Let me be very fair here, this is not the best movie in my opinion. But, this movie is fun, it has purpose and is very enjoyable to watch.

There are moments in this movie where the great movie it could've been peek out... They're fleeting, here, but they're worth savoring, and they happen often enough to make it worth your while.

This is one of the best movies I’ve seen in a very long time. You have to go and see this on the big screen.

The movie really just wants to entertain people.

It is not a bad remake of Julien Duvivier's classic and incomparable "Pepé le Moko" with Jean Gabin from 1937 with even some advantages to the French original, chiefly Marta Toren as the beautiful lady from abroad and home and Peter Lorre as the police inspector in one of his most suavely amiable and abominable performances; but the songs are quite good also and Tony Martin, although inferior to Jean Gabin, is convincing and charming enough. Another asset is Yvonne de Carlo as Inez, and like in "Pepé le Moko" you wonder why he doesn't prefer her to the alien lady as a much more rational and sensible option; but it's in his nature to choose challenge to comfort.There is very little to add, if you have seen "Pepé le Moko" you have seen it all, the drama is exactly the same here with its regrettable and overwhelmingly sad finale, but Julien Duvivier makes it both more realistic, more poetic and more overwhelming. What Tony Martin lacks is the tragic touch of Jean Gabin with his poignant stigma.

Wrong headed semi musical remake of Algiers which is missing all the ingredients that made the first film stand out. Whoever thought that Tony Martin(?!) could be an acceptable substitute for Charles Boyer was seriously misguided or just plain crazy. While he has a fine singing voice he has zero screen presence so starting out the film has a black hole at it's center. Then there's Marta Toren in the Hedy Lamaar role, while she is certainly lovely she does not possess that elusive star quality which Hedy, although a spotty actress, had in spades. Yvonne de Carlo, an effective actress when properly cast, seems a natural for the Hedy Lamaar role but is wasted in a secondary part although top billed. Peter Lorre is the best thing here but he is similarly underused. All in all a throughly forgettable enterprise.

This strange little item is a remake of the 1938 film "Algiers" which starred Charles Boyer and Hedy Lamarr, which itself was a remake of a French film of the previous year, called "Pepe LeMoko." The 1938 version made stars of Boyer and Lamarr; Tony Martin (who was married to dancer Cyd Charisse) and Marta Toren were not so lucky. Both were physically attractive enough but lacked the panache and charisma to capture the movie going public's loyalty. DeCarlo held her own in the film in a secondary role in a period when Universal was trying to figure out what to do with her -- the camp era was over -- no more "Salome" or "Sheherazade" for her. She did some fine work in film noir during this time -- "Brute Force" and "Criss Cross" in particular. (If you look real close at the Katherine Dunham Dance Troupe -- you might spot a young dancer named Eartha Kitt who made quite a name for herself a bit later, as a singer.)

I watched this years ago on TV with a friend who swore that was NOT Yvonne DeCarlo playing the spitfire Inez...I almost lost my mind! Yvonne is unintentionally hilarious in this campy musical remake of 1938's "Algiers", featuring big, bland Tony Martin as Pepe Le Moko (for those who don't know, Tony Martin was even more bland than Perry Como and Andy Williams, sort of a Dean Martin knock-off without any of Dino's naughty charm). Pepe is a jewel thief caught between two women, and he occasionally breaks out into song (not bad songs mind you, as they were written by the famous Harold Arlen). Still, viewers not familiar with the picture's background might think they've stumbled upon a musical version of "Casablanca". *1/2 from ****