Self-important, over-dramatic, uninspired.

This is one of the few movies I've ever seen where the whole audience broke into spontaneous, loud applause a third of the way in.

I enjoyed watching this film and would recommend other to give it a try , (as I am) but this movie, although enjoyable to watch due to the better than average acting fails to add anything new to its storyline that is all too familiar to these types of movies.

There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes

Chan Is Missing begins with the old American classic "Rock Around The Clock", but here it's sung in Chinese. Be prepared to enter Chinatown as you have never experienced it in this 1981 no-budget film from director Wayne Wang.Filmed in Black and White with a cast of unknowns, Chan Is Missing uses the genre template of a mystery film to take us to the edge of a much bigger and more difficult human mystery Your friendly guide will be Jo (Wood Moy), a shambling, world-weary, Chinese-American taxi driver who has decided to go into the taxi business with his younger nephew Steve (Marc Hayashi). Calling themselves the Wing On Cab Company, they figure by splitting shifts, with Jo taking days and Steve taking nights, they both stand to make some decent money.However, in San Francisco, a special taxi licence is needed and they are hard to get. Chan Hung, a friend of Jo's from Taiwan knows where he can make a deal to sub-lease a taxi licence, but the deal is cash only.So, Jo and Steve pool their resources and come up with the $4000 dollars needed and they give the cash to Chan who goes off to finalize the deal.And that's that.After two days go by without any word from Chan, Jo and Steve begin to get worried, apparently, Chan is missing.They have no reason to suspect that Chan has stiffed them, but they do fear something may have happened to him. After all, Chan was relatively new to San Francisco. Their concern grows when they learn that Chan was involved in a fender-bender a short time ago and is also a no-show at his court appointment. A quick stop at the cheap hotel Chan lived at yields no information except that Chan hasn't been there for several days and a strange woman has also been looking for him (there is always a strange woman in a mystery).Jo thinks his friend Henry, a Chinese cook and restaurant owner might be able to help. Henry was a friend of Chan's back in China; in fact they studied aeronautical engineering together. But we gather that while Henry has been successful in America, Chan has faced disappointment.As Henry explains it, Americans won't hire the Chinese as engineers, they only want them "to make spring rolls." Henry is contemptuous of the food he has to cook for Americans and can't understand the popularity of Sweet And Sour Pork Ribs when the sauce alone makes him nauseous.And don't get him started on the tourists who order Won Ton Soup. He screams at his waiters to tell the Americans, "we don't have Won Ton Soup, tell them we have Won Ton spelled backwards, Not Now!" Eventually, Jo and Steve learn that Chan may be linked to an infamous "flag-waving incident" in San Francisco's Chinatown. At a recent Chinese Pride Day Parade, two different groups, one that supports the Peoples Republic Of China and another that supports a Free Taiwan, clashed on the street and Chan photographed the incident. Is his disappearance related to obscure Chinese Community politics? This clash also led to a notorious murder; is Chan involved with that? A promising lead takes Jo to a Chinese Community Center where he talks with George who taught English to Chan. George explains how some immigrant Chinese don't want to assimilate in the USA and this causes problems because a lot of their Chinese customs don't work over here.But the real problem comes from those who DO want to assimilate into white America as quickly as possible; the biggest problem being, obviously, they are not white. George tries to teach these people to retain the best things from Chinese culture and adapt them to the best things in American culture.Eventually, Jo tracks down the strange woman and it turns out to be Chan's wife, this is a surprise, as Jo did not know that Chan had a family. Yet, shortly after this meeting, Chan's daughter calls up Jo and Steve and returns their $4000 with apologies from Chan for not coming through with the taxi licence.Although Steve is happy to get the money back, Jo is even more confused. So are we. By this point, we have become very curious about who Chan is. But, no more so than Jo. After all, Chan was supposedly his friend and now after trying to find him, Jo has to conclude that he never really knew Chan at all.Also, Jo has not turned out to be a particularly good detective. At one point someone says to him, "Your nobodies concept of a Charlie Chan." Jo realizes this and muses to himself at one point, "If this were a TV movie, an important clue would pop up now and clarify everything." But that never happens.Over the course of the film, Chan is described variously as being: honest, paranoid, a genius, an idiot, sly, slow-witted, a failure, patriotic, "too Chinese" and it was noted by several people that he was especially fond of mariachi music. What we are left with at the end is Chan, the enigma.At the end of the film, Jo looks at a photograph of himself and Chan that was taken long before this Chan going missing business. Both men are standing outside a restaurant in Chinatown and Jo is poised in the sun and he is smiling, but Chan is standing in the shadows of a doorway, his features barely visible making Chan more of an enigma now than he was ever before.I was thoroughly enchanted by Chan Is Missing and I think you will be too.

The documentary type directing and acting style is absolutely brilliant! Wood Moy is stunning in his low-key naturalistic acting. Almost all of the characters in the film make you believe that there is no possible way they are not real people.Yes, the framework of the amateur investigation of the mystery provides incremental revelation of a truly fascinating subculture world. In toto, it shows the position and perspective of many different personalities in this world and how they relate to one another.Jo's cataloging of the various characters' opinions of the missing Chan illustrates how everyone's personal experience colors their perceptions. No innovative philosophies are interposed, yet the subtle notions we all have some inkling of are artfully insinuated upon our consciousness.This is truly an art film in the best sense of the term.

This film is an excellent example of film-making, even though it was apparently made on a shoestring AFI grant. It shows what you don't need -- high production values and special effects -- and what you do need (good writing/direction). In fact, I think it holds its own with all the great films of the past century.This film works on several levels. At the most surface point, it is an amusing sendup of the old Charlie Chan mystery films. Going a little further down it portrays discrimination against Chinese-Americans without showing anyone who is NOT Chinese-American.But let's go a little deeper. At one point, a character pulls out a snapshot of himself and the titular character; he can't really see Chan, whose image is obscured, but he can see himself. The point is, that's about all any of us CAN do -- we can't know others, so the best we can do, if we really try, is to know ourselves. Finally, Chan is missing, and -- spoiler here, spoiler here, watch out, watch out -- Chan STAYS missing. To me, this a a powerful demonstration of the true, sad fact that often what we most want we cannot find -- and sometimes the person we desperately want to see again is exactly the one we will not.

this is one of the most original stories to come along, and certainly the most important of Asian American films out there. produced with a low budget, this simple story of a missing person turns into an analysis of culture and stereotypes, not only of Asians, but all people. this is truly a must-see film for movie lovers.