When a movie has you begging for it to end not even half way through it's pure crap. We've all seen this movie and this characters millions of times, nothing new in it. Don't waste your time.

It's an amazing and heartbreaking story.

There are moments that feel comical, some horrific, and some downright inspiring but the tonal shifts hardly matter as the end results come to a film that's perfect for this time.

The thing I enjoyed most about the film is the fact that it doesn't shy away from being a super-sized-cliche;

I'm quite surprised at myself for having not watching this Charles Band Full Moon Features production before and have quickly become a fan of the Subspecies series of films. I think what I like most about the series is that the vampires here are neither the Bela Lugosi elegant gentlemen type, nor are they the emo Anne Rice/Sookie Stackhouse type of vampires. The vampire Radu is a nasty scary looking monster. In many ways, he reminds me of the Steve Niles vampires in "30 Days of Night." In this third installment, Radu is still controlling one of the sisters from the previous film and her other sister is trying to free her from Radu's thrall. As with the previous films, this was competently directed by Ted Nicolaou, who makes the most of the European locations and the real-life castle that was owed by Band's production company at the time (and which appeared in just about every Full Moon film of this era, even one misguided Trancers film). Anders Hove continues to be creepy as Count Radu, the practical special effects are solid (and bloody), and the production values are better than most Full Moon productions. Overall, this one is a must see for fans of Charles Band films, but honestly this film is probably not one for non-fan of Full Moon Features.

After escaping from the vampire lair, a woman continues the search for the deadly vampire and his bride in her sister with the help of her friend only to have the local authorities disbelieving in their story which complicates matters until they finally are forced together to stop them.This was an enjoyable if somewhat flawed entry. Once again, this one manages to get plenty of mileage out of its Gothic trappings, which are kept to a high majority of the time throughout here. The opening resurrection ceremony, featuring the demonic hag performing the ritual on the girl by slicing her arm and using the blood to reanimate the other vampire or the discovery of the bloodied and mangled bodies from the previous encounter gives this a great start, and the use of them flying away out from under the investigators eyes is a solid and engaging ploy. Keeping the vampire and his mummified mother on-screen for a large portion of this section as he attempts to teach her the ways of the vampire like she wanted gives this a kind of enjoyable entrance into the whole affair. Those training sessions offer some rather fine moments being held in the candlelit room which adds to the atmosphere of him training her before eventually forcing her to drink from the city girl he captured for her. That also leads nicely into the final half where it really manages to let loose with some fine action in the assault on the impenetrable lair high inside the castle walls with their initial scaling of the walls and the resultant firefight with the mummy before having the tables turned and leading into the fun of the vampires being awakened which gives way to them being captured and tortured by the two. Even without the frantic actions and confrontations throughout here, the violence and gore manages to hold off enough to really work quite a lot to really like here. It does have a few rather noticeable flaws throughout here though. The main issue holding this one down is the fact that there's not a whole lot of real vampire action in here unlike the others in the series. The middle portion of the film descends into an endless series of either investigation scenes with the two trying to look into the history of the vampires in the area while avoiding the authorities or scenes of him trying to teach her how to be a vampire. While there's some fun to be had with the idea of her out stalking those around the city and upsetting the community which in turn leads into their distrust of the investigation, that this is what the movie descends into leaves it not all that exciting for a large portion of the running time which is somewhat frustrating. As well, the film manages to spend a great deal of time worrying over the grave seriousness of finale but it just drags it all out to endless degrees which severely reduces their impact as it features a ton of elements that pad this one out quite heartily, from their turning on each other to the escape attempt and finally leading into the actual way out of the castle which is far longer than necessary. Otherwise, there's not much to dislike here.Rated R: Graphic Violence, Nudity and Language.

Still in the thrall of the evil vampire Radu (Anders Hove), Michelle yearns to be taught the skills of the vampire. Meanwhile, her sister Becky tries to free her from his evil clutches, and this time, she has brought some help.Shot back to back with part two, the "Subspecies" series is one of the better things to come out of Full Moon. Maybe it had creative independence, or maybe the budget was better in that era. I am not sure. But we haven't seen anything this good from Full Moon in a long time.Others have commented that, despite the low budget, the film is a lot of fun because it doesn't take itself too seriously. That's true. But also, this is legitimately good -- good acting, and amazing makeup. The plot may be a bit silly as it moves into part three (and just wait for part four!) but you have to expect a bit of deterioration with sequels.

Continuing directly after the major cliffhanger of the previous film (well after a short recap of the aforementioned movie at least) Subspecies 3 jumps right back into the thick of it. With Rebecca trying to save her beloved sister/recent vampire Michelle from evil vampire Radu and his witch of a mother.While there are parts of the film that I really enjoyed, this third film as a whole is a bit too padded and i believe that it would've been better served (artistically if not financially) by trimming it down and combining the footage left with part 2 to make a much better film. As it is, the film was OK, it just could've been such better.Eye Candy: Elvira Deatcu gets briefly topless and Melanie Shatner provides T&A