This movie was so-so. It had it's moments, but wasn't the greatest.

This film is so real. It treats its characters with so much care and sensitivity.

If you're interested in the topic at hand, you should just watch it and judge yourself because the reviews have gone very biased by people that didn't even watch it and just hate (or love) the creator. I liked it, it was well written, narrated, and directed and it was about a topic that interests me.

It is neither dumb nor smart enough to be fun, and spends way too much time with its boring human characters.

A star studded cast, among them Minnie Driver, Saffron Burrows, Chris O'Donnell, Alan Cumming,Colin Firth and Ciarin Hinds sets this romance partially in Dublin and partially in a commuting suburb of Dublin. The three girls whom the story follows and the at least four beaux hoping to court them go through coming of age at a time when the Irish were becoming more worldly. Although many Irish did emigrate to New York at the time this film set near the Irish sea in and near Dublin in central Ireland does not create fictitious characters with this in mind. The three female friends see romance differently, experience romance differently and end up for at least romantic comedy properly settled. Charming, insightful and beautifully photographed.

It's 1949 Knockglen, Ireland. Best friends Eve, Benny and Nan have their Confirmation Day. Then it's 1957. Nan Mahon (Saffron Burrows) is long gone to Dublin. Bernadette Hogan (Minnie Driver) and Eve Malone (Geraldine O'Rawe) have graduated. Orphan Eve's father was the wealthy Westward family's gardener. Simon (Colin Firth) is the dashing Westward son. The girls go to Dublin University College but Benny has to go home every night while Eve is living in a convent. They are reunited with social butterfly Nan at college. Benny falls for fellow student Jack Foley (Chris O'Donnell). Creepy Sean Walsh (Alan Cumming) from home has an eye for her. Aidan Lynch (Aidan Gillen) likes Eve. Nan wants the older Simon.Minnie Driver may be a tall gal but the way she's described, she needs an extra 50 pounds. She probably needs to be uglier. On the other hand, Chris O'Donnell is way too pretty, not just handsome but swoopy-haired pretty. He's essentially the pretty girl in this romance and rather bland. They have good chemistry but not very heated one. It tries to do something with sexual rebellion in the repressive religious atmosphere. Even when the movie takes some twists, it never really surprises.

This rating reflects my ambivalent feelings about the movie...I seem to recall the novel (which I read some years ago) as having a little more depth than the sexual experiences (or lack thereof) of its three heroines. The film comes off as a bit of a soap opera, 1950's Irish style. Although I'm not Catholic myself, my main problem with the movie (and Maeve Binchy's novels, to some extent) is the constant irritating depiction of the Catholic church as an oppressive institution that exists more or less for the primary purpose of sexually repressing its adherents. Also, the producers should have done some very basic research into Catholic traditions. As another reviewer also noted, it is extremely obvious (and not only to Catholics) that the opening religious ceremony in the film is not the three girls' Confirmation at all but their First Communion. The movie thus lost credibility to me from the outset.The movie tells the story of three Irish friends who are embarking upon their college days...Benny, a rather biggish (supposedly) self conscious girl, Eve, a quiet orphan raised by nuns, and Nan, a lovely would be sophisticate who sets her cap for the young Protestant country squire, Simon. For business purposes, Benny's father is encouraging his shop employee, Sean, to court his daughter. However, Benny has fallen in love with a handsome college classmate and rugby star named Jack. Meanwhile, Nan and Simon are conducting a clandestine affair in Eve's cottage. After Nan discovers that she is pregnant, Simon indicates that he has no intention of marrying a girl of her social / financial status and suggests an abortion. To get out of her pickle, Nan then proceeds to seduce Jack and attempt to pass her baby off as his child. Read the above... doesn't it all sound like a soap? Who's sleeping with who? Anyway, carrying on...Minnie Driver gives a marvelous, sympathetic portrayal of Benny, a young girl insecure over her appearance, caught up in her first love and awakening desires, pursued by an unwelcome suitor, trapped with familial obligations following her father's sudden death, and ultimately betrayed by her boyfriend and one of her best friends. She's beautiful at the dance when she first reveals her vulnerability to Jack. I agree with those who claim that Benny is not sufficiently large for the role, not 'big as a rhinoceros' at all...attractive figure, just pudgy face...but that's a minor detail. Chris O'Donnell is perfect as her dashing young love, convincing in his devastated reaction to the news of Nan's pregnancy and choosing to unhappily but nobly do the right thing, marry the girl. He's much more sympathetic in the movie, where he has only a one night moment of madness with Nan, than in the novel, where it's more of an affair. Eve seems well cast, but Sean's pilfering, lecherous, peeping tom character is definitely overdone, almost a caricature, as others have also noted. Nan's character is well captured here, as the viewer (this one, at least) has sympathy for her genuine sense of giving herself to Sean when she loses her virginity, her betrayal by him when he hears of her pregnancy, and even to some extent her dastardly deed to both Jack and Benny for her own selfish interests. One point well brought out is that while Nan believes herself to have contempt for Catholicism, when it comes to abortion, we see that she has internalized at least some of the teachings of her faith.Of course the Irish music is fantastic and the country scenery beautiful, the green hills, streams, and meandering roads. I was less impressed that the professor's lecture topics just happened to involve the sexual practices of savages. I certainly don't recall that from the novel, though it's been awhile. What is the likelihood that this would have been the class subject matter for a coed freshman class in Ireland back in the 1950's?The film has a different ending than the novel, which will disappoint some readers. Normally this would infuriate me, but I found surprisingly that I didn't mind. In the book, Benny forgives Jack and remains friends with him, but, having gained confidence and a sense of independence, moves on with her life. Here of course we see a less complex storybook type ending with the couple getting together. Pity she has sex with him at the end...of course with a parting dig at the Catholic Church ('Bless me, Father, for I have sinned'). At least it's apparently at Benny's own instigation, not in response to pressure from Jack. The movie is really mainly sex...either wanting it, talking about it, or having it. Not much else to the story.So...yes, a mixed review. Not the best morals and a certain mocking of Catholic teachings (or Christian teachings, in general), but kind of a touching story of first love, a sympathetic heroine, and that lovely Irish scenery.

SPOILERS HEREINI just caught this film last night on TV, purely by chance, and I guess with my low expectations it didn't disappoint but there were parts that did.It tells a sweet enough tale of three Irish college girlfriends and falling in love, and the central romance between Minnie Driver and Chris O'Donnell is well handled. There's enough chemistry there to illuminate the relationship.However, during the more dramatic parts of the story, I had quite a few complaints. While Driver's performance through the majority of the film was very convincing, she seemed very trite and almost cute during her break-up scenes and following the death of her father. The musical soundtrack as well wasn't very well handled to produce the most emotion. My female friends had given me the impression that this was the saddest movie they'd ever seen but I just found it nowhere near powerful enough. It is surely meant to be an emotionally charged film but the direction and the performances didn't do nearly enough to extract the feeling from it, and I felt like I was watching some street theatre or something because it was obvious what they were representing with their faces and body language, but there wasn't much acting involved at all.The second complaint is Alan Cumming's character. He's fine in the role, don't get me wrong, but it's such a stupid character. The story itself is realistic and the characters are empathetic and true-to-life, except this one. He's such a blatant caricature and left all conviction in the film for dead. I presume it's all from the book which I haven't read, but I really think an over-the-top character like that will always ruin a simple, sentimental romance such as this. They're far more suited to Roald Dahl books.But apart from those complaints it didn't really disappoint. It's simplistic and gentle-hearted and as such is ideal evening viewing as far as I can tell. ***/*****