What a freaking movie. So many twists and turns. Absolutely intense from start to finish.

There is, somehow, an interesting story here, as well as some good acting. There are also some good scenes

Excellent and certainly provocative... If nothing else, the film is a real conversation starter.

Close shines in drama with strong language, adult themes.

Made over six years between 1977-83, this film reminded me strongly of the films labelled the No Wave. These were underground lo-fi movies made primarily in New York in the late 70's / early 80's. They often had political messages and were uncompromisingly uncommercial. I'm not sure but I would think that Lizzie Borden's feature Born in Flames must surely qualify as one, as this is a wilfully challenging and direct bit of underground cinema which is a rallying cry to women generally. It has a sci-fi premise. In the near future, America is celebrating the tenth anniversary of a socialist revolution but despite this, many issues remain the same, such as racism, homophobia and sexism. A militant group called the Women's Army have been formed, they take direct action to fight for women's rights. Their leader is arrested for a minor offense and mysteriously dies in custody in prison, leading to further revolution.I'll come out and admit it straight away that I didn't fully enjoy this one. Not on ideological grounds but merely because I did not find the film fully engaging due to its fragmented experimental presentation. Having said that, I do respect what it was doing and it does have an unmistakable energy to it which I found interesting. It's clearly low-budget as underground films always are but it definitely has ambition for sure. It takes the form of a pseudo-documentary and mixes in some real news footage in with staged material. The actors are all amateur but this does ensure the feel remains more radical and less watered down. It focuses on feminist politics primarily and it does have to be said that many of the issues discussed still exist today so it does still have a relevance in terms of what it is saying. I also enjoyed the punk soundtrack which had a sort of proto riot grrrl feel to it. So, while I cannot pretend to have fully engaged with this one, I do respect it and admit it has a certain unique feel.

Born in Flames is one of those films that people start out discussing with the word "Considering.""Considering the budget is so low, it's pretty interesting.""Considering it's so badly edited, it still has some good moments.""Considering the acting is so poor, its ideas are kind of compelling."NO.This is not a film that needs to apologize for anything about itself. It's a great film about revolution that gets more compelling each time you see it. Here's some stuff to notice.First, this movie could not succeed if it had a bigger budget. It's about trying to make change when you have almost nothing, and its own production values help keep the focus on what feels like a real struggle.Second, this movie is BRILLIANTLY edited, cutting across three or four different plot lines rapidly to encourage us to connect the dots, to try to figure out how the various characters and perspectives can be seen as a whole. Example: a montage consisting of female hands doing various tasks: filing papers, typing, putting a condom on an erect penis (!!!!!), rinsing dishes. No commentary on this string of images, but what a message this lack of commentary sends! If you've never thought of prostitution as labor, you will after seeing this film.Third, the bad acting works. Revolutions don't have perfect, adequate actors who are up to the task of fulfilling their roles. They have regular people who are struggling to play their part. Hollywood A-listers would have ruined this point.I'm not done re-watching Born in Flames, and I'm sure I'll see more as time goes by. For now, though, it's on my list of truly important SF films. See it, teach it, tell your friends.

I remember seeing this about twenty years ago in the basement of a public library, if you can believe it. It was part of some local film festival. I guess it must have just come out. I also remember watching some flick from the same festival that consisted of a woman's self-made porn flick hacked up, dipped in acid, burned, etc. And then she strung together all of the surviving strips and that was her film. Don't recall the name of that one; it was pretty forgettable aside from the porn and filmstrip-hacking aspect. This movie is not forgettable, thought it is really, really strange. Set in the near future, it centers around a young, black, lesbian blue collar activist who goes off to Libya, meets with some socialist sisters, comes back with her political conscience raised even higher, gets arrested on some spurious minor charge and dies mysteriously in jail. Her death sparks a women's revolution that turns the city (don't recall if they named it) upside down. There's a squad of whistle-blowing women on bicycles who hunt down rapists and scare them off their victims. There's a funky black woman DJ who narrates the action like a sports announcer as things heat up. This film is really, really bizarre. And yet, it's a whole lot of fun. This is what science fiction really should be about--not laser pistols, and ridiculously expensive special effects, but stories that pick you up, turn you upside down and give you are good, hard shake.

Even almost 20 years after its release, "Born In Flames" retains its sense of urgency and immediacy. This is due both to the energy of the performances, soundtrack and direction and to the fact that most of the women's demands in the film - including equality in the workplace, safety from harrasment and sexual crimes, and equal representation in government - still have not been met.One of the film's greatest achievements is its representation of the divisions and debates within feminism. The film does not try to offer a single solution or plan of action as a definitive best way forward and so avoids tempting over-simplification of a complex set of issues. Rather than negative or unhelpful, I found this approach incredibly refreshing in a medium rife with happy endings and simple, fictional solutions. "Born In Flames" doesn't have an answer, but it has many, many questions and many, many voices. These voices and the regular delivery of discourse straight to camera and audience has regularly led to critical disapproval and claims that it is "overly polemical". I don't find "Born in Flames" overly polemical. I don't agree with many of the opinions and strategies given voice and action in the film, but I found the experience of being directly addressed by a female character on issues that are largely invisible in mainstream cinema energising and inspiring. This film won't change the world, but it made me start writing for my fanzine again and get on the phone to my bandmates to get a practice organised. Enough films, debate, writing, and noise, and we'll get somewhere.