Great movie! If you want to be entertained and have a few good laughs, see this movie. The music is also very good,

Each character in this movie — down to the smallest one — is an individual rather than a type, prone to spontaneous changes of mood and sometimes amusing outbursts of pettiness or ill humor.

A terrific literary drama and character piece that shows how the process of creating art can be seen differently by those doing it and those looking at it from the outside.

Great movie. Not sure what people expected but I found it highly entertaining.

"There are two rules that everybody knows. First, don't go in with anybody who has more to lose than you. What is the other rule? You got cement in your ears. Don't get caught."Are you a big fan of, or you have a fetishism for an abundance of flashbacks, then "7 Minutes" will be perfect for you. Because, believe me, you just bent over to scratch yourself at an annoying place because there's an irritating itch, and before you know it you swallow another flashback. Or you just grabbed for the half-empty packet of paprika chips .... BANG .... another flashback. This was like a doubles match at Wimbledon with four pepped first-rank players. The flashbacks will fly around your ears (backhandwise). So paying attention is the message. Otherwise you've lost the thread in this tangle of intersecting story lines. Indeed Sir, within 7 minutes!Sam (Luke Mitchell), Mike (Jason Ritter) and Owen (Zane Holtz) are the three central figures. Three schoolmates who are leading a not so rosy life. Sam was an American football star with a scholarship and the accompanying mandatory cheerleader Kate (Leven Rambin). Their future looked promising, but an ankle injury put spikes in the wheel. The end result is a miserable, poor life with Sam working in a factory and his pregnant wife Kate as a waitress in a restaurant. Mike (Sam's brother) is in the same boat (the American Dream boat that sailed as Mike claims) and he tries to survive by selling weed. Owen's life isn't exactly a success story either. He's the son of Mr. B (Kris Kristofferson) who leads the local mafia. Owen just left prison. He got convicted after colliding with an obese security guard in a not so gentle way. To be honest, those guys aren't the brightest minds in this local town.Yep, they aren't smart. You'll notice that immediately. When they set up the plan to go into business with a notorious drug dealer, this goes awfully wrong thanks to panicky Owen. An anxiety attack makes him flush XTC tablets, worth $ 62,000, down the toilet of a petrol station. Hence the next stupid idea : robbing Sam and Mike's uncle. This will only take 7 minutes. Voila, and thus the title of the film is also explained. Needless to say that again this is a stupid plan. Who is so stupid to commit a robbery in a town where everybody knows you? And why the hell did they pick someone related to them? It's a plan doomed to fail. Especially when other complications turn up as well. Believe me, the story lines are subtle but also in a complicated way interwoven with each other. And that makes this seemingly simple bank robbery story unnecessarily complicated.It reminded me a bit of "Cut Bank". Only the latter was far more cynical and humorous. The three clumsy friends were interpreted in a reasonable manner by the respective actors. But really memorable it wasn't either. Kristofferson's contribution was way too limited to make a judgment, but this kind of character fits him. The only ones that stood out were Kevin Gage, as trigger-happy Tuckey who changed the tone of the film abruptly from average to violent, and Brandon Hardesty as the pathetic, obese Jerome who spontaneously starts crying while looking at himself in the mirror. The bank robbery itself may not look as stupid as the one in "American Heist", but otherwise this film isn't memorable either. "7 Minutes" is an uninspired, ridiculous film that provides momentary entertainment. However, I didn't mind that it took more than seven minutes. More reviews here : http://bit.ly/1KIdQMT

"In and out within seven minutes". That's the plan for three guys staging a brazen armed robbery at a local bank. Of course if the job had gone smoothly there wouldn't be any reason to make a movie and so naturally the job goes pear shaped. Bullets fly and unexpected circumstances arise. Suddenly, what they thought was a close-knit plan, becomes an all in-affair with other persons stepping into the equation. 7 MINUTES crept up on me and took me by surprise. In fact I had never heard of it up until the point of it landing in my hands. The cover art and poster treatments were confronting and my attention was perked immediately. It is an accomplished piece of independent film-making from a first time director Jay Martin. He has constructed a multi-layered crime film with an intentionally disjointed narrative that uses the robbery itself as the backbone. The course of the film switches its focus from one character to the next and details each of their movements leading up to the crime itself. They each their own reason for being involved and when faced with the botched job it's every man for himself. The performances here are all good. Former Aussie HOME & AWAY star Luke Mitchell has made the transition to the American scene with ease and he makes a strong impression here in his first leading role. The support around him includes players such as Jason Ritter, Kevin Gage, Kris Kristofferson and Joel Murray. All give solid turns with the stand-out being Kevin Gage. He conjures up a terrifying and psychopathic performance that lifts the film to another level.Technically 7 MINUTES is also savvy and skilfully structured. The cinematography is awesome with wide sweeping shots and creative angles that are never so pretentious as to be distracting. The use of slow motion with an effective score by tomandandy compliment the design and offer the movie an extra coat of polish.Of course there are also a lot of clichés and obvious tropes exploited in the film, as well as some convenient plot holes and irrelevant explorations of character traits. Ordinarily such things would irk me but with an ensemble of solid performances paired with a concise production design and a kinetic score the film moves at a breakneck pace and never oversteps its mark. With a structure not too far removed from RESERVOIR DOGS and an atmosphere of THE TOWN meets HEAT, 7 MINUTES is a surprise crime film that ought to impress most fans of the genre.

I don't know what the critics are talking about. I think it all comes down to the baby. The baby inherits its entree into planet earth, through no fault of its own. Who the parents are, the life they had, and so on.Given the totality of the circumstances, the only thing the parents could do was just leave. According to the law, the protagonist (resembles Paul Walker) is guilty of murder, as the lady at the bank was killed during the commission of a felony. It was Sam that conceived the robbery, and had it not been for the robbery, the lady would not have been killed. So her blood is eternally on Sam's hands.The movie gives us a sort of happy ending, as Sam manages to get away with the girl, with the money, to start that new life, but at the cost of the lady's life at the bank.The pregnant girlfriend, an accomplice to felony murder by enabling Sam to escape, has unclean hands as well.Imagine now the baby is born, it inherits this legacy by default. The statute of limitations never runs out on murder. Let's say the baby, now 14 years old, discovers the details of the crime. Should the child report the matter to the authorities? If not, does the sin of the parent stain the child's hands? And would not, for the sake of pure loyalty, not turn his parents in? Was it better for the child for the parents to run off and not turn themselves in, or to have them do so for the sake of conscience, and have the child born in prison, to be later adopted, or placed into foster care? While this movie is not necessarily indicative of common place events, it is a symbol of other sorts of compromises that are very common parents find themselves in prior to a birth of a child.Imagine the compromised position so many millions of children are placed in for the sake of their parents, doomed to inherit and/or suffer the consequences of the compromise.If you are going to bring a child into the world, you have a solemn duty not to have it all transpire in a compromised context. The child has no fault, and you curse their existence before it even starts. It is the crime that is committed all the time in this world and is never punished, and the child suffers the penalty.To bring a child into this world, you must be a great man and great woman, and must be committed to loving each other, and to communicate that love to the child, and give the child the highest and the best. Anything short of that and you should never bring a child into this world.

If you are looking to watch a movie that you won't have necessarily to follow, keep reading. Otherwise, you will be disappointed. This movie starts well: it follows an interesting style of narration (Flashbacks which carefully explain the main Event through the single introduction of characters) and employs good actors. Unfortunately it also lacks an ending: the feeling after the ending credits reminds that sour sensation that something more could (should) have been done.This movie does not aspire to anything more than a decent box office outcome, but it could have been something more, if they had believed it to mean anything. It is just incomplete,and because of that, pointless to watch in the first place.