A very feeble attempt at affirmatie action

It is both painfully honest and laugh-out-loud funny at the same time.

The movie's neither hopeful in contrived ways, nor hopeless in different contrived ways. Somehow it manages to be wonderful

Just intense enough to provide a much-needed diversion, just lightweight enough to make you forget about it soon after it’s over. It’s not exactly “good,” per se, but it does what it sets out to do in terms of putting us on edge, which makes it … successful?

It tells you something about Marshall Lewy's talent as a writer when the movie starts where it needs to start. There's no extensive background as to who Lachlan is, why he's in Los Angeles. There's little to no set up. We get to see what's the point, we get to see what the main character is going to be struggling with even before we know the main character. Of course this kind of start could be risky, it could alienate the audience if it' done poorly, but Lewy has done it well. The start isn't too fast, but it's fast enough so you don't have time to actually think about not knowing enough at that point. The start is immediate yet smooth.The story is a bit hard to grasp since there's a lot of details, but of course the main point is the fact that Lachlan faces deportation. However the story can't be summarised to just that, because there are so much happening even though the threat of deportation is the key ingredient. California Solo is exactly what a drama movie should be: a piece of life instead of just a simplified story. The character is more than what we see, there's what happened before and there's what will happen after the events of the movie, and that definitely shows great skills from Marshall Lewy. However a little part of me wants to ask what was the point? Not because the movie was somehow incomplete or that I didn't get the main theme, but because of the ending and how everything was concluded. But clearly it was meant to be that way. Visually California Solo is a stunning movie. The whole cinematography just screams "indie film", but it looks amazing. Also the music is amazing and well chosen. The entirety makes me feel the same way as when I listen to Delicate by Damien Rice, which is a bit surprising association. While the story, directing, soundtrack and cinematography are all amazing, the best part of the whole film has to be Robert Carlyle's performance. Aye, maybe I'm biased, but he's extremely talented. His performance is so emotionally raw and powerful it gives you chills. He's absolutely a brilliant actor, and I can't imagine anyone else playing his character in this movie. California Solo absolutely needed Robert Carlyle, his absolutely perfect for this. I liked this movie very much, but I feel like I need to get a little bit older and move around to relate to it even more. But in ten years or so, I'll absolutely return to this movie and see if my gained wisdom gives me another way to look at this. But for now I'll just know California Solo is a beautiful, well-made film, which reminds me why I love drama when it's made this excellently.

As both a professional musician and a Robert Carlyle fan, I couldn't wait to see this movie. Carlyle's performance was pitch perfect, and the story kept me riveted until the end.This reminded me of the sort of movies we used to see back in the 1970s, when film makers were more concerned with emotional depth than flashy special effects. Carlyle holds nothing back in his portrayal of washed up Britpop musician Lachlan MacAldonich. His work in this role contains raw honesty that is sometimes almost painful to watch. Anyone who's ever loved and despaired over an alcoholic loved one will recognize Lachlan MacAldonich's struggle to avoid the heartache that he, himself, has generated by his own chemical dependency.Sadly, there were two things which marred this movie for me. One problem was Alexia Rasmussen, whose youth and lackluster acting made her ill-suited to the role of Beau. Though she's certainly easy to look at and wears a hat quite well, there was no real spark during her scenes with Carlyle. And since Beau didn't appear much older than Lachlan's daughter Ari, it made me uncomfortable to watch Carlyle's much older character chasing after her.The major flaw was Marshall Lewy's total ignorance of basic psychology, which made the ending a bit hard to accept. After watching this character slowly devolve while desperately fighting deportation throughout the entire movie, Lachlan's sudden turn-about during the last remaining minutes of the film just didn't ring true. Instead of wasting footage with moody shots of Lachlan staring out the window during train rides, a bit more dialog which offered some foreshadowing of Lachlan's mental processes would have made better use of screen time.Despite its weaknesses, Robert Carlyle makes 'California Solo' worth watching. In fact, all of the actors except Rasmussen were excellent, especially A. Martinez and young Savannah Lathem, who portrayed Lachlan's daughter. This is the sort of thought-provoking film which is becoming increasingly rare in this age of over-the-top special effects, and I wholeheartedly recommend it to anyone searching for something with a bit more depth.

California Solo is a laid back and entertaining character study. In recent American movies, the character studies (as opposed to biopics) of musicians have tended to be of those belonging to the country & western branch (Crazy Heart, etc.). So it's nice to see one about a British rock and roll artist. Robert Carlyle is perfectly cast as a former Scottish rock musician, now emigrated to USA and working on a farm in California. His only connection with music is the tributes to other rock bands of his era that he records at home for a local radio station. A clash with the law, which threatens deportation back to Scotland, forces him to face his inner demons and past. The film is carried by Carlyle who is both endearing and totally believable as a has been rock musician. The music is good, as is the direction and cinematography. Great fun.

The screen play is very well written. I read it before the movie was shot and could easily feel the strength of the story. It's a mature subject though, which seems to bear out in the IMDb vote distribution. It's going to appeal most strongly to older folks. By the way, we older folks have money and pay to see movies with good story lines. Carlyle is a great choice for a lead in this movie, having seen him do forlorn but strong characters in many movies and also at the other end of the universe, so to speak ... I can't think of a contemporary alternative that would fit the role. After reading some of the Sundance buzz I rather felt that the critics prefer the same old boring story lines, whereas California Solo at least is a fresh interpretation that is also well-timed to the old rock audience.