Brown's Requiem
Brown's Requiem
R | 01 November 1998 (USA)
Brown's Requiem Trailers

Fritz Brown is an ex-LAPD, recovering alcoholic who now splits his time repossessing cars for a used car lot and staffing his one-man private detective agency. When a filthy caddie named Freddy "Fat Dog" Baker wanders into Fritz's office one day, flashing a wad of cash, Fritz is hired to follow Fat Dog's kid sister Jane, who is holed up with a Beverly Hills sugar daddy named Sol Kupferman. Kupferman is a 70 year-old bag man for the mob, and Fat Dog claims that "Solly K" is up to something evil that may harm Jane. The trail leads Fritz to an encounter with his dark past in the person of Haywood Cathcart, current head of LAPD internal affairs and the person who kicked Fritz off the police force.

Reviews
Karry

Best movie of this year hands down!

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MonsterPerfect

Good idea lost in the noise

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Billie Morin

This movie feels like it was made purely to piss off people who want good shows

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Kaydan Christian

A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

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mikeallen21

Brown's Requiem is a gritty, realistic, detective story. Michael Rooker is top notch and very believable. His supporting cast is excellent.The casting was spot on. William Sasso of Mad TV fame is spectacular. He really is a versatile actor that needs more and larger roles. Brad Dourif adds some veteran skills and Selma Blair gives a good performance as an enticing teen with trouble always in tow.If you like realistic suspense/thriller situations you will love this.It lifts the veil of the shiny city and shows the dirty, dangerous underbelly of a large city filled with unpredictable misfits.Dark, not so perfect, lead character with all his flaws and fears trying his best to do right against the odds. Rooker can be VERY menacing when backed in a corner!

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Raegan Butcher

It is definitely Michael Rooker who carries this film with his likable working-man persona.He really manages to show the heart and humanity under his character's rough exterior and when he needs to be menacing he delivers the goods;the scene where he takes a pair of brass knuckles to a creep in order to beat some information out of him is worth the price of admission alone. He is well-served by a snappy script that captures the gritty funk of Ellroy's writing. Capable direction by Jason Freeland keeps things moving nicely. There are excellent character turns by Will Sasso, Brad Dourif,and Barry Newman. And Harold Gould takes a bow as a slimy mobster.I am surprised this isn't more celebrated. Good show, all around.

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Freedom-7

I recently saw Brown's Requiem at a film festival and was completely impressed. Being a fan of film noir, I really believe that director Jason Freeland knows his material well. He was able to use the classic narrative style of the detective movie in a modern way. I was also happy to see Michael Rooker in a leading role again. He is an important actor that I would like to see more of. If you see this movie playing in the theatre near you, go see it!

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Gudo

First I want to say that I love James Ellroy. You will certainly find L.A. Confidential in my top 10 for best movies of the 90's.So I really looked forward to this movie, but it really disappointed me. The story concentrates the most on the main character, here played by a decent B-movie actor: Michael Rooker. Unfortunately, he just can't handle with his personage. The film could have greater, with a lesser depressing tone, a bit more tempo and a better written adaptation. The actual crime story is hard to follow and is told here on a very uninteresting way.I saw this in the movie theatre, but I think this should have been going directly on video. I can almost certainly say that almost every Ellroy fan will be disappointed. A shame, a pity, just forget about it...hopefully the next Ellroy film will be better. The first thing I wanted to do after seeing this film, was watching L.A. Confidential again...

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