Dreadfully Boring

A bit overrated, but still an amazing film

I cannot think of one single thing that I would change about this film. The acting is incomparable, the directing deft, and the writing poignantly brilliant.

This film is so real. It treats its characters with so much care and sensitivity.

"Bustin' Loose" is a surprisingly delightful, even occasionally moving film. An ex-con (Richard Pryor) helps a teacher (Cicely Tyson) move a group of 'special' children three thousand miles across the U.S. from Philadelphia to Washington State.After a slow, and somewhat not so promising start, the movie picks up as the journey across country begins. "Bustin' Loose" has its comic moments and remains quite simple throughout, with a warm and touching finale that makes it all worthwhile. Credit this to astute director Oz Scott, and the inspired teaming of comic genius Richard Pryor and co-star Cicely Tyson.Monday, July 1, 1991 - Video

When a movie can make you laugh and cry, it's a rare quality. Many people don't have a high tolerance for adults, but are suckers for kids. I am proud to say that I fall into this category, as does Richard Pryor's character Joe Braxton in this film. He plays a foul-mouthed, ill-mannered ex-con, who is, let's face it, a bum. For some reason, though, he is likable. Maybe it's because he still has an optimistic outlook about his life. His biggest strength, which almost proves to be his undoing, is that he is willing to do more for others than he is for himself. This is what I felt made "Bustin' Loose" such a touching movie.Joe Braxton is a parolee who has been given a second chance to rebuild his life. His only problem is, he can't really seem to find a purpose on the outside, and just doesn't know how to make it. In a hilarious courtroom scene where he is about to be sent back to prison for larceny, in violation of his parole, he is given ten years probation by the judge.His parole officer, however, is amused, but not at all fooled by the courtroom shenanigans. So, as a favor, his parole officers needs a favor. A group of disadvantaged Philadelphia youths have had their school closed as a result of budget cuts. Cicely Tyson, who portrays her character brilliantly, plays their supervisor who is also the girlfriend of Joe's parole officer. She and the kids need to be driven across country to her family's Washington state farm to start over. Joe is asked to drive the bus and return in 15 days.This is where the movie takes a wonderful turn for the better and gives some pleasant surprises. It could have been a silly Disney-like movie with cute, fake dialog that cuts corners and makes you want to throw up at the end (like Dead Poet's Society). Instead of all that nonsense and garbage, we heard words of truth, and witness some convincing changes.At first, Joe sees this as a chore and the kids as nothing but a bunch of losers. Later though, he begins to bond with the kids and discovers, as does the kids, that he actually really does care about them because he doesn't want what happened to him to happen to them. He finds a purpose, and a reason to be happy. He becomes a pleasant, and is actually a warm person after all who just needed the right people to bring out the goodness in him. Perhaps this is because his love for the kids makes him forget about his problems and worry about their well-being. There are some tough scenes, too. There is boy who has experienced a tragedy, not intentionally, but because of a problem he cannot help. Another one of the youths solicits prostitution to Joe. There are also about whether the kids will be able to keep their new home, or if Joe can actually make it on the outside. All of these scenes show reality and how people find the courage to deal with their own lives. Richard Pryor plays these scenes with a quiet, subtle brilliance. He is not just a funny comedian, he is also a good actor. The only flaw the movie has is that it seems to lack some little scenes to make Prior's character develop his relationship and bond together with the kids and Cicely Tyson's character. Don't get me wrong, it's usually better to keep an audience wanting more than to drag a movie out, but I think this one may have benefited from more running time. The transition from con to nice guy seemed just a little bit too quick, and I think this could have been the difference between making this a great movie instead of a good one. It's as though the screenwriter didn't sit down and rewrite quite thoroughly enough. That, however, is easily forgiven and forgotten. I will not give away what happens, I will say only this: I was pleasantly surprised because this movie wasn't just a comedy. There are a lot of serious scenes, too, and the ending is very perceptive about human behavior. Bustin' Loose is not a masterpiece, but it is an entertaining, convincing movie, and it works because of the performances. If you pay attention, you'll be surprised at how moved you are at the end of this delightful comedy, and you might even shed a tear.

I love Richard Pryor, but this particular project obviously didn't pan out. He has some funny scenes, but altogether he seems humiliated to be in the movie. This would've worked out better, if it were just an after-school special. The problem is it tries to be a comedy, but the tone is way too uneven. The tone is right in the first half, when Pryor is a slick con man with a short temper. I really got a kick out of the courtroom scene, in which he begs to be sentenced for 5 years in jail, purposely to do community service instead. But once the film takes a serious turn, it never recovers. That's when the story becomes sappy, sentimental and manipulative. Sure, it's quite touching when Pryor begins to like the kids and he even teaches them lessons on life, but I'm just being manipulated by the director. I'm a peer educator, I've worked with dysfunctional children--they don't become nice that easily! Once that kid is corrupted, it takes a lot more than a simple pep talk to turn him/her into a decent, upstanding citizen. So the plot is expectedly predictable. I'm sure some will think much better of the film, since Pryor shows his more serious side. In this particular film, he should've stuck to comedy. In every scene where he gets emotional, his voice rises to a comic pitch and it ruins the moments. But as I said, he was probably humiliated to be in the movie and I can't judge him as a lousy dramatic actor, simply from his work in this particular film. I haven't seen it yet, but he made a movie in the 70s with Paul Schraeder, co-starring with Harvey Keitel, called "Blue Collar" in which he gave a dramatic performance. He may have been good in that film. And last but not least, the soundtrack is terrible! I understand music like that was typical of the movies of the 70s and early 80s, but I wanted to shoot myself every time I heard the music! It just dampened the mood of every scene, as if the film wasn't uneven enough! If you want to see Richard Pryor at his best, check out one of his concert films. I compare how much I laughed when watching his first concert film and how much I laughed during "Bustin' Loose," and there's a huge difference. The film has its moments, and is not altogether terrible, but it's only OK and very forgettable. My score: 5 (out of 10)

This is a really nice film. I bought it on DVD and saw it last night. I had seen it various times through the years. Last night was the first time I had seen it in along time. Without Richard Pryor it could have been an after school special. I have always liked Richard Pryor in his films, he always played a normal human being, he never got into the supercop comedies like Eddie Murphy did. Pryor showed in this film that he could be tender as well as funny. It is a little gem of movie, very lite, but very funny and heartwarming.Grade: B