-collar inhabitants. Catchy title tune by Michel Legrand, gorgeous location photography by David L. Quaid, cameos by Joe Spinell, Frankie Gio, and Frank Adonis. A completely satisfying conclusion. This film will leave you with a smile on your face for hours after each viewing.

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