It is not deep, but it is fun to watch. It does have a bit more of an edge to it than other similar films.

I am only giving this movie a 1 for the great cast, though I can't imagine what any of them were thinking. This movie was horrible

The film may be flawed, but its message is not.

This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.

It is not often that a follow-up is every bit as good and actually on the same level as its predecessor, but 'By the Light of the Silvery Moon', a follow-up to the immensely charming and warm-hearted 'On Moonlight Bay', manages it.Both are among Doris Day's best musical films and in the top end of her filmography. Anybody who is a fan of Day and Gordon McRae (have always loved Day and consider McRae immensely talented) will get huge pleasure from both and will find it difficult to decide which is better. Like 'On Moonlight Bay', the story in 'By the Light of the Silvery Moon' is very slight. Again, like 'On Moonlight Bay' it doesn't feel that big a problem with everything else executed so well.Visually, 'By the Light of the Silvery Moon' captivates. The Technicolor styling is superb and rich in colour, the production design is lavish and leaves a warm and cosy feeling from head to toe.The songs are terrific and the treatment of these standards truly enchant. Standouts are the title song, "Be My Little Baby Bumble-Bee" and "If You Were the Only Girl in the World".'By the Light of the Silvery Moon's' writing is witty and warm-hearted and few will mind the slightness of the story with it warming the heart so much, being so consistently entertaining and making one feel so cosy and relaxed with its innocence. The ice skating sequence epitomises all this.Day sings beautifully and has such an endearing and fresh approach to her acting, while McRae is a dashing presence with his warm baritone voice being one of the best and most beautiful on film. Their chemistry once again is irresistible and a huge part of the film's appeal.Leon Ames has the memorability factor, Rosemary DeCamp is a sympathetic presence, Billy Gray makes a potentially annoying character appealing and Russell Arms charms as a nerd. Mary Wickes' sharp-tongued but well meaning housekeeper is particularly fun.Overall, a musical delight. 9/10 Bethany Cox

"By the Light of the Silvery Moon" is the natural follow-up to the 1951 film, "On Moonlight Bay." Warner Brothers must have known early that it had a hit on their hands with the first film, to have it end the way it did – begging for a sequel. And, thankfully, the whole troop from the first film could be cast again to pick up where life with the Winfield's left off. This second film has some more interesting situations that lend to the humor. The first involves thanksgiving dinner and private-eye Wesley's pet turkey, Gregory. The second involves a French actress, Renee LaRue (played by Maria Palmer), who's coming to town to put on a stage show. Another is a hilarious scene at the ice skating pond toward the end. Listen carefully for the announcer at the pond – that's the voice of Merv Griffin. Then there's the wedding of Marjorie (Doris Day) and Bill (Gordon MacRae) that one or the other of them puts off and then on again. That happens a few times in the movie. As in the first film, the cast is superb – each actor does a wonderful job. I think Leon Ames did a banner job in the personality changes of his role. And, I agree with other reviews that have noted Billy Gray's portrayal as Wesley. I like the way the script created situations of interest for him, and how he portrayed them. It brings back memories of how I too liked to play detective and private eye as a boy, and found other things of interest. Movies don't show those kinds of things anymore, but I see my grandkids with similar interests and pursuits. I suppose the hands-on, self-exploration interests of kids growing up – especially boys, is giving way today to the electronic information age and games of fantasy. Again, Doris Day and Gordon MacRae have some wonderful songs. They made four musicals together, and they were as perfectly matched as any couple of singers over the years. One other very good pairing for singing with Doris was Howard Keel in "Calamity Jane," the same year that this film was made.MacRae went on to star in more musicals, including two lavish Rodgers and Hammerstein films, "Oklahoma" in 1955 and "Carousel" in 1956. As musicals declined after the 1950s, MacRae did occasional movies and TV appearances. I saw and heard him sing the national anthem before a Midwest college football game in the early 1980s. Gordon MacRae died at age 64 of cancer of the mouth and jaw. This is another wonderful movie for the whole family. Life, culture, manners, pursuits and interests were quite different in those days. Most people didn't have housekeeper cooks though. But everyone could dream. And we today can enjoy the humor, romance and fun of those times long ago, that we get a taste of in "Silvery Moon."For a comic parting, here's an exchange in one scene about the turkey. George Winfield: "For the last time, that turkey does not belong in this house." Wesley: "Well, if he's good enough to be 'on' the table, he's good enough to walk around it."

On Moonlight Bay proved so popular with audiences looking for entertainment and tales of what they thought was a simpler era, that By The Light Of The Silvery Moon was almost demanded to be made. Repeating their roles from the previous Warner Brothers hit were Doris Day, Gordon MacRae, Billy Gray, Leon Ames, Rosemary DeCamp and the trenchant Mary Wickes as the indispensable maid of the Wingfield Family.The last film was set in 1916-1917 and ended with Gordon MacRae going off to World War I after graduating college with Doris Day promising to wait for him. The armistice has happened and its 1919 and the dough-boys are returning home, in MacRae's case to Indiana. Of course there are a few bumps in the road including Russell Arms who's been trying to score with Doris while Gordon's away. And a French actress who's taking a lease on a theater that banker Ames's employer has had title defaulted to. Through some dumb errors worthy of an Astaire-Rogers film everyone thinks Ames is stepping out with Maria Palmer playing the actress.No original songs were written for this film set in 1919. The songs were all in keeping with the period when the Roaring Twenties Jazz Age hadn't taken hold yet. The earliest copyrighted song from the score is Just One Girl which Gordon does with a nice little buck and wing thrown in. It's my favorite number from the film.If you liked On Moonlight Bay there is no reason you won't like By The Light Of The Silvery Moon. Doris and Gordon certainly made some beautiful music together.

Nobody ever accused Hollywood of being slow to cash in on success and just as Jolson Sings Again followed The Jolson Story as night follows day so On Moonlight Bay was succeeded by By The Light Of The Silvery Moon a couple of years later. It's more or less the mixture as before except that this time they get much more mileage out of Billy Gray misinterpreting an innocent note. On one hand these two movies are a great antidote to the in-yer-face and let-it-all-hang-out fodder of today's Hollywood whilst on the other there's a double helping of saccharine on offer but then again at least it isn't sugar. if you're feeling nostalgic this one pushes the right buttons.