if their story seems completely bonkers, almost like a feverish work of fiction, you ain't heard nothing yet.

It’s fine. It's literally the definition of a fine movie. You’ve seen it before, you know every beat and outcome before the characters even do. Only question is how much escapism you’re looking for.

One of the best movies of the year! Incredible from the beginning to the end.

This movie tries so hard to be funny, yet it falls flat every time. Just another example of recycled ideas repackaged with women in an attempt to appeal to a certain audience.

Aside from all too few location scenes of Manhattan in 1964, the movie "Blindfold" is a low-budget affair that wastes the acting talents of all involved in this movie. One scene stands out for me, as Rock Hudson's character is talking to the general, played by Jack Warden. They are supposedly flying in a turboprop airplane, yet their seats face each other, the window is covered by a long curtain and you see no one else, not even the pilot. Just a studio set, Universal wouldn't spring for filming in a mock up of a real plane or even in a real small plane. As usual throughout this movie, director Philip Dunne does an abysmal job staging the scene. What is surprising to me is that Joseph MacDonald, the director of photography, does such as bad job lighting up this scene and most of the movie outside of the scenes in Central Park. DP MacDonald usually was aces, as in westerns like "Rio Conchos" and "Alvarez Kelly." The less said about the story, the better. This movie was co-writer Dunne's last screenplay and he quit while he was at the bottom. I still can't figure out why everyone made such a big deal about kidnapping the scientist, there is no explanation of what he was working on. Beautiful Claudia Cardinale wanders about the movie looking upset. In a chase scene at the end through a swamp, she wears a tight blouse that the director makes sure never gets wet, don't want to show too much of her assets. The one word that describes this movie is "tired." No one wanted to do more then turn out about ten reels of film. Flat lighting, cheap sets, badly edited chase scenes and dull characters. Rock Hudson as a famous psychiatrist who has a problem with his girlfriend? This movie was a good way for Hudson to prepare for his later career on his series "McMillan & Wife," where cheap production values, bad lighting and shoddy writing were the norm for that 1970s series.Except for the fine actors in this movie, I can't think of one positive thing to say about "Blindfold."

Strongly influenced by Alfred HItchcock's spy thrillers ("north by northwest" " the man who knew too much"...etc) ,"Blindfold " shares with them the same vagueness as far as the political stakes are concerned. There are villains who kidnapped a scientist ,period.Sometimes ,the viewer does not know who the villains are anymore.And the movie shows some humor ,when it seems everything is unauthorized and when the cop lies down on the psychiatrist's coach.Besides the movie is proof positive that mules are clever .Claudia Cardinale keeps her slightly hoarse voice (apart from Italian,she is also fluent in French) and her pairing with Hudson is odd,but why not?The movie is never dull and although it is far-fetched to a fault -Hudson finding the way back to the House - it's good entertainment .But if you have not seen Hudson's precedent movie -one of his favorites- " Seconds"(Frankenheimer) ,made the same year,you'd better choose that one.

This was once a mainstay of top movies for TV, but has since become forgotten, a victim of being one of the better movies. The older movies shown now are picked by the same people who have money in new movies, so they won't show good competition. This one had Rock Hudson playing a likable psychiatrist who becomes involved in espionage, treating a man who is a high level security risk. He is taken to the location several times, always blindfolded, and later, he must retrace his steps when he realizes something has gone wrong. A beautiful girl also has an interest in finding this location, and she builds a relationship with Rock, who does a great acting job of a heterosexual. Lots of great action, some of it before it's time. When this film was made, textbooks still claimed that no alligator ever killed a human being. Alligators become a major force here. There are lots of interesting bits, especially with the transportation the pair use in the swamp, "Henry". Enjoyable, and has all the classic attributes great movies have, without a lot of fanfare and big all star cast (although there are a few fairly big names). Well directed, and lots of fun.

This is a pleasant mystery thriller with some light comedic moments and as such is typical of a lot of movies made in the same period of the middle to late sixties, most with one word titles such as this one has. Partly inspired by the popularity of the stylish "Charade" of a few years earlier, and more obviously influenced by Hitchcock, this is a mixed group of films with often middle aged or lesser known actors in the lead. This one has a biggie: Rock Hudson. He plays a psychiatrist with the wonderfully slick, Hollywoodish name of Bartholomew Snow, who gets in trouble up to his ears and, more to the point, eyeballs, when one of his patients turns out to be a prominent scientist who's being trailed some rather unsavory characters.Hudson's ably supported by the luscious Claudia Cardinale, and the two make a very attractive couple. Also good is the late Jack Warden in a key role, and Guy Stockwell as a man who stutters. There's really no need to go much further into the plot except to say if one is in the mood for stylish, anodyne entertainment, this is a good one to catch. It has good credentials, too: directed by Philip Dunne, from a Lucille Fletcher story, photographed by the legendary Joe MacDonald. Though not on the Hitchcock level, the movie exudes class. While I wouldn't call this a brilliant film, it never insult the viewer's intelligence.