Tells a fascinating and unsettling true story, and does so well, without pretending to have all the answers.

While it is a pity that the story wasn't told with more visual finesse, this is trivial compared to our real-world problems. It takes a good movie to put that into perspective.

Like the great film, it's made with a great deal of visible affection both in front of and behind the camera.

It is an exhilarating, distressing, funny and profound film, with one of the more memorable film scores in years,

Oh my dear god, please people, before slating any other film please watch this one first, who in their right mind eats a banana in the bath and then tries to feed some of it to their dog?????? What parasite? what happened in the freezer?? This takes ages to get started and by then interest ebbs away to the point where you just end up staring at the screen blankly. I thought Luke Goss was absolutely brilliant in the TV version of Frankenstein but sadly he seemed to lack any gusto in this bag of dead goats, who-ever wrote this seriously needs to choose a different career path as screenplays are Definitely not their forte. In short this film is an absolute must for either insomniacs or amateur brain-washers.It's dreadful!!

After being brought back from the dead by a parasitic creature, detective Shade is back on the street killing…and eating...bad guys. His partner, John Dark, realizes the situation is out-of-hand and tries to stop Shade before he fully transforms into a monster. This well-made by intensely boring British horror offering features good direction from Andrew Goth, who displays a strong visual style and a good eye for interesting camera angles. The entire cast gave very good performances, especially the golf-playing police chief (name of actor escapes me right now). The make-up effects were quite good, and if you like your horror movies gory…well, let's just say this is a VERY bloody flick and horror fans will not be disappointed in this department. Unfortunately, this is where the list of positive aspects ends. The plot is a big confusing mess, the violence is often mean-spirited, the narrative made no sense and the film is very poorly paced. Not unwatchably bad, but unfortunately dumb and dull. Oh, and did those CG shots of the worm-thing that comes out of Shade's hand look like crap or what?3.5/10.

When Detective Mortimer Shade (Kevin Howarth) is somehow killed in a freezer, a parasite called Grall possesses his body, revives him, but he needs blood to stay alive. His partner John Dark (Luke Goss) accepts the new situation and together they become vigilantes, judging and killing the bad guys, with Shade sucking their blood with his claw. However, John notes that Shade is loosing the rest of humanity and becoming a monster, being aware and afraid of the danger Shade represents to mankind and trying to stop him."Cold & Dark" is a promising dark story, wasted with a bad and confused screenplay. The movie practically is linear, without plot point, and when it seems that it will reach an interesting situation, it deceptively fails and shows no twist. The cinematography and the music score are very good, the two lead actors work well, but the actor who performs the chief of police is ridicule and histrionic. The movie does not show how Shade was killed and how the alien parasite enters in his body. The open end of the story is also terrible and I honestly did not understand many inconclusive parts of the story. My vote is five.Title (Brazil): "No Frio da Escuridão" ("In the Cold of the Darkness")

"Cold and Dark" is a brand new and well-intended British horror/action flick with that may count on ambitious cast & crew members, a dozen of semi-good ideas and a couple of impressive special effects. Unfortunately the script and elaboration are far too messy to make it become a memorable film and I simply can't recommend it wholeheartedly, even though I really wanted to. The story revolves on two macho buddy cops (luckily they wear their badges around the neck, because they looked more like dock workers to me) who put a lot of time and effort in unraveling a network of human smuggling. The brains behind these illegal atrocities naturally are well protected and thus every action taken by our heroic cops turns out pointless. Until one day, officer Shade survives a mysterious incident in a freezer (I still haven't figured out what exactly happened there) and all of a sudden he enjoys monstrous powers. From then on, the two no longer await a boring trial and they make sure every villain's live quickly comes to a bloody end. You can tell that the "vigilante cop" premise isn't exactly original and the monstrous touch is, in fact, the only more or less inventive aspect. And then still this movie fails to impress because of its many boring sequences and the completely illogical structure featuring at times. The rough camera-work and voice-over are a little too obviously stolen from other "cool" films like "Snatch" or "The Boondock Saints", while the top-notch sound effects often miss their effect. And yet, there are several positive elements to detect in this production! A few sequences are downright dazzling (like the first massacre, set in a filthy restroom) and there are some delightfully absurd characters introduced. Like Dr. Elgin who seems to have escaped the Men in Black cast or the typically Scottish commissioner who yells really loud whenever he speaks and compares his police squad with a set of golf clubs. The black humor certainly is the biggest trump of this film. I would label this "Cold and Dark" a missed opportunity but I reckon Andrew Goth has the potential to grow as a director. This is only his second film after "Everybody Loves Sunshine", starring David Bowie.