One of the best films i have seen

Amateur movie with Big budget

Entertaining from beginning to end, it maintains the spirit of the franchise while establishing it's own seal with a fun cast

While it doesn't offer any answers, it both thrills and makes you think.

I'm always on the hunt for a great indie film cut from a different cloth than mainstream and not afraid to be bold. "Buffalo Bushido" is just that. It starts with the script and the biggest void I find in indie films is poor dialog. From the moment Bruce Glover and Peter McGennis start the film seated at a dumpster rambling about philosophy, you know that you're on a unspoiled, creative path. Glover is superb in his surreal identity and McGennis has a very likable quality to his dark, honest character similar to a rugged Clint Eastwood in his western days.The performances continue to shine with Jesse L. Martin entering the picture. He's another wonderful "honest" actor who adds depth to McGennis' personal film. Leila Arcieri delivers what is by far her best work playing a real woman caught and honestly struggling with her past. She goes looking to uncover and succeeds in unraveling. We are then treated and assaulted by John Savage in a completely over-the-top, unforgettable performance as a manic parole officer. Fred Weller and Lord Jamar are terrific in their supporting roles. Again the word "honest" comes to mind as both Weller & Jamar deliver McGennis' creative script with precision. Noteworthy cameos by Lezley Zen and Jimmy "Superfly" Snuka keep us on our toes and move the film along in surprising ways.Very strong ending, true to the story, shows McGennis is not a filmmaker to cop out. "Buffalo Bushido" is a bold, creative, personal film (somewhere between drama and thriller) that goes deep and makes you think and feel. A refreshing departure from the action-heavy films of today that don't make audiences think or invest. If you like smart films, you'll get a kick out of "Buffalo Bushido".

Every time I think the low budget independent drama is dead, I stumble across a little gem of a film that changes my mind and gives me hope. "Buffalo Bushido" is just that. Quirky yet specific. Honest yet surreal. Myopic yet projecting in its meaning. Through nuance, familiarity and performance, McGennis taps into his hometown with acute specificity and keeps you hanging on until the end. His use of layering is absolutely brilliant and shows a degree of thought and level of depth missing in Hollywood today. McGennis and Leila Arcieri deliver some very powerful moments as they slowly break down in their struggle to connect. All of the cast deliver fresh, surprising performances and McGennis especially shows skill linking certain characters to his own. "Buffalo Bushido" is a thinking person's film that takes its time to develop and take hold. It's oddities make it very hard to forget and suggest that we are witnessing an emerging new talent with creative vision and the unique ability to pull off all four major capacities (writing, directing, producing and acting) with voice and style. Like most unheralded early works, "Buffalo Bushido" will likely fly under the radar screen and be most appreciated down the road until McGennis achieves greater commercial success. Check it out. "Buffalo Bushido" is a tremendous accomplishment especially for anyone who dreams about making a film or who knows of everything that goes into making a real independent feature film.

Buffalo Bushido is a very powerful, deep and personal film about a man trying to come home. Treating the state-of-mind genre is delicate and McGennis captures it subtly not only in his performance but by allowing the audience to see through his schizophrenic lens with empathy and clarity. Having worked with high risk schizophrenic patients, getting through and controlling the voices often presents an enormous wall to climb. McGennis approaches his disconnect-connect role from a real life angle and lets his story seep out until the last act where it really kicks into gear. Pace and tempo are driven by his affect on the other actors as he is unaware of his polarity. Again, this is true to schizophrenia and an inability to recognize consequence. Leila Arcieri does a very convincing job climbing into the passenger seat of car wreck while Jesse L. Martin and Fred Weller double team as antagonists (which are the voices of reason). John Savage sizzles in his over-the-top, catalytic performance as the manic parole officer but the steak belongs to Bruce Glover who appears in many different guises and voice over capturing the lunatic in the head theme brilliantly through the film's warped humor. The Glover-McGennis scenes at the lobby desk are fantastic and reveal McGennis' skill of showing how the things are crystal clear inside his head while outside is chaos. The layers of animation and flashbacks reinforce his inner clarity and ring with truth as many schizophrenic patients cling to the details of early memories. Although we have an eerie sense of where this film might be taking us, the path reveals constant surprises and we never know what to expect.Buffalo Bushido was the best film I saw at the Queens Film Festival where it rightfully was awarded and nominated in multiple categories. It is an original reflection and deep meditation. To call this a vanity project is the equivalent of stamping a narcissistic label on anyone suffering from depression let alone schizoaffective bipolar disorder which is terribly difficult to diagnose and treat. Whether one chooses to scratch underneath the surface and feel empathy is a choice. During a Q&A after the Queens screening, a teary-eyed woman in the audience commented that she thought she was seeing a ghost of her brother who sadly took his own life. Buffalo Bushido is a film that haunts and sticks with you which I've found is a testament to films that hit a life chord. The fact that McGennis accomplished this in his hometown serving as writer, director producer and lead actor is incredible. My favorite indie film of 2010.

I'm not sure what to think of this film. The premise is not entirely original albeit still somewhat compelling. The casting of a non-actor in the lead role which as it turns out is also apparently the writer/director/producer leads one to think that this film is little more than a vanity project for this person - especially when you consider the number of times we see the writer/director/producer/lead actor's bare butt in the film.Taking the film on its own merits yields little for an audience I'm afraid as the ham-fisted execution of the amateurish narrative and lackluster performance of the lead coupled with the running time of 100+ minutes and complete lack of chemistry between the lead and his romantic counterpart leaves merely a few interesting performances from the minor characters.The half-baked story never quite achieves a level of authenticity as it skims the surface of various themes and personal issues of the characters without ever really delving into their inner lives. I had a hard time caring about a single cardboard cutout or cartoon character in the film which is more likely an issue with the writing and direction since I recognized quite a few very good actors in the cast.Based on the title, I expected something more in the way of a mystical exploration of a small town guy's life through the fascinating "Bushido" Samurai code of ethics but that never seemed to materialize as it all appeared as little more than window dressing. Anyone knowing anything about the tenets of Bushido would more than likely take issue with the lead character's use of narcotics and his Christianity.Comparisons to other films certainly help to draw attention to the lack of arc with respect to the lead character, Davis, who after trying to unsuccessfully reconnect with his childhood friends ultimately chooses defenestration as his own mother had many years before, checking out the same downtrodden, psychotic loser he is when the present day story begins.The ending, apparently an attempt at something profound had me scratching my head as did the mishmash of musical styles employed on the soundtrack. The only thing that remained constant and seemed deliberate throughout the film was the apparent narcissism of the writer/director/producer/lead actor who as it turns out never even acted in a film before (as far as I can tell).In all, an odd little film that more than likely won't make much of a splash beyond Buffalo where it was made.